Showing posts with label boyden. Show all posts
Showing posts with label boyden. Show all posts

Tuesday, December 30, 2025

Great Salmon

Our occasional tour of public art around Portland is back on the OHSU campus again. This time we're looking at Great Salmon by Oregon artist Frank Boyden. Which is clearly another example of the Heroic Salmon genre I've mentioned here once or twice before, but I do actually like this one. Boyden founded the Sitka Center for Art and Ecology out on the coast way back in 1970. It's always nice to see that at least one other thing founded in 1970 is still alive and kicking.

I say that because this is located on an exterior wall just outside the ER. See, back in March of this year I had a routine medical appointment for something unimportant, but they took one look at my blood pressure numbers -- retried it a couple of times in case they'd done it wrong the first time -- and told me to go directly to the ER to have it looked at, stat. Which I did, where they decided it was not an immediate crisis but I probably ought to start some blood pressure meds. So I'm doing that now, and things seem to be going pretty well since then. But it was another of those annoying little reminders about not being a spring chicken anymore.

And yes, I did notice this on my way home from an alarming medical thing. I saw art, stopped and took some photos, the same as I would if I was just visiting, and here they are. So say what you will about the quality or frequency of posts around here in recent years, but at least nobody can fault me for a lack of dedication. I've got that going for me, at least.

Saturday, April 19, 2014

Feathers

At Portland's Gateway Transit Center, three giant blue feathers twist in the wind atop 20' poles. Feathers was added as part of the MAX Red Line project, and TriMet's Red Line art guide has this to say about it:

The Gateway "Feathers" by Frank Boyden consist of three 14-18' long painted aluminum feathers that track the wind atop 20' poles. The feathers, which are visible from the I-205 freeway, the bike path and the train, create a landmark for the transit center and signify the start of the airport line with a bright and colorful allusion to flight.

Boyden also co-created the Interactivators along the WES line.

The main problem with Feathers is that it only makes sense if you realize it arrived with the aviation-themed Red Line, and you'll only know that if you Google it. Gateway is really busy most of the day and the feathers are in a fenced-off area, and (typically for TriMet) there doesn't seem to be a sign for it. So it's just going to be a mystery for almost everyone who notices it. Although I often wonder whether anyone other than me bothers noticing this stuff. (I just might be, if Google results are any indication.) Still, transit art is something to look when if your bus is late, I guess, or when the train's out of order again.

Monday, March 24, 2014

Beaverton Interactivator

Every time TriMet opens a new transit line, the agency buys public art for each station on the new line, which eventually results in a new series of blog posts here. They tend to patronize local artists, and seem to gravitate to weird stuff, not always of the highest quality, which makes this an interesting sort of project. I've primarily covered the Green and Yellow Lines so far, but I think TriMet's done this on every MAX line except for the original eastside Blue Line, and they already have a few pieces up for the upcoming Orange line. It turns out they also did this for the WES commuter rail line between Beaverton and Wilsonville. Unlike MAX, there are just a handful of WES stations along the line, and all of the art pieces along it are by the same designers.

The program was guided by an Art Advisory Committee composed of representatives from every station area. The committee selected artists Frank Boyden and Brad Rude to develop artwork for the stations.

Boyden and Rude created a series of five sculptures, called Interactivators, for the five commuter rail stations. Each sculpture features moveable, cast-bronze heads and a vehicle mounted to a stainless-steel table. The heads, which appear in different guises at each of the stations, symbolize a wide range of emotions, traits and conditions. Like the cross section of humanity that may be found on any train car, these sculpted archetypes serve as a metaphor for the human experience. The bronze vehicles each carry a sculpted scene of an animal representative of the station area where they are located.

The figures and vehicles are attached to the tables in a way that allows them to move within "tracks" cut into the surface of the table. The sculptures, in addition to being unique works of art, offer a potential game that can be played by one person or an entire station full of people. There are no winners or losers, but rather opportunities for infinite encounters that can create social connection, offer insight or produce a simple moment of pleasure.

The one shown here is the Beaverton Interactivator, at the WES station at Beaverton Transit Center. I didn't try to play with it, and nobody else at the station seemed inclined to give it a whirl just then either. The Oregonian's transportation reporter thought they were kind of creepy, and included close up photos to illustrate his point. He may have a valid argument there, though I don't really see a Middle Earth connection. If anything it's more of a Tim Burton look, which may or may not be a good thing.

I only managed one photo of the Interactivator before the train arrived. I'd never ridden WES before, because it goes somewhere I don't need to go, and only at times I don't need to go there, so I had to make a special trip just to ride it to Wilsonville and back. I've included a couple of bonus photos of the train too, for the probable majority of you who haven't ridden it either. It was actually a nice ride, certainly quieter and roomier than MAX and not crowded at all, and the run is reasonably scenic once you're out of the industrial part of Beaverton. If you're in the OR 217 corridor, and need to get somewhere during rush hour, and can tolerate a commute option that isn't available at night, or on weekends, or in the middle of the day, I would happily and unreservedly recommend the WES train, versus slogging along in traffic on 217, or trying to bike safely through suburbia, or waiting for the rumored Tigard-Tualatin MAX line to arrive in the mid-2020s.