Showing posts with label fletcher. Show all posts
Showing posts with label fletcher. Show all posts

Sunday, January 05, 2014

Liberty Bell, Portland City Hall

If you walk past the 4th Avenue side of Portland's City Hall, you might notice a replica Liberty Bell installed on the north end of the grounds. There's an interesting history behind it, so it seemed like it was worth a blog post. For those of you from outside the US, and those who slept through US history class in grade school, the original Liberty Bell is a large bell commissioned for the Pennsylvania State House (now Independence Hall) in 1752. Various apocryphal stories have grown up around it, particularly that it was rung on July 4th, 1776 to mark the Declaration of Independence. It's become famous for that event (which didn't actually happen), and for the long jagged crack that renders it unusable as a bell. As far as historians can tell it played no actual role in the American Revolution, but all the same it's been a national symbol since before the Civil War.

In the years between 1885 and 1915, the Liberty Bell was sent around the country several times on publicity tours, until concerns about wear and tear, souvenir-hunting, and additional cracking brought an end to its touring days. On its very last trip, the bell traveled west, headed to San Francisco's Panama-Pacific Exposition. A public petition drive led to the Liberty Bell making a brief five-hour stop in Portland on the morning of July 15th, 1915. The train arrived at Union Station, the bell traveling in its own special rail car. In those days there was still a railroad line up 4th Avenue, so they simply switched the bell's car to a local locomotive and hauled it up 4th to the Multnomah County Courthouse, where it was displayed to the public for a few hours. There was a parade by the state militia, and the city welcoming committee did its best to entertain the dignitaries traveling with the bell. When its stay concluded, they hauled the bell back to Union Station and its regular train, and it left town, never to return.

Nearly 50 years later, a retired local businessman decided the city needed its own Liberty Bell replica, and started a fundraising campaign to buy one. He had been under the impression that no exact duplicates of the original existed, and was surprised to learn that Salem had gotten one (along with the capitols of other US states & territories) in the early 1950s. He was undeterred, however, and Portland's bell arrived in June 1963, just before the 4th of July. The bell was slightly banged up on arrival. It came with a 25 year warranty against breakage. These two facts strike me as odd for a deliberately broken bell. The bell also arrived without the city having a clear idea of where it was going to go. Several sites were proposed, notably the now all-but-forgotten World War II memorial at Memorial Coliseum. After a year of handwringing they decided to leave it at City Hall. A year later, a plaque was added nearby honoring Henry J. Casey, the retired businessman whose idea this was.

This bell had a very short career, however. On the night of November 21st, 1970, a bomb exploded in Portland's City Hall, shattering the bell and heavily damaging the city council chambers. (Photos of the damage here and here.) No deaths or serious injuries resulted, however. No one claimed responsibility for the attack, and no arrests have ever been made. News accounts generally assume there was a political motive of some sort, with 60s radicals the default suspects. And that's one possibility, certainly. But it could just as easily have been someone with a more personal beef at City Hall. Anger over a big building code fine, say, or denial of a requested permit, or a grievance over taxes. Or it could have been someone just obeying the little voices. At this point we'll probably never know for sure unless someone makes a deathbed confession.

In 2006, the City Hall bombing was referenced by a traveling art project, The School of Panamerican Unrest

:
The topic of Helguera's panels and discussions changes with each location. On Tuesday evening, Helguera—along with a panel that includes Red 76's Sam Gould, Harrell Fletcher, and Ian Greenfield (Lightbox Studios and the Oregon Bus Project—will engage in a panel discussion on The Portland Liberty Bell: Questions on Civil Disobedience. "On Nov. 21, 1970, a powerful bomb exploded behind Portland's City Hall, and arguably destroyed the State's bronze replica of the Liberty Bell. A urban myth that the Portland Liberty Bell was destroyed has never been fully dispelled, along with the open mystery of who carried out this and other terrorist acts—although it was largely suspected of students and civilian activists. This discussion explores that historic moment in Portland and the US and will include a discussion civil life and unresolved social or political conflict."

In any case, the city soon resolved to replace the original bell. This time there were issues with the bell being cast improperly (that is, a deliberately cracked bell was alleged to have been made incorrectly), and the city and the bell foundry argued over it for three years while the bell sat in storage. It was finally unveiled in Terry Schrunk Plaza in 1975. The city ended up paying $6000 for the replacement bell, a $2000 discount due to the manufacturing problems. This is cheaper than the $12,000 original bell, probably because over a ton of the original bell's metal was recycled into the new bell. In recent years, the replacement bell was moved across the street back to the City Hall grounds where it now stands.

Wednesday, November 20, 2013

More Everyday Sunshine

As a general rule of thumb, Portland's public art buyers don't usually go for conceptual stuff. Abstract stainless steel whatzits are still the safe choice here, made by the same usual suspects who've been making them since the 70s, and who will happily cobble together yet another one whenever a new public works project needs to burn its one percent for art. Our subject today is one of the few rare exceptions to the rule of thumb, one which made a quick cameo here in a post back in 2006:

... I've finally figured out something that's been puzzling me for months now. At several spots along the streetcar line, and at other locations in the Pearl, there are these motion-sensored spotlights with solar panels attached, aimed at the sidewalk. Sometimes they trigger and click on when you walk by, which can be a little surprising. There's one on SW 10th around Stark or Alder or Washington that clicks on and illuminates a manhole cover in the sidewalk. The first time I saw this it startled me. I thought it must be some sort of inexplicable homeland security measure or utility maintenance aid or something. Turns out the spotlights are part of an art installation titled More Everyday Sunshine, by Harrell Fletcher. It all makes sense now. I had a feeling it might be art, but it isn't labelled anywhere, and the equipment for each light is quite utilitarian, so it was hard to be sure.

I like the fact that the spotlights come with no signs or explanations attached, adding a touch of mystery to ordinary downtown streets. Knowing their purpose is like belonging to a secret society, without all the funny handshakes and world domination. The Tribune dug into this mystery in a 2007 Stumptown Stumper, which included a brief interview with their creator. The lights have also gotten a five-star Yelp review, oddly enough, which is possibly the Internet's only source of art criticism even less authoritative than the humble blog you're reading now. Elsewhere in the blogosphere (a word I haven't used in years, to be honest -- is there still a blogosphere?), More Everyday Sunshine is the nightcap on someone's tour of interesting Portland attractions and it gets a mention in a post at The Hallucinogenic Toreador that also covers murals from China's Cultural Revolution and a few of the author's ideas for future art projects.

This post took a while to create. At first I only had some daytime photos of the solar panels and lighting gear, which aren't very photogenic, and I had no pictures of it actually in operation. I felt this post couldn't go live with just the daytime photos, since I wasn't really capturing the essence of the thing that way, and I take that seriously for some reason. It's not that I wasn't trying to get proper nighttime photos, mind you. I wandered around a couple of times trying to get various spotlights to trigger, hopefully without arousing suspicion and getting tasered by Officer Friendly, or having to explain this quixotic internet quest to random Midwestern tourists who want to meet a real live Weird Portlander. I finally got a couple of spotlights to light up this evening, and I got a few photos, so this post could finally move forward. One photo shows an illuminated shrub outside an apartment building at 11th & Columbia, while another shows a pool of light on the sidewalk at 5th & Mill. Neither one is really all that spectacular, but I think they get the general idea across. I tried a few other spotlights but they wouldn't come on for me. So either some of the lights are out of order, or I just haven't figured out the secret trick to making them light up on command. The fact that a couple of them came on suggests that I'm probably not a vampire. So that's encouraging, at least; with my luck I'd end up as the sparkly sort of vampire, which would be embarrassing.

The RACC page for More Everyday Sunshine includes a detailed artist's statement:

As a kid I would go for walks with my father and he would point things out to me. He seemed interested in everything—an architectural detail, an old tree, a geological formation, a historical monument, an unusual shop or restaurant. Features otherwise hidden to me would be revealed and made significant while spending time with him.

Over the past eight years I have worked on projects exploring the dynamics of social spaces, communities, and environments. These projects have taken the form of installations, publications, educational activities, and public art pieces and have involved a variety of populations: middle school students in Oakland, office workers from the City of Richmond, local residents from the Sunset District in San Francisco, students living in dorms at the University of Washington, shoppers at a mall in Pleasanton, urban gardeners in the Mission District of San Francisco, among others.

My project for the Streetcar Alignment brings together my early memories of walks with my father, photography, and my involvement with community based art projects. To do this I will install a series of solar powered lights on motion sensors to literally highlight aspects of the neighborhoods that the streetcar will be running through. The units would be attached to pre-existing street car poles and operate from dusk to late evening. It’s evident that these neighborhoods already have cultural and aesthetic qualities that define them.

The idea draws strictly on what the various neighborhoods along the alignment already have—unusual architecture, old signs, specific trees, old fire hydrants and infrastructure, etc. I will choose several locations to just light a circular spot on the sidewalk that a person could walk into and for a moment stand out for their own visual or gestural significance. In a way, the lights would act as real time photographs of interesting aspects in Portland’s nighttime urban environment.

If you want to track down the spotlights yourself and see if you have better luck triggering them than I did, I came up with a list of locations from one of the RACC public art maps. They're only along the streetcar's NS line as it existed in 2004, so there's nothing on the Eastside or along the South Waterfront extension.

  1. SW 5th & Mill (platform spot)
  2. SW 4th & Montgomery (drinking fountain)
  3. SW Park & Market (tree knot)
  4. SW 10th & Mill (bench)
  5. SW 11th & Columbia (flower bed)
  6. SW 11th & Jefferson (tree)
  7. SW 10th & Yamhill (library bench)
  8. SW 11th & Yamhill (face in molding)
  9. SW 10th & Washington (manhole cover)
  10. NW 10th & Couch (manhole in sidewalk)
  11. NW 10th & Hoyt (downspout)
  12. NW 11th & Flanders (building vent)
  13. NW 11th & Irving (bench)
  14. NW 16th & Northrup (metal in asphalt)
  15. NW 21st & Northrup (word on back of building)

For extra credit, see this 2003 Mercury story on Fletcher's And Even More Everyday Sunshine, a photographic exhibit at the Multnomah County Department of Community Justice in downtown Portland. That was a decade ago, though, and it's probably long gone by now. I haven't worked up the nerve to go in and check.

Monday, May 06, 2013

The Knowledge

Ok, time for another episode in obscure stuff near the Portland State campus. The Knowledge is a bit easier to find than most entries in this series; it's the large, brightly colored mural of books that takes up much of the block of 5th Avenue between Hall & College streets. I'm not entirely sure mural is the right word here; it's a photo or photos printed on vinyl, applied to one of PSU's infinite collection of hideous 1960s parking structures.

CultureNOW describes it:

This mural by Harrell Fletcher, with assistance from Avalon Kalin, depicts a series of stacked books from the Portland State University Library, showing the spines with titles. Titles include references to the adjacent educational community and local sustainability efforts, as well as topics of interest to the diverse student body, the campus community in general, and neighboring businesses that support the University District area. Students, faculty, and staff participated in a poll to choose the book titles.

The Knowledge

As a PSU alumnus, the only surprising thing about the poll results is that there's only one Raymond Carver book pictured. Maybe there was a quota or something, or maybe his star's fallen a bit in the last mumble-mumble years. Dunno. Anyway, The Knowledge was named one of the nation's best public artworks of 2010, at something called the "Americans for the Arts Public Art Preconference", in June 2011. A Portland State news release about this win says:

Harrell Fletcher’s mural, The Knowledge, at Portland State University’s Ondine Building on the 5th Street side, was partially funded by RACC’s public art mural program, with additional funding from Portland Development Commission, TriMet and Portland State University. The 127’x20’ mural has improved the aesthetics of the surrounding area – which is dotted with residential apartments, , University residence halls, small businesses, cafes and restaurants – by adding vibrant color and graphics that promote learning in a university setting. As a side benefit, the mural also discourages graffiti in the area. More online at http://bit.ly/jgJZgo. Estimated cost of the project is $35,000.

The Knowledge

Other items of interest from across the interwebs:

  • Interviews with the artist by Shambhala SunSpace, Allan McCollum & Greater Good.
  • A blog post at Noticing Southwest Portland.
  • A few Flickr photos. A comment at the latter photo suggests "somebody should do VHS version". Which is actually not a terrible idea, considering that PSU's Fifth Avenue Cinema is right around the corner. So it would be sort of appropriate. Although today's college students may have no idea what a VHS tape is.

The Knowledge The Knowledge The Knowledge The Knowledge