If you've been following this humble blog's ongoing mural project, you might be wondering where I find all this stuff. Locating good sources is a fun part of any blog project, and I've found several over the course of this one: The RACC website lists many (but not all) of the ones that belong to their "public art easement" program. There's a Tumblr that covers Weston rose murals, and the Forest for the Trees website tends to list everything created for their annual festival. And then there's a guy whose Flickr handle is "wiredforsound23", who posts geotagged photos of all sorts of obscure stuff. The guy clearly knows a lot of people in the street art world, since he often includes a title and artist with his photos. Though I get the impression he sometimes invents a title on his own if a mural doesn't have one. In any case, the mural we're looking at now is one he says is called Proving Ground of the Mad Overlord, by Acid Wizard, on the second story of a building at NE 29th & Alberta. If the artist's name sounds familiar, he(?) also painted a similar wizard face next to the smoking cat mural on N. Mississippi. I have a feeling this wizard face may be on the no-permit side of the street art world, which is a fun legal distinction that only matters in Portland. These photos were taken a few months ago, and for all I know it's been painted over by now. For all I know, the entire building's been replaced with luxury apartments by now, because NE Alberta.
Tuesday, June 30, 2015
Canned Heat Glass mural
Next mural up is this giant robot battle at Canned Heat Glass, a glassblowing equipment shop at SE 10th & Taylor. The mural's clearly signed "OASIS", but my Google-fu isn't coming up with an artist website or Tumblr to point you at. It might be out there somewhere, swamped by spurious results for Oasis and Canned Heat, the bands. So if any artists out there are reading this, here's my occasional reminder that I'd love to link to you, but first I need to be able to find you. Adding a little URL or Twitter handle to a corner of your mural never hurt anyone, hint, hint.
442 mural
The next mural on the ongoing tour is this group of soccer players outside the 442 soccer bar / Bosnian restaurant at SE 18th & Hawthorne. I don't know anything else about this one, unfortunately.
Some might argue that it doesn't really count as a mural when a business decorates an outside wall. I tend to err on the side of including things in this ongoing project, unless something's just a logo or an ad. And I might include it even then, if it's interesting enough.
Saturday, June 27, 2015
Vancouver Brewery History mural
The next stop on today's VanWa mural tour is Brewery History, on a wall at Main St. & Evergreen Blvd. This was created by local artist Tamra Davisson for Vancouver's 2012 Summer of Murals event. The mural shows a few historic beer bottles from the city's erstwhile branch of the Lucky Lager empire and its various local predecessors. The mural's info page goes into this history further than I care to, and tracks all the corporate mergers and renamings over the years, up to 1985 when the Vancouver brewery closed its doors. The one interesting bit is that Star Brewing (one of the predecessor companies) briefly employed brewer Henry Weinhard before he moved on and started his own operation in Portland. During the 1990s there was a short-lived revival of the "Star Brewing" name, but that company was unrelated to the original one other than the name. I imagine I would have tried their products once or twice, but I have no specific memory of it. I've never heard anyone claim to miss them, or even remember them. At last report, circa 1996, they'd concluded they were done for in Portland, and were pulling up stakes to move to Phoenix where beer drinkers didn't know any better, I guess.
Kaiser Shipyard mural
Today's VanWa mural tour continues with Kaiser Shipyard at E. 7th & Main St. This was created by Ellen Clark for Vancouver's 2013 Summer of Murals. That page describes the design briefly:
In 1941 a beautiful morning begins with employees efficiently working on various phases of ship assembly. scaffolding and cranes stand high to assist progress of the finest ships built on the Columbia river. The SS Joseph N. Teal awaits loading. Built in ten days, the 10,500 ton Liberty ship is proudly launched from the Henry J. Kaiser Shipyard. Reference materials provided by Pat Jollota.
A 2013 Columbian article interviewed several local residents who had worked at Vancouver's Kaiser shipyard during World War II. As the article points out, for much of the war the shipyard produced amphibious landing ships and even small aircraft carriers, rather than the Liberty ship depicted here.
After Degas’ "Practicing at the Barre”
The next VanWa mural on today's tour is After Degas’ "Practicing at the Barre”, outside the Columbia Dance school at E. 17th & Broadway. As the name indicates, this mural was inspired by a famous Degas painting (now owned by the Met museum in NYC). The mural was painted in 2009 by Guy Drennan. Its Clark County mural page describes it briefly: "Clients like the Degas piece, and this illustrates what the building offers to students of dance. Painted with Kelly Hytrek."
Vancouver Farmers Market mural
Our next VanWa mural is one at 6th & Main St honoring the Vancouver Farmers Market. The market itself is held at Esther Short Park, a few blocks further west, so I'm not sure why they needed a mural about it at this spot, but hey. Anyway, it was painted for Vancouver's 2013 Summer of Murals by Travis Czekalski of the Portland-area duo Rather Severe. Their work has appeared here once before, a mural on NE Sandy created for the 2014 Forest for the Trees event. You can kind of see a family resemblance, though Vancover's mural is a bit less psychedelic, aside from the walking ear of corn.
Chkalov's Landing mural
The next VanWa mural on today's tour honors an episode in Vancouver aviation history. In June 1937, Soviet pilot Valery Chkalov made the first nonstop intercontinental flight over the north pole, starting in Moscow and landing at Vancouver's Pearson Field. This flight is now often forgotten in the US (except for Vancouver), but Chkalov remains a national hero in Russia, along the lines of Charles Lindbergh here. Chkalov's flight wasn't just a publicity stunt, either; modern airline flights between Europe and North America generally follow near-polar "great circle" routes (this being the shortest distance between two points on a sphere), so this pioneering effort turned out to be of great practical importance.
Vancouver remembers the event with a few commemorations around town. There's monument to Chkalov next to the airport, and a major road nearby is named in his honor. And then there's this giant mural downtown, at Main St. & Evergreen Blvd, which was created in 2008 by Guy Drennan and Linda Stanton. Unusually, one wing of Chkalov's ANT-25 extends out over the windows of an adjacent building.
Fort Vancouver mural, Main St.
Today I'm going to post another batch of murals from downtown Vancouver, WA. VanWa has a lot of murals around its downtown core, thanks in part to a group called the Clark County Mural Society. Apparently one of the things they do is an annual Summer of Murals, in which several new ones are painted around town, and prizes are awarded. The mural we're looking at right now depicts historic Fort Vancouver (which is just east of downtown, on the other side of I-5), and was painted for the 2014 Summer of Murals by Michael Feliz. It took third place overall, as well as the "People's Choice" award. It's located on the wall of a financial planning firm at the corner of 12th & Main St.
Sunday, June 21, 2015
Share-It Square
The next painted intersection on our ongoing tour is Share-It Square, at SE 9th & Sherrett in Sellwood. (The name's a pun, see?) This is Portland's first and oldest painted intersection, dating all the way back to the late '90s. I described a bit of its history in my first post on City Repair intersections, about the one at SE 15th & Alder. Here's the relevant passage, so I don't have to repeat myself:
The first one was Share-It Square, the intersection of SE 9th & Sherrett (hence the name), down in the Sellwood neighborhood. As this was a strange new thing back in 1997, the neighborhood first had to convince the city that painting a lightly used residential intersection wouldn't be the apocalypse. The apocalypse didn't happen, and street graphics have multiplied since then.
Piazza di Wilbur
The next painted intersection we're visiting is Piazza di Wilbur, at N. Holman St. & Wilbur Ave. This one was created in 2012, sponsored by the Overlook neighborhood association. This was around the same time Overlook Feng Shui went in at the N. Concord/Failing/Melrose/Overlook intersection. A May 2012 Oregonian article mentions both intersections, and includes a short video clip about Piazza di Wilbur.
Elsewhere on the interwebs, I found what seems to be a project website, though it's private and members-only, for whatever reason. The piazza is also listed on "World-Wide Labyrinth Locator", thanks to the little maze in the middle. And someone's Prezi presentation about City Repair intersections describes the design as "some kind of vortex". Cryptic private website, mysterious maze/vortex in the middle of an intersection, suspiciously foreign-sounding name... Obviously there's some sort of fnord intricate conspiracy going on. Aliens and bigfoot and fluoride are almost certainly involved, if you ask me.
Community Blooming, NE 85th & Milton
The next painted intersection on our (very occasional) tour is Community Blooming, at N. 85th & Milton, out near Rocky Butte. It turns out there's another painted intersection just one block north at 85th & Beech, but I didn't realize that at the time, and I don't have photos of it yet. In any case, the two intersections were first painted in May 2014 (which was the subject of a short film), and received their first annual repainting just a couple of weeks ago.
Urban Garden mural
The large mural shown here is on the back of a building on NE MLK, between Mason & Shaver. I've seen it called "Urban Garden", but that's really all I know about it. These photos were taken from Garfield Ave, behind the building.
Main St. Day Spa mural, Vancouver WA
The ongoing mural tour heads back to central Vancouver, WA, near W. 20th & Main St., where a gap between a couple of buildings has been transformed into a twee little garden spot. There are a few benches, some flowers, and a large mural on the side of the Main St. Day Spa building. The Clark County Mural Society's mural map doesn't list anything north of 19th, so I don't know the story behind this one.
I suppose the map ends where it does because this area isn't considered part of downtown Vancouver. My VanWa geography is kind of hazy, but I gather the business district along this stretch of Main St. is called "Uptown Village", and the city's neighborhood office says Main is the line between the Arnada and Hough neighborhoods. So now you know as much as I do.
I have a sorta-theory that Portland's next hip (and hyped) area is going to be around the historic mini-downtown of one of the 'burbs. People are increasingly being priced out of Portland itself, and demand is such that whenever a new part of the city becomes "trendy" it instantly fills up with cookie cutter luxury apartments. So maybe it's time to ask which suburb gets to be the Brooklyn to Portland's Manhattan. Vancouver has to be a leading candidate, although it loses points for the commute into downtown Portland.
Bird mural, N. Williams Ave.
The next mural on the tour is on rapidly gentrifying N. Williams Ave., near Shaver. This large bird mural is on an outside wall of the TreeHouse Childrens Boutique. I like the style of this one; it's too bad I can't find any info on who created it.
Sunday, June 07, 2015
Mini-Mozarts mural
Next mural up is outside the Mini-Mozarts preschool on Main St. in downtown Vancouver, WA. Unusually, the mural was crowdfunded back in 2011 with an Indiegogo campaign. The Indiegogo page says the painting was done by The Space Art Collective, an arts organization based nearby. Sadly, going by the group's social media accounts, they lost their space and went defunct just a few months after painting this mural.
Expanse
The next mural on our ongoing tour is Expanse, on the Allport Editions building on NE Lawrence Ave., just south of Sandy. This mural was created by Seattle artist Mary Iverson for the 2014 Forest for the Trees event. The Allport Editions Facebook page includes a making-of video, if you're curious how something like this comes together.
(Regarding the weird address, Lawrence is a short diagonal street at the NW corner of the weird Laurelhurst street grid. It's more or less equivalent to 26th Ave, if you're trying to visualize where this is at.)
The Future Will Be Hairy
The next mural on our tour is The Future Will be Hairy, on the upper story of a building in the 2100 block of NE Sandy. It's another Forest for the Trees mural, from the inaugural 2013 festival. That Oregonian article has much better photos than mine; I wish I knew where they were taken from, since I couldn't find a better angle than what you see here. Anyway, the mural's a collaboration by three artists whose work has appeared here before: Zach Yarrington, who created the huge Everything is Everything in SE Portland; Gage Hamilton, who did the DeSoto Building mural for the 2014 Forest for the Trees; and Madsteez, who collaborated on the Clyde Drexler mural at SE 9th & Clay. A page at MadeByBand has the inevitable bunch of photos of the mural being painted. A thing I didn't realize until now is that the 2013 festival also featured a limited edition line of clothing & shoes. Apparently you could buy a "The Future Will Be Hairy" bow tie, or even custom Chuck Taylors. That sounds odd, but we're already putting our old airport carpet pattern on every imaginable consumer product, so it's a bit late to complain about some mural-themed high tops.
Rather Severe mural, NE Sandy
Next mural up is on the Pulse PDX building in the 3600 block of NE Sandy. This was painted by Portland duo Rather Severe for the 2014 Forest for the Trees event. It actually took me a while to find this one, despite the fact that it takes up a whole wall. I was walking from the west, and it's on an east-facing wall, so I didn't notice it at first. A couple of blocks further along, I decided it must've been painted over already & turned around, and there it was. This mural project's been going on for months now, and this still happens to me all the time.
Sunday, May 31, 2015
Adorn mural
The next mural up is this crowd of space pigs in front of the Adorn tattoo place in the 2500 block of SE Belmont. I ran across this one in an early 2013 post at Kay-Kay's Bird Club, although the design's been changed out since then.
Mt. Hood mural, SE 9th & Belmont
The next stop on the mural tour is at SE 9th & Belmont, where this faded picture of Mt. Hood graces a vacant auto shop building. It's painted on panels instead of directly on the wall, and at least one of the panels has gone missing in the last year or so. I kind of suspect this whole block will be torn out in the near future, and replaced by another cookie-cutter apartment block, with an artisanal goat yoga studio on the ground floor. I suspect that because it's what always happens.
Saturday, May 30, 2015
Decker
The ongoing public art tour takes us back to the Portland State campus yet again. This time we're taking a look at Decker, the large ceramic wall sculpture at the entrance to PSU's Millar Library. It was created by Geoffrey Pagen for the library's early 1990s expansion. The Public Art Archive description (which I doubt is an artist statement, given that the author wasn't sure if it's ceramic or not):
This piece is comprised of rectangular sections of flat, perhaps ceramic material that has been painted in deep blue, red, turquoise, and black. A pattern seems to emerge from their painted surfaces. Pieces vary in height, and they are arranged in such a way that they resemble a xylophone that stretches a significant length down the curved wall upon which they are mounted.
On a semi-related note, I probably ought to stop thinking of the expansion as the "new" part of the library. It was under construction while I was in school (and the existing library was loud and kind of dusty as a result), but at this point it's older than most of the students studying there. So "new" is probably not the right word anymore.
"Retail Birthplace of U-Haul" marker
For our next adventure, we're tracking down one of Portland's more unusual historical markers. In front of the U-Haul dealership at SE 88th & Foster is a sign proclaiming the spot as the "Retail Birthplace of U-Haul". The 'Retail' qualifier is there because the company itself was founded in Ridgefield, WA (a small town north of Vancouver) in 1945. But this location was the first actual dealership, apparently. The company's history page goes on in more detail, if you're curious; there's even an official book, if you're that curious. In any case, corporate headquarters moved to Phoenix many years ago in search of a more favorable regulatory environment.
In the unlikely event you've been following this humble blog since the mid-2000s, you might remember I mentioned this marker once before, in a post from September 2006. Which in turn points to a Roadside America page that describes the marker, and I have no idea where I found that page anymore. Probably on the late, lamented ORBlogs aggregator, or in someone's RSS feed, because 2006. I never actually promised I was going to go find this marker, but it did spend close to 9 years at the bottom of various todo lists before I got around to it, which might be a record (so far). But then again, I've never once claimed to be in the breaking news business.
SE 28th Pl. & Powell mural
The next stop on our mural tour takes us to SE 28th Place at Powell, where a long retaining wall holds up the parking lot for a Wendy's fast food place. At some point, the wall was painted in bright primary colors, and it was either done by kids or designed to look that way. Since then it's been tagged extensively, so in parts it's impossible to tell what the original design might have been. Which is sort of unusual; there's a popular theory that murals deter tagging, out of professional courtesy or something. That's the entire rationale behind Weston roses, for instance. So maybe this was a popular graffiti wall before the mural went in, and it gets tagged now out of force of habit. Or maybe the cutesy aspect offended enough people, sort of the way Star Wars fans hate Jar-Jar Binks, so the usual unwritten code doesn't apply here.
Pambiche mural
The next mural on our ongoing tour is Pambiche, on the east side of the Cuban restaurant of the same name at NE 28th & Glisan. The RACC description:
“Pambiche” is a cultural depiction of Cuba, inspired by its history, people and traditions. It blends Cuba’s unique music, dance, architecture, historical figures, and natural beauty. The mural gives visibility to the historically misconstrued people and culture of Cuba, and provides an educational opportunity for the community at large.
The mural is painted on the Apambichao Building, which has unique architecture identical to that of central Havana. The area in which it is located is frequented by Cuban refugees and the mural seeks to aid the tough transition they undertake when relocating.
McDonalds mural, NW 18th & Burnside
Here are a few photos of the faded sorta-Mediterranean mural at the NW 18th & Burnside McDonalds, next to the drive-thru. A mention of it in Sybilla Avery Cook's Walking Portland indicates it's been there since at least 1998. A 1991 Oregonian article refers to a mural at a McDonalds on W. Burnside, and this is the only McDonalds I know of on W. Burnside. So assuming it's the same store, and the same mural, this was painted by Mark Bennett, who's best known for creating the gigantic blue heron mural that towers over Oaks Bottom in Sellwood. A CNN interview with Bennett mentions that he's been creating murals since 1984, so it's newer than that; the "Open 24/7" part of the mural looks like it was maybe part of the "Mac Tonight" ad campaign that ran 1986-90. It's entirely possible it hasn't been repainted since then. I suppose it could use a touch up, but I actually kind of like the faded look in this case.
Wheel Series I
The next installment in our ongoing public art tour takes us back to Vancouver WA's little municipal sculpture garden, at E. 9th & Broadway. This collection focuses heavily on Portland-area artists circa 1960-1980, and we've already looked at their Manuel Izquierdo and James Lee Hansen sculptures. Today's installment is about Don Wilson's Wheel Series I. Wilson was/is an art professor at Portland State, and he also created Holon on the South Park Blocks, and the massive Interlocking Forms along Portland's downtown transit mall. Both of those date to the late 1970s (although the date situation with Holon is complicated, for reasons I don't understand). I'm pretty sure the "1998" on the sign here is when Wheel Series I was donated, not when it was created. If I had to guess, I'd say this dates to the late 70s as well. Family resemblance and all that.
Monday, May 25, 2015
bird sculpture, 1st ave.
Here's another item to file under the "gone" tag. Until recently, the big office complex at SW 1st & Market was home to the Regence Blue Cross Blue Shield insurance firm, and the building's main lobby featured this sculpture of a flock of birds over the front desk. I noticed it while walking past the building, and immediately figured it was a Tom Hardy sculpture, since it looks very much like a smaller version of his large flock of birds at Lloyd Center. I don't have actual confirmation of this, but his style is pretty distinctive. You could see the resemblance comparing the photos, if my photos of this one were better. Unfortunately I won't be able to get better photos; the lobby's been renovated since I took these and the sculpture's no longer there.
Old Wives Tales mural
The next stop on the mural tour is the former Old Wives Tales restaurant at SE. 13th & Burnside, which had a nice painting of Mt. Hood over the front door. The restaurant closed about a year ago when the building was sold to rapacious apartment developers. I haven't checked back recently but I'm told the old building has already been demolished, so I'm applying the "gone" tag to this post. Given the current state of the Portland real estate market, I'm going to be using the "gone" tag a lot going forward.
Death Industry mural
The next mural up is this somewhat gory design on the back of a building at N. Flint & Tillamook, overlooking Interstate 5. Wiredforsound23 on Flickr calls it "Death Industry mural"; I don't know whether that's "official" or not, but I'm going with it for lack of a better name. In any case, it's by Spencer Keeton Cunningham, who also did the cool snake mural that wraps around a building at SE 11th & Stark.
Andy & Bax mural
Our next stop on the ongoing, ever-growing Portland mural tour is the the Andy & Bax surplus store at SE Grand & Oak, where these painted outdoor scenes wrap around the outside of the building. The store's been around since the end of WWII or thereabouts, but this mural is pretty recent, created in November 2014 by Jose Solis. I gather the store gets repainted in a different design every so often, as a little Google-fu turns up photos of several previous designs.
Sunday, May 24, 2015
NE Morris & 37th
One of the many ongoing projects at this humble blog involves tracking down Portland's handful of traffic circles. I started this because there aren't a lot of them here, and the ones we have often have something interesting in the center, like public art or rose gardens or a fountain. I had an old note on my giant omnibus TODO list/map that there was one more circle to track down, located at NE 37th & Morris in the middle of the Alameda neighborhood. So when I finally got around to tracking it down, I realized it was just one of the little traffic calming circles the city likes to add instead of speed bumps. I normally don't bother with those because they're not very interesting, and there's a lot of them, so I'm not sure why I put this particular one on the list. I mean, I'm sure I would have looked at it in Street View ahead of time and noticed that. There must have been some other reason why a.) I knew this was here to begin with, and b.) then thought it was worth a visit. But for the life of me I can't recall what that might have been. The only thing Google turns up is a 2008 neighborhood effort to add more traffic calming widgets along 37th south of Morris, which the city politely declined to do. And I'm pretty sure that wouldn't be enough to generate a TODO item. I really need to start including a "why" when I put things on a list, or maybe even not put them on the list if there isn't a good "why". Although a significant chunk of this blog wouldn't exist if I'd had a rule like that before now...
Vending machine mural, SE 7th & Main
The next mural up is a picture of a generously-stocked vending machine, located outside the big vending machine dealership at SE 7th & Main. The building it's on is also home to a medical marijuana dispensary, so customers there are likely to run across these pictures of sandwiches, fruit, slices of pie, etc. on exiting. I'm pretty sure this would be a great place to put a real vending machine instead of just a picture of one.
William "Bill" Potts Rose
The next Weston rose mural on our occasional tour is the William "Bill" Potts Rose, next to a gas station at NE 33rd & Broadway. Like a lot of the other roses this also includes a big US flag, plus ads for the self-storage and property management arms of the Weston real estate empire. There's also a little "Under God" beneath the flag, which most of them don't have. A 2008 Stumptown Stumper in the Tribune mentions that this rose honors one of Joe Weston's close friends. To be honest I'm kind of surprised more people in commercial real estate don't do stuff like this, I mean, not rose murals per se, but little nods to close friends and family. Maybe the sort of people who prosper in commercial real estate don't often have close friends and family. I dunno.
Burnside Arts Trust mural, SE 9th & Madison
The next mural on our tour is just across the alley from the FAB PDX mural in the previous post. This one was created in 2013 by the Burnside Arts Trust. They're apparently defunct now and their website is offline, but one of the artists has a nice photo of the mural on their personal website. My photos aren't as nice, but (as I'm not exactly famous for chutzpah) they're the best I could do without scaling the fence or talking my way in to the building or something.
FAB PDX mural
The next mural is in a gated alley at FAB PDX on SE 9th, between Madison & Main. The company does custom wood and metal fabrication, for retail displays, exhibits, etc. The mural was painted in 2011, and apparently modified/added to since then, since the photos in that Facebook post don't quite match mine.
Aquatic Maintenance mural
Here's a small mural outside an aquarium shop on NE 42nd, in the Hollywood District. If you look closely, it's signed "Jade" and dated "9-00".
Sunday, May 03, 2015
Levitated Light
The next stop in the ongoing public art project takes us back to Portland State University campus, this time to the 1980s-era business school building, where Levitated Light hangs in the large atrium facing SW 6th Ave. It's visible from outside, and I just sort of assumed it was a fancy chandelier. Although as you can see here, the lights are actually mounted in the atrium ceiling, and it's not a chandelier at all. It turns out this is a large sculpture by Dale Eldred, who I gather was quite a well-known artist. This is the part where I explain once again that I'm not really an art critic or much of an expert, and my unfamiliarity with his work is not an interesting data point.
I haven't figured out how PSU ended up with a large (but very obscure) sculpture by an apparently famous artist. The Oregonian apparently never reported on in when it went in, nor have any of the paper's art critics mentioned it in the decades since then. So... I dunno. It did show up in someone's interesting list of Portland-area glass art. (I say "interesting" because I may want to track down a few of the other entries on the list at some point.)
After All
The ongoing art tour takes us back to Gateway Transit Center again; this time we're looking at After All, the trio of rounded stones outside the Oregon Clinic building. This was created in 2010 (when the clinic building went in) by artist Jonathan Bonner, who also has what might be the world's silliest Twitter account. Here's the RACC description of the sculpture:
Working with the confines of the triangular landscaped area, the artist created three identical granite ellipsoids that emanate from a single point underground. The forms suggest several things: flowers, seeds, or a sitting figure. It is not intended to be conclusive, but rather leaves the viewer to draw his or her own meaning from the piece.
As you can see here, at least one viewer saw it and drew the meaning "park bench". It's about bench height, in an area where people expect benches, so I bet this isn't rare. And no, I didn't try to shoo the guy away so I could get a better photo. That would be a fun conversation: "Hi, I run a weird little blog you probably haven't heard of, and I'm going to need you to move so I can take some photos of the art you're sitting on. Ow! Ow! Stop punching me!"
bongo dog mural, se pine
And then there's this mural of a cartoon dog playing bongo drums, on the back of a building on SE Pine between 9th & Sandy. I don't know anything about this one; it's not signed, and searching the interwebs about it comes up with precisely nothing. It's on the back wall of a commercial printing company, not a veterinarian or dog day care or anything, so the business isn't an obvious clue either. There's bound to be a weird and funny story behind this, but I have no idea what it is. If you know, or you have a theory about it, feel free to leave a note down in the comments. Thx. Mgmt.
Friday, May 01, 2015
Geometric Windmill
This is going to be a somewhat unusual art post. Geometric Windmill is a sculpture that sat in Lake Oswego's Millennium Plaza Park back in 2007. I was relatively new at blogging back then and neglected to get a photo showing the name of the thing, so the photos sat around unused in iPhoto for aeons. Well, internet aeons, but you get the idea. So I dug the photos out some time last year and started digging around looking for a name. Mostly, I admit, because it seemed like an interesting and non-trivial internet search problem to work on. I actually ended up doing some Google image search, looking for anything similar to my photos here, and/or any art from Lake Oswego taken during the right time period. This eventually led me to an old city arts page with a little info on it, crucially giving the name and artist. It's by Minnesota sculptor Tom Brewitz, who specializes in kinetic art like this. A page on his website includes a video of Geometric Windmill doing its thing (though note that it's a 14mb QuickTime download, not just something you can watch on YouTube). The sculpture has long since left Lake Oswego. At one point it was included in the Port of San Diego's Urban Trees 3, a rotating exhibition along the San Diego waterfront. More recently, the city of Mount Dora, Florida purchased it around 2013 or so and installed it to spruce up the city's downtown. So that's the story. I suppose it's not really much of a story, and I realize probably nobody besides me cares at all, but The Case of the Geometric Windmill was a longstanding (albeit minor) mystery here at this humble blog, and I'm a little pleased to have finally sorted it out.
Sr. Ilene Clark Rose
The next Weston rose on our mini-tour is the Sister Ilene Clark Rose, on the Weston Plaza building (i.e. company headquarters) at NE 22nd & Broadway. It's dated 2013, and like a lot of recent Weston roses it's mounted on the building and isn't really a mural, per se. I think they do this so they can take a rose down and relocate it when they sell a building; I've already seen one instance where they did exactly that. Anyway, I'm not really sure who this is named for or why; a quick search comes up with a teacher in Seattle by that name, but it may or may not be the same person. So no links, in part due to a residual Catholic school fear of angering nuns.
Walgreens mural, SE Chavez & Belmont
The next mural up is a very large nature scene on one side of the Walgreens store at SE Chavez (39th) & Belmont. I haven't been able to find out a lot about this one. I ran across it on a Kay's Bird Club post and went to check it out. A post about it at the short-lived, erstwhile PDX Murals blog (which was only active for 2 months in 2007) tells us it's been there since at least 2007, but I don't know exactly when it was created or by whom. The store itself dates to some time in the 1990s (at least according to a Vintage Portland comment thread about the 39th & Belmont intersection), so that gives us a rough time window, at least.
A Tumblr called "Art Wall of Shame" ranted about this mural a couple of years ago, invoking both Thomas Kinkade and Bob Ross. Which, I dunno... I mean, nobody goes to a Tumblr called "Art Wall of Shame" looking for nuanced art criticism, but that's just plain cruel, that is.
Persistent Parabola
The next mural on our tour is Persistent Parabola by DALeast, a prominent Chinese mural artist. It's located on the north side of the East Side Central Garage building at SE 6th & Yamhill, and was created for Portland's 2014 Forest for the Trees mural-palooza. An article about it at Street Art News includes a quote from the artist:
The new mural titled “Persistent Parabola”, this is the moment of the wave playing with a cargo ship and the falling crates. There is a old Chinese saying: Water can carry a boat, it can also turn it upside down.I imaging my life journey is like the cargo ship carrying all the crates on the ocean, as well as the plans, wishes, relationships and the things that I've attached with as the importance. By thinking of the capacity and impermanence face to the ocean, I feel I am the most insignificant one in the entire world. It brings me more appreciations towards what I have right now. I guess that’s where the idea come from behind this work.
A Hypebeast article about the mural includes a short making-of video, because Portland murals always seem to have making-of videos, or at least all the cool ones do.
Keep Our Rivers Clean
The next mural on our ongoing tour is Keep Our Rivers Clean, on the Pacific Motorsports garage at SE 10th & Powell, across the street from the famous Original Hotcake House. This one isn't on most of the lists or maps of Portland murals for some reason, but I ran across it on a page at PDX Street Art and tracked it down from there. The mural was created in 2011 by a group of artists known as SubM2. The garage's Twitpic account has a bunch of photos of the mural being painted, which may or may not be available now based on how the ongoing Twitpic soap opera turns out: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] and more here.
Glyph Singer No. 3
The next stop in our mini-tour of VanWa public art is Glyph Singer No. 3, in the city's Broadway St. sculpture garden. It's a 1976 piece by James Lee Hansen, a prominent Vancouver sculptor who was a key part of Portland's mid-20th Century art scene. Hansen's work has appeared here a few times before, including a couple of sculptures on downtown Portland's transit mall. If you visit the tag and look at the other examples, you'll quickly notice that he has a consistent and very distinctive style. It's always struck me as a sort of 1950s pulp Sci-Fi book cover look. I have no idea whether this resemblance is intentional or not, though.
Phrogy
The next stop on our mini-tour of VanWa public art is Phrogy, the goofy carved redwood frog at E. 11th & Broadway. As the story goes, back in 1981 a local businessman and his wife were on an anniversary trip to Carmel, California, a coastal town on Monterey Bay that's been an artist colony and tourist trap since time immemorial. Carmel elected Clint Eastwood as mayor for a few years back in the 1980s, if that gives you any idea. Anyway, the couple ran across this frog somewhere in Carmel, fell in love with it, bought it, and then donated it to the city, as one does. And the city took it, because the Pacific Northwest of 1981 didn't have today's annoying hangups about being tasteful and highbrow. They don't even seem to have kept track of who carved it originally, since I can't find that tidbit of information anywhere.
In any case, it's graced the streets of downtown Vancouver ever since, originally at a prominent spot at 11th & Main. By the early 2000s, time and the elements had taken their toll on the frog, and concerned citizens wrote letters to the local newspaper calling it an eyesore. It was restored a few years later (and no, I don't know how you restore a carved redwood frog), and was unveiled at its current location in March 2014. It even has a Facebook fan page with a few dozen likes, which is a few dozen more than most public art can muster.
Saturday, April 25, 2015
Aeolian Columns
Here's a photo of Aeolian Columns, a Lee Kelly sculpture in front of the Portland Veterans Hospital at OHSU, in a landscaped median between two buildings. Kelly's website describes it:
Aeolian Columns (1989), stainless steel and porcelain enamel columns fitted with organ pipes, c. 198 inches high; Collection Veterans Administration Medical Center, Portland OR. With composer Michael Stirling.
This is about the same vintage as Kelly's better-known (and similarly musical) Friendship Circle (1990) in Waterfront Park, and the family resemblance is uncanny. Sadly, I have a long track record of bad luck with local musical art, and I have never heard either of these sculptures in action. Or any other musical sculptures in town for that matter, except for the Weather Machine in Pioneer Courthouse Square. I'd claim to have some sort of anti-musical superpower, but in reality it's a combination of the art often being broken, and me being too impatient to wait around for it to do something. Anyway, a 1988 Oregonian article has a bit more about Aeolian Columns:
Oregon City artists Lee Kelly and Michael Stirling have been selected from among 64 contestants to create the $40,000 art-in-architecture project for the new Veterans Administration Medical Center, according to Barry Bell, center director.
The artists have created Aeolian columns, a collaborative sculpture and sound artwork created by sculptor Kelly and composer Stirling. The sculpture consists of three stainless steel columns between 15 and 16 feet in length, with bands of porcelain enamel providing splashes of color and highly reflective material.
The interior of the columns will be fitted with two tuned pipes that will produce the continuous series of tones scored by Stirling. The three pieces will be placed in the parklike setting at the entrance to the center, to create a man-made physical and musical grove.
I actually first heard of this sculpture in a Portland Public Art post about OHSU art that mentioned it briefly; the mysterious 'C' behind the blog was even less of a Kelly fan than I am, and said: "There’s an old rusty Lee Kelly in front of the nursing school, and another shiny one in front of the VA. Both hideous." I wouldn't go quite that far; "eyeroll-inducing" is more like it, and in general I do like Kelly's stainless steel stuff better than his rusty work. More importantly, I just hope the organ pipes play something pleasant and soothing, for the sake of the VA staff and patients.
Chiba Clock Tower
Here are a couple of photos of the Chiba Clock Tower at the north end of McCarthy Park on Swan Island. A sign at the base has a short inscription:
This solar clock tower was presented to the people and Port of Portland by Mr. Takeshi Numata, Governor of Chiba Prefecture and the administrator of the Port of Chiba, on June 5 1987. The Port of Portland and the Port of Chiba became sister ports in November 1980 to enhance the friendship and prosperity of the United States and Japan.
Apparently a "sister port" is like a sister city relationship between local port authorities, and Portland has several of these, also including Ulsan, South Korea (which also a sister city of ours) and Tianjin, China. This is in addition to Portland's half a dozen or so "regular" sister cities.
Apart from what the sign tells us, I don't know a lot about this clock. I found a city document comparing Port of Portland recreation facilities w/ other West Coast cities, which mentions the clock in passing, but that's about it. The library's Oregonian newspaper database doesn't seem to have anything about the clock, specifically, but it does tell us the gift-giving was mutal, as Portland shipped a Lelooska totem pole to Japan in 1986. (Lelooska also created the large totem pole next to the Chart House on Terwilliger, and various others around the area.)
You'd think a solar-powered clock from Japan would be a beloved local landmark in 2015 Portland. You'd think hipsters would ride their fixie art bikes to the solar clock and picnic on artisanal donuts and PBR while strumming their ukuleles, and then the tourist guidebooks would find out about it, and senior tour groups from Kansas would show up in giant buses to view Portland hipsters in their native habitat or something. But due to the weird out-of-the-way location, none of this seems to have happened, at least not yet. But at least this way I can talk about the Chiba Clock Tower and say "you probably haven't heard of it", for whatever that's worth.
Spike Flower
One of the long-running ongoing projects here at this humble blog involves tracking down local public art, taking a few photos, and writing about it. I deny having any particular expertise on the subject, but it's been a consistently interesting project, at least for myself, and hopefully for a few Gentle Reader(s) out there. I've run a bit low on new material within Portland city limits, so I've started looking at the 'burbs too. Recently I realized the city of Vancouver, WA has a small public art collection of its own, mostly concentrated in the city's small downtown. At some point -- I'm not sure when, exactly -- the city closed a block of E. 9th St. between Broadway & C St., and turned it into a sculpture garden featuring a number of mid-20th Century Portland-area artists. The thing that jumped out at me was that they had something by Manuel Izquierdo, whose work I'm usually a fan of (albeit in a non-expert fashion, as I keep pointing out). You can check out the blog's "izquierdo" tag for quite a few other examples.
So, with all that explanation out of the way, here's a slideshow of Spike Flower, at Vancouver's aforementioned Broadway St. sculpture garden. There isn't much about it on the net other than the city's art page, so we have to rely on the little sign next to the sculpture for info. The sign doesn't give the year Spike Flower was created, but notes it was donated to the city in 2001 by a local nonprofit, and includes a quote from Izquierdo:
The possibility that there is such an accurate mechanism in the creation of an object that expresses and amasses an unknown geometry of feelings, ideas, and aspirations, which are unclear at the very beginning of conception and are discovered through the process of creation, is one of the wonders of human endeavor. These human efforts are driven by a sublime need to reveal the spiritual reality which humans have experienced from the beginning of recorded time.
Our Ancestors left a record of their lives, their myths, and their gods painted and carved on cave walls and cliffs. These paintings and carvings show an immediate and revealing visual language which was created out of the pure need to communicate with other humans.
Sunday, April 19, 2015
Doernbecher Rose
Believe it or not, I still have a few posts about Weston rose murals sitting around in drafts. Honestly, when I started this mini-project I had no idea there were so many of them. So the next one up is the Doernbecher Rose, on the sprawling U-Store complex east of NE 28th, next to I-84. As I've mentioned in an earlier post or two, the storage complex was once home to the Doernbecher furniture factory, which closed many decades ago. The mural's visible from I-84 and the adjacent MAX tracks. I actually hopped on the train just to take these photos, in fact. Which sounds kind of silly, and afterword it occurred to me that MAX occasionally hosts nosy TSA VIPR Teams, and explaining this weird little project to those guys might have been a challenge.
Aprisa Mural
The next commercial mural on our ongoing tour is a long, low painting of various fresh vegetables, located on a retaining wall at the Aprisa Mexican restaurant at SE 8th & Division. The mural's by Oregon artist C.H. Wilhelm, who either painted or repainted it in August 2013. Wilhelm's Instagram page includes more examples of his work. As for the restaurant, I haven't been there for several years, but I seem to recall it was pretty good. I'd try it again, but I always forget this corner of town has restaurants now. I'm used to it being a sketchy industrial area, and even today there's no sign of the city's gentrification tsunami in this corner of the Central Eastside district. Though I expect that won't last forever.
Gilbertson Machine Shop mural
The mural tour pays another stop in inner SE Portland, this time at the Gilbertson Machine Shop at SE 8th & Belmont, where a large mural shows a collection of classic American cars. Unlike a lot of murals done for businesses this is actually signed by the artist, but it's done in traditional graffiti style and I can't make out the name. Google's no help either in this case, so I can't tell you who did it, much less link to their Tumblr blog or Facebook page, or LinkedIn profile I guess. I've seen an increasing trend of artists including an URL or Twitter handle along with a signature. I'd like to encourage more people to do that, if for no other reason than making my job here a little easier.
I'm sure my dad would be able to identify all the cars on the mural, but I can only pick out a few: Model T hot rod, VW Bug hot rod, a mid-60s Corvette, maybe a 1959 Cadillac next to the Vette (though I could be wrong about that one). And what looks like a mid-1960s Lotus F1 car on top. The others I'm not sure about.
dusting this thing off...
Tuesday, March 31, 2015
keepalive
One fun thing to mention in passing, though: As part of all this Real Job business, I've had to poke into some of the darker corners of Windows Registry APIs. I haven't had to touch those in a few years, so it involved a bit of refresher Googling, and one particular search actually led back to a blog post I wrote back in 2006, back when I had the occasional notion this might evolve into a tech blog, rather than photos and history and weird hobby projects. So anyway, it still contains a lot more than you'll ever want to know about this particular esoteric Windows feature, so enjoy, or feel free to shrink back in horror, or whatever you prefer.
Saturday, February 28, 2015
Everything is Everything
The next mural up is Everything is Everything, which is basically just an enormous painting of the words "Everything is Everything". It's located on a warehouse facing SE Division next to the MLK/Grand Viaduct, and was created by Zach Yarrington for the 2014 Forest for the Trees mural event.
It's tempting to chalk the phrase up as some sort of empty hipster affirmation, but it's also the title of a 1998 Lauryn Hill song:
Sunday, February 15, 2015
United Finance flag mural
One of the longtime landmarks along E. Burnside is the United Finance building at Grand Avenue, the building with the giant neon "LOANS" sign on top. This building is our next destination, not because I'm doing a neon project, as potentially interesting as that might be, but because of yet another mural. The back of the building has a giant US flag painted on it, facing the building's parking lot. I noticed it when I was looking for the Cthulhu mural a block or so east of here. Which was sort of a fun contrast. I'm sure the giant flag has been there for years, possibly decades, but I'd never had any reason to pay attention until this little project got going. I figured I was there anyway, and the question of whether a painting of a US flag is art was settled by Jasper Johns sixty years ago, so I took a couple of photos, and here they are. And now that I have photos for comparison, it's pretty clear this comes out ahead of the Marquam Building flag mural in downtown Portland, or the flags that are often paired with Weston roses for some reason. Unfortunately it's not signed, and I don't have a date for it, so I don't know who gets the prize for Best US Flag Mural in Portland That I Know Of. But of course that's a provisional award. There could easily be an even better one at a VFW hall out in the 'burbs or something like that.
Salvation Army Rose
The next Weston rose (and if you're surprised how many there are, you aren't alone) is the Salvation Army Rose, on the church's building at NE 18th & Sandy. The building looks like it might be a warehouse, so I'm guessing it's where they keep the old stinky Santa suits in the off season. I bet the place smells amazing in August.
PortlandMaps says the church owns the whole block, so I don't know why they might have a Weston rose. Maybe Weston's company was the previous owner, and they kept the rose when they bought it? Or maybe he's a member or a big donor. I don't have an answer for that.
I suppose I could have gone inside and asked about the rose, but going inside churches isn't something that comes naturally to me. And I dunno, a church where you have a pseudo-military rank and uniform, and you dress up as Bell-Ringing Santa for Christmas? Charity or not, that sounds like something out of a Monty Python sketch, frankly. The whole thing would actually be kind of cute if it wasn't for their retrograde anti-LGBT policies. That attitude is the main reason I don't give them my pocket change over the holidays.
Union Market mural
The next mural on the ongoing tour is at the Union Market at NE MLK and Beech. Back in 2012, the store's blank wall facing Beech was being repeatedly hit by taggers. The market's owners were tired of this and brought in artists Dylan Kauz and Arise Rawk to do a mural on the wall, on the idea that this would prevent tagging. I gather that tagging someone else's art is generally considered bad form, although I've seen plenty of exceptions to this rule.
The market neglected to get a city permit for the mural first, though, so City Hall demanded they paint over it or face very large monthly fines. The King Neighborhood Association lobbied the city to let the mural stay, on the theory that permit or no, a mural is always better than a blank, graffiti-covered wall. I couldn't find a followup article explaining how that was resolved, but the mural's obviously still here, so they must have worked it out somehow.
Floral mural, NE 21st & Broadway
I was around NE 21s & Broadway a while ago looking for a couple of Weston roses: The Mary Stephens Rose, which I've posted about already, and the Frank Edwards Rose, which doesn't seem to exist anymore. While I was there I ran across a couple of other murals I didn't know about: The new-ish one at Swift Lounge, and the faded floral design you see here, located down a gated alley behind the 7-Eleven that faces 21st. Unfortunately I don't see a signature on it, and I haven't been able to find out anything about it. Feel free to leave a note down in the comments if you know anything about this one. Thx. Mgmt.
Dreaming Realities
The next mural up is Dreaming Realities, a 2010 Ashley Montague mural on a weird old building at NE 6th & Failing. This was listed on the RACC's now-defunct Murals of Portland site [link goes to an archive.org copy], but nowhere else that I've come across, including the main RACC website. That's often a sign that a mural's been painted over since the list was compiled, but it looks like this one just sort of fell off the radar somehow. So here it is.
Koken Market mural
Our next stop on the mural tour is the Koken Market mural, the hops-and-barley design outside the eponymous store at NE MLK & Dekum. This was painted by Adam Brock Ciresi, who also did the Frank Dekum & Birds mural across the street.
Frank Dekum & Birds
The next mural up is Frank Dekum & Birds, on a restaurant building at NE MLK & Dekum. The design honors(?) 19th Century Portland businessman Frank Dekum, the street's namesake. Downtown Portland's historic Dekum building (the one with all the weird gargoyle faces) is also named after him. And thanks to the street, Dekum's name has appeared here a few other times: The City Repair painted intersection at N. Dekum & Borthwick; Dekumstruction a few block east of here in front of Breakside Brewing; and the mysterious Dekum Court Triangle further east around NE 28th.
Anyway, the somewhat gory mural is a reference to Dekum's weird hobby of importing nonnative German songbirds to Oregon. His "German Song Bird Society" imported hundreds of thrushes, starlings, and nightingales and released them in Portland's city parks, in the hope that they'd go native and make Oregon more like Dekum's native Germany. This was, of course, a terrible idea. A similar effort in New York City led to today's enormous populations of invasive starlings all across North America. The Portland effort was mercifully less successful, and the introduced bird species all died out within a few years.
The mural was painted in 2012 by Adam Brock Ciresi. Photos of at Kay-Kay's Bird Club are clearer than mine, since it looks like a higher fence and a canopy have been added since 2013. A piece about the mural at PDX Street Art describes the project:
Adam wanted to present some of this place’s rich history in his mural. Playing with the image of Dekum, an old bearded capitalist, Adam wanted to “provoke viewers to consider different connotations of this history, and their geographical environment.” Adam is interested in how street art can form bonds between people and history. While painting the mural, Adam was excited by the number of pedestrians and neighbors who were interested in the piece and stopped to talk with him about it.
The Scrap Mural
Our next stop on the ongoing mural tour is The Scrap Mural on trendy Williams Ave. a bit north of Failing. The mural covers the entire front of a building that's home to Sidebar, part of the Lompoc Brewing empire. (Lompoc's larger Fifth Quadrant brewpub is around the corner on Failing.) The RACC description of the mural:
This mural colorfully depicts people engaged in painting, singing, writing, reading, sewing, and cooking. Directly above the building entrance a mother is reading a story to a child. The mural incorporates elements of the neighborhood and its creativity and reuse, and celebrates its civic pride.
The mural was created in 2005 by artist Bruce Orr, predating the building's current occupant by several years. The building was remodeled sometime in late 2014, and if you look at the photo on the RACC page, or this photo by wiredforsound23 taken last August, and compare those to my photoset, you'll notice that a large window has been added since then, and a large section of the mural has been removed. It strikes me that chopping up a community spirit thing to make way for the needs of business is kind of a metaphor for 2010s Portland in general. Maybe I'm overthinking this, I dunno.
Saturday, February 14, 2015
ITS_4_U
The next mural up is ITS_4_U at the Jupiter Hotel on E. Burnside. It's located along the hotel's back driveway, on the side of the KBOO building (which has a mural of its own on the front). This design was created in 2007 by "The Dotmasters"; the vines in front were smaller then, so their photo of it (in the first link) gives you a better look at the mural than mine do, and you can see it's sort of a reference to Michelangelo's The Creation of Adam at the Sistine Chapel. I'm sure the mural's even harder to see when the vines have leaves on them, so if you're interested you might want to go now, before spring really gets going. The vines seem to kind of defeat the point of having a mural, but I dunno, maybe it's deliberate, for serious conceptual art reasons I'm not privy to. Anyway, here are a couple of other photos of it I ran across:
- A winter 2008 Flickr photo of it shows almost no vines at all.
- A more recent photo by Wiredforsound23 looks a lot like mine. He calls the mural "Closeted Creationism" for some reason.
The Exalted Ruler
Here are a few photos of The Exalted Ruler, the big elk statue outside the OHSU Casey Eye Institute. It's by Troutdale sculptor Rip Caswell, and commemorates the local Elks Club's longtime support of the hospital's childrens' eye clinic. Caswell's work has appeared here a couple of times before, namely the goose at the Kings Hill MAX station, and the deeply weird 9/11 memorial on SE Belmont.
Portland Public Art did a post about this elk back in 2006, and an unusually mild post by that site's standards. I assumed it would compare this elk unfavorably with the famous Thompson Elk statue in the downtown Plaza blocks, but it didn't. Then I got to looking at the two side by side, and it struck me that the OHSU elk is actually better than the famous downtown one. Or at least it's more realistic and lifelike, which would seem to be the main criteria for evaluating elk statues. I should note that the local Elks refused to have anything to do with the Thompson Elk, calling it a "monstrosity of art", and I'm starting to think they had a point; it looks a bit like the artist grafted elk antlers onto a small and slender type of deer. I'll just note that Roland Hinton Perry was an East Coast artist, so it's possible he'd never actually seen a real, live elk when he took the job.
Mean Greenies
The next stop on the ongoing mural project takes us to the back side of a warehouse on N. Page St, between Vancouver & Flint. A Flickr photo by wiredforsound23 calls it Mean Greenies, and notes that it's by local artist Charlie Alan Kraft. It's located on a west-facing wall between the warehouse and an adjoining house. Somehow I didn't notice it the first time I looked for it, and I figured it had been painted over or something. Later I checked Street View and realized I'd walked right past it, but going the wrong direction so I wouldn't have seen it. I'm sure I'll get better at this "noticing stuff" business eventually, someday.
30 Seconds Over Portland
The next mural up is 30 Seconds Over Portland (aka Love Bomb), the WWII bomber dropping parachute hearts at SE 82nd & Woodstock. The mural's located on the back side of the McCollum Automotive building, facing a church parking lot. A Tribune story explains that it was created by Tim Janchar, based on an earlier painting of his, for an ongoing neighborhood revitalization effort called "Our Happy Block". A Culturalogique post has a story about the design. I haven't seen any other sources mentioning it, and I don't know whether it's accurate or not, but here's the story:
Commissioned by the son of a WWII veteran who’s father had flown this exact type of airplane bomber during the war. The son later witnessed his father’s tremendous guilt and loss over the destruction and death he had caused and commissioned this mural on his behalf.
Carl, Pastor of the Calvary Lutheran Church shared with me that the father was able to see it while still alive and it had brought him great joy to know that one of these bombers was now dropping ‘love-bombs’ all over Portland.
Art Fills the Void!
The next mural up is Art Fills the Void!, the giant banana mural at SE 12th & Division. It's not the most elaborate mural in town, and it obviously needs a touch up, but there's a story behind this one. It turns out this banana dates back to 1982, which makes it positively ancient by mural standards. PDX Street Art explains that it was created by a group of artists calling themselves "Gorilla Wallflare", and the banana was meant as a protest against the Reagan-era guerrilla wars raging across Central America.
A Portland Public Art post about it went with the common theory that it's a riff on Andy Warhol's cover art for a 1967 Velvet Underground album. The PDX Street Art article includes an interview with one of the artists, who mentioned Warhol as one of a long list of inspirations, so I imagine there's at least a kernel of truth to the idea.
A September 1982 Oregonian article "Fruit looms on blank wall as first sign of attack on blandness" explains that the building was then home to an office supply company, rather than the assorted hipster businesses it hosts in 2015. Although the banana appeared without the company's involvement, employees immediately fell in love with the thing, and it quickly began showing up in sales presentations and the company newsletter. This undoubtedly helped it survive over 30-odd years. Gorilla Wallflare painted a number of other murals around town during the 80s, but apparently this is the only one left. The others have all been lost to time, the elements, periodic crackdowns by City Hall, and developers' bulldozers.
