Showing posts with label Waterfront Park. Show all posts
Showing posts with label Waterfront Park. Show all posts

Tuesday, April 01, 2014

Waterfront Flagpole

Visitors to Portland's Waterfront Park are bound to notice the giant flagpole sooner or later, north of the Morrison Bridge and near the Battleship Oregon memorial. It seems like a strange thing to have in the middle of the hip, ironic, occasionally-war-protesting Portland of 2014, but there's an interesting historical story behind it. It seems that for a large part of 20th century, Portland prided itself on having the world's largest US flag, or at least the largest one that could be flown from a flagpole. In retrospect this seems sort of like the way tiny Midwestern towns are thrilled to have the world's largest ball of twine, except far more patriotic, somehow. But back in the day this was a great source of civic pride.

The story starts with a ship. From 1925 to 1942, Portland's waterfront was home to the old battleship USS Oregon, which played a key role in the Spanish-American War, and then was loaned (not given) to the city as a museum. When World War II broke out, the Navy decided the the old ship was more valuable as wartime scrap metal than as a historical monument, and it was towed away for dismantling. So as a super-patriotic (and non-metal-using) wartime replacement, the city decided to put up a giant 100' wooden flagpole, with a giant flag to go with it. It was first proposed in 1941, but wasn't completed until 1944 because people were kind of busy with WWII at the time.

The flagpole didn't always fly the giant flag, and the flag sometimes made guest appearances elsewhere. It showed up at the 1950 Shrine game (the all-star game for local high school football players) where it was referred to as the largest American flag in existence. I haven't seen any mention of that original flag's dimensions, but a larger one was acquired in 1956, with dimensions 15' by 10'.

Then in 1960, Hawaii became the 50th state, and a new 50 star flag was needed. Naturally this was a chance to go for an even larger flag, this time 36.5' by 24.5'. Which is a huge flag by any standard, and it was already too big to fly safely during stormy winter months, but there was already talk of creating an even larger one.

So in 1969 they got a truly gigantic flag, 62' by 42'. Which presented a problem, because the new flag was too large for the current flagpole, and it was obvious that it would become entangled with the Battleship Oregon mast or nearby oak trees if the wind ever happened to blow in the wrong direction. The article mentions it superseded a 45' by 30' flag from 1960, which I assume is the larger replacement mentioned in the earlier article. The article mentions the previous flag had rivals for the "World's Largest" title, but only mentions the Meier & Frank flag. That flag is bigger (60' by 48', pre-shrinkage) but it's never flown from a flagpole; they used to hang it over 6th Avenue during the Rose Festival, and in recent years it's occasionally been hung on the SW Morrison side of the Meier & Frank store (now Macy's) during major national events, most recently in the weeks after 9/11.

The new flag rarely flew, for safety reasons, and to make matters worse a 1972 letter to the editor pointed out that the flag's dimensions were all wrong. This may seem nitpicky and unimportant to anyone who was never a Boy Scout, but let me assure you the dimensions are very, very important. If the flag isn't shaped right, you can't fold it correctly in the official manner. Which is a problem because you also can't just set it down in a big pile somewhere; that would be disrespectful and you'd probably have to burn it then. So if it's the wrong dimensions, you're stuck carrying it around with you forever, pretty much. And as desirable as that is from a patriotism standpoint, it isn't always the most convenient thing when going about one's everyday life. So yeah, misshapen flags are the worst, basically.

In any case, 1980 rolled around, and City Hall (lobbied by the Rose Festival and veterans' groups) wanted a way to fly the giant flag safely. The American Legion had wanted to fly the big flag the previous year, but the usual safety concerns had cropped up again, and since this was the cusp of the Reagan era, the city couldn't simply tell them it wasn't practical, end of story; a way had to be found to accommodate the flag. Still, chopping down nearby oak trees wasn't an option, because it was 1980 and not 1944, so they decided to go for a taller flagpole instead, 135' this time instead of 100'. This caused delays, because finding a single 135' tree suitable for a flagpole takes a while, and the flagpole wasn't ready in time for that year's Veterans Day. The kinks were sorted out eventually and the flag flew on the following 4th of July.

If you look closely at the plaque on the flagpole, you'll see a mention of Gene Autry, the famous singing movie cowboy. It turns out there's a very prosaic reason for this: The flagpole was funded in part by donations from Golden West Broadcasting, the then-owner of KGW-AM and a couple of other local radio stations, and Autry was the company's chairman. So he was involved in the project to some degree, just not in a singing movie cowboy capacity.

The glory of the new flag and flagpole combo was short-lived, however, as a new contender disputed the city's "World's Largest" claim. In 1981, a larger 82' by 43.7' flag was raised at the offices of a Long Beach, CA bumper sticker magnate, of all places. Portland was still able to claim the largest flag on a wooden flagpole, which I guess is a sort of consolation prize, but the title of overall world's largest was gone for good. There was talk at the time of creating an even larger flag for Portland, but that doesn't seem to have gotten any traction. Portland quietly bowed out of the escalating vexillological arms race at that point, perhaps realizing giant flags had become the province of whackaloons and there's no competing with those people, and since then we haven't looked back. Cultural shifts here since 1980 make it unlikely that we're going to invest in a new record-setting flag or flagpole anytime soon. Portland has far more upscale and cosmopolitan things to burn money on these days, and we've consigned the entire monster flag phenomenon to the civic memory hole.

The arms race continued on without us, though. The bumper sticker king went on to invent "Superflag", which is much too big to actually fly from a flagpole, or to hang anywhere. Instead they just unfurl it at football stadiums, NASCAR races, etc., anywhere this sort of display would be welcome. There are actually several Superflags, available for rental in 3 sizes, up to 505' x 255'. If it's impossible to unfurl in a vertical position, there's a reasonable argument that it doesn't even count as a flag at that point. It's a very large something, but not a flag.

As for other large contenders, there's a 90' x 60' one that's been hung vertically on occasion on the George Washington Bridge in NY-NJ on occasion. As for flagpole-based flags, the largest seems to be a 114' x 65' one in Gastonia, NC, which weighs only 180 lbs, which is amazingly light if that's an accurate number. That flag seems to have a steel flagpole, though. So it's possible we still have a claim to the on-a-wooden-flagpole consolation prize, if anybody out there cares to pursue it for some reason.

Tuesday, October 08, 2013

River Shift

Here are a few photos of River Shift, the public art installation at the south end of Waterfront Park, near the Marquam Bridge. The RACC page about it includes an extended artist's statement:
The idea for this piece had its source in the rough concrete piers and reinforcements that were being excavated from the old waterfront site when I first saw it. I made a progression using local basalt stone and the existing wrecked concrete.

At the top of the berm there is a grouping of saw-cut vertical basalt, and some irregular, displaced foundations. As the basalt pieces progress from berm to river, they tip over, so that the concrete below becomes exposed and the basalt becomes submerged and eventually disappears.

At the river path there are various configurations of concrete and stone, including inlays and pieces that can function as seating. Concrete is cut in various places to expose the river rock aggregate inside as well as the old embedded wood piers, and some heavy steel reinforcement emerges in various plant-like and root-like ways.

The work is meant to be a quiet narrative that is derived and retained from the site, rather than a thing that was brought in.

The artist's website has a photoset about River Shift, including a few shots looking down on the area from an adjacent building, which gives a better idea of how the various parts of the piece are laid out.

The idea of turning construction debris into art isn't a new one. You could probably travel the world and put together a big coffee table book of other examples from all over, and maybe write a thesis about the genre and what it all means. This does make me feel kind of bad for construction workers: They tear down a building, filling dump truck after dump truck with broken concrete and twisted rebar, having no clue about all the expensive capital-A art they've just created. They could probably all retire after the first couple of buildings and live off the proceeds, if only they knew. It's a real shame. In any case, River Shift is a well-executed example of the genre, and paths down to the river are obviously a popular feature since river-level access near downtown is pretty rare. People actually fish there, and when the weather's nice a few people will even try to lie on the sorta-beach and work on their sorta-tans. Californians, probably.

Monday, December 24, 2012

Sculpture Stage

Photos of Sculpture Stage, the stainless steel wall thingy in Waterfront Park, near the Saturday Market canopy & the new Naito Fountain. If you're like me, you may not have realized it's supposed to be art at all. It's by the same guy behind Land Form in Lair Hill Park. Both pieces date to about the same era, although there isn't an obvious resemblance between the two. For more about all that, I'll just point you to a snarky Portland Public Art post about the guy's various works around town.

Sculpture Stage

None of the links above mention this, but the piece adorns an outer wall of an old (but still operating) sewage pumping station. The station is in the middle of an inconveniently well-touristed area, so there's kind of a social convention to not see it and to pretend it's not there. You'd think the arts community would be less squeamish about this sort of thing, but it's still Portland, after all, not Paris, and the oddest things make us squeamish.

Sculpture Stage Sculpture Stage Sculpture Stage Sculpture Stage

Friendship Circle

Some photos of Friendship Circle, the sculpture at the far north end of Portland's Waterfront Park. It's yet another local piece by Lee Kelly, the guy behind Leland One (aka Rusting Chunks No. 5), this time in collaboration with a composer. The sculpture commemorates Portland's longstanding sister city relationship with Sapporo, Japan, and it (supposedly) plays a 35 minute musical piece we're told was inspired by Asian temple music. As far as I can recall I've never actually heard this music, and I've been around the thing more than a few times. So all I can really say is that multiple sources insist it does this from time to time.

Friendship Circle

If you're looking at it and thinking, jeebus, this is one phallic-looking piece of art, you'll be pleased to know you aren't alone. The blog Culture Shock compiled a list of sorta-suggestive public artworks back in 2009, and this is #2 on the list. Also listed are Pod, aka "Satan's Testicle", Tikitotmoniki from the Pearl District, and Stack Stalk reppin' for the eastside. We've probably acquired a few more of these bad boys since that post went up, given that public art commissions still mostly go to male artists.

Friendship Circle Friendship Circle Friendship Circle

Saturday, November 10, 2012

Salmon Street Springs

A slideshow of the Salmon Street Springs fountain, in Waterfront Park at SW Salmon, just north of the Hawthorne Bridge. The city Water Bureau, which is responsible for the fountain, describes it:

This fountain celebrates city life. A computer regulates the changing patterns of the water display. At full capacity the fountain recycles 4,924 gallons of water per minute through as many as 137 jets at once. There are 185 jets.

The Portland Development Commission funded the fountain. It was dedicated in 1988. A contest generated the name in 1989. Robert Perron Landscape Architects and Planners designed the fountain. The three cycles of the fountain are called misters, bollards and wedding cake.


View Larger Map

The slideshow has photos of all 3 modes, plus a few taken while it was turned off for the winter. The fountain's a local landmark, and it's also relatively recent in origin, so I don't have any obscure historical details to share about the thing. Which is probably why I haven't gotten around to covering it until now. Still, it's pleasant enough & I figured it at least merited a slideshow here.

Saturday, March 20, 2010

cherry tree, waterfront park

cherry tree, soft focus

More soft focus fun, this time some cherry blossoms in Waterfront Park. They'll probably still be out for another week or so, although the fun's already over for the year in Terry Schrunk Plaza and Portland Center Park and probably most other spots around town.

cherry tree, soft focus

cherry tree, soft focus

cherry tree, soft focus

cherry tree, soft focus

cherry tree, soft focus