Showing posts with label ivan-mclean. Show all posts
Showing posts with label ivan-mclean. Show all posts

Sunday, February 19, 2023

Echoes

Next we've got a few photos of Echoes, the cool wavy glass art outside the new-ish Dianne apartment building in the Pearl District at NW 11th & Hoyt. A small sign next to one of the panels explains:

Transparent glass laid flat becomes opaque,
Sunlight glints over the curved and rippled surface,

Echoing streams long forgotten

2018
Ivan McLean - Anna McLean
Mark Wingfield - Karina Adams - Darrell Adams

This is another post that's been lurking in Drafts for a while, but not due to editor's block this time. I took these photos after having brunch nearby, shortly before Covid really got going, and I was a bit wobbly thanks to mimosas served by the pitcher. (Looking over my photos again, I clearly thought I was taking very artsy and abstract photos of the thing, but in retrospect that was probably just the mimosas thinking.) And so it came to pass that I neglected to either make a note of exactly where this was, or take a wider photo of the setting for context. Which was a problem, because I have sort of a rule here about posts needing a specific location, so that you -- o Gentle Reader(s) -- can go see for yourself if you like something you see here.

When I got around to starting this post, I quickly realized Google was (and still is) completely useless and it had absolutely no useful results for what I was looking for, which seems to be an increasingly common problem. Although they showed me a big pile of unrelated ads in the process, so it was still a win as far as they're concerned. That was my plan A. My Plan B would've been to go do brunch again and see if I could retrace my uneven steps and stumble across the same art again, but this time write down the address, but by that point everything was locked down for Covid and I was busy avoiding everything and everyone, and retracing seemed like a bad plan just then. My Plan C was to wander around the area on Street View instead and see if anything leaped out at me. That was a dismal failure, and to further complicate things McLean's website hasn't been updated since 2016, several years before Echoes was created. At that point I shrugged and this post sank deep down into the Drafts folder and I basically forgot about it until recently (January 2023). On a whim I checked again and realized he'd simply moved over to Instagram, and I just needed to scroll backwards until I started seeing Echoes photos and see if any of them mentioned where it was. Fortunately one of them did, so now all I need to do is make myself stop rewriting this big dumb paragraph.

Monday, September 17, 2018

Basket of Air

So next up on the grand tour we're taking a peek at Basket of Air, the sculpture in the center of the Hoyt Arboretum's new bamboo garden. The RACC description explains:

Artist Ivan McLean spent a few of years in the southern Philippines as a member of the Peace Corp and used this experience to inform his sculpture, which sits in the middle of the Hoyt Arboretum’s Bamboo Forest. The sculpture’s posts mimic the basic segmented structure of bamboo while the central sphere, a form often explored by McLean, reflects the idea of bamboo baskets he encountered during his travels.

While in the Philippines, “I built a nipa roofed house with various types of bamboo used as structural members or woven into the wall panels. During my travels I also watched in awe as workers created scaffolding rising hundreds of feet around modern buildings in Hong Kong and then a short time later hiking for days through bamboo forests in Northern Thailand and staying with families in simple homes made from the ubiquitous plant… I was constantly impressed by how skilled people were in using bamboo to build a variety of objects, including baskets.”

We've seen a couple of other McLean sculptures here previously: work previously seen here: Flying Salmon in 2014, & Rational Exuberance back in 2012. (The latter one was relocated north of the Fremont Bridge a year or two after I posted about it). I snarked a little about the salmon one, it being something of an overused motif in Pacific Northwest art. I feel I may have been unfair; undoubtedly the customer (an upscale, super-Northwesty grocery store) insisted on salmon. Salmon have the unique ability to be both an eco-feel-good regional icon and a delicious meal at the same time. Maybe not exactly the same time, but you know what I mean.

In any case, since we're more or less on the topic of bamboo forests, here's a fight scene from House of Flying Daggers (2004):

Tuesday, April 01, 2014

Flying Salmon

So, a while back I ran into a list the city put together titled "Landscapes for Rain: The Art of Stormwater". Which is exactly what it sounds like: Art that does something with rain, or sends some sort of positive message about rain. Those of you who follow the TV show "Portlandia" will find nothing surprising or unusual about this. It's a little, I dunno, twee, if you ask me, but nobody ever asks me.

One item on the list leaped out at me: Flying Salmon isn't just part of this weird stormwater art genre; it's also yet another example of Heroic Salmon Swimming Upstream, an endlessly overused and abused motif around here that local public art buyers can't seem to get their fill of. Flying Salmon is not just any set of random downspouts, either; it's part of a swanky New Seasons grocery store in rapidly gentrifying North Portland, right along Interstate Avenue. The snark practically writes itself. Here's how the city describes it:

Flying Salmon, New Seasons Arbor Lodge -
Ivan McLean, Sculptor; Richard Brown Architects AIA;
Lango Hansen, Lanscape Architects; 2005

The highlight of the sustainable approach to rain water collection at this New Seasons Market is the rooftop garden above the entry vestibule. 6400 N Interstate Ave., Portland Oregon. More information on the architects at www.langohansen.com.

I actually took these photos from a southbound MAX train. I'd just been to the Oregon Slough Railroad Bridge, where I'd been rained on quite a bit, and I was cold, and didn't feel like it was worth getting off the train for another damn photo of salmon art. It would be hard to beat the top photo anyway; maybe in picture quality if I'd brought the DSLR along, but composition-wise... well, it's heroic salmon atop an upscale grocery store, and there's a freakin' Subaru parked out front. I couldn't beat that if I tried. Incidentally, last December was the 45th anniversary of Subaru arriving in Portland. Back in 1968, nobody could have guessed what a big deal Subaru would become here. Of course they probably figured we'd be flying atomic jetpacks around the moon colonies by now, but I digress.

It turns out that Flying Salmon was created by the same guy who did Rational Exuberance, a big bright yellow sculpture that temporarily sat outside the Pearl District's Encore condo tower. That title, of course, is a play on a famous phrase by Alan Greenspan about the overheated real estate market, and the sculpture sat outside the last condo tower built before the real estate bubble popped in 2008. I'm still not clear on how much of the irony here was intentional, and how much was a fortuitous accident. In any case, I rather liked the art itself, it was just the title I was all snarky about. And to be honest I don't actually dislike Flying Salmon either. I'm sure it's a great set of downspouts and that it's exactly what New Seasons wanted. It's just that it exists in a larger milieu of rich white hipster preciousness, and that's what I keep rolling my eyes about. I've been rolling my eyes about it for years, actually, and so far it doesn't seem to be helping.

Flying Salmon Flying Salmon

Wednesday, November 14, 2012

Rational Exuberance

A few photos of Rational Exuberance, a sculpture that used to sit in front of the Encore condo tower at the north end of the Pearl District (not to be confused with the swanky Encore in Las Vegas). These were taken back in June 2009, and apparently the piece has gone elsewhere now; I went back for a do-over, to take some photos of it that wouldn't have quite as much sensor grime, but I couldn't find it, which given its size probably means it wasn't there. Apparently it was always intended as a temporary installation until the city got around to working on the Fields neighborhood park, so I assume it's gone for good now, and I'm pretty sure nobody's going to pay me to use the few photos I have of it.

Anyway, the title kind of cracks me up, being a play on "irrational exuberance", the famous phrase coined by Alan Greenspan during the crazy years of the dot com bubble. It cracks me up because the Encore was among the last condo towers built in Portland before the irrationally exuberant real estate bubble burst and the economy flatlined. So, the irony, it has layers.