Bridgetown Aikido mural

The next stop on the mural tour is at the Bridgetown Aikido building at NE 28th & Flanders, where we find a "monkey king" design created by Portland artists Jessie Weitzel & Brianna Farina. The RACC's old, defunct Murals of Portland website said there was a mural here, so I came looking for it, but I gather that one was replaced by the current mural at some point, since the listed artists are different.

Jolly Roger Skull mural

A while back I was putting together a post about the big Arch Angel mural at SE 12th & Madison, and noticed a brief aside in a writeup about it by Meggs, one of its co-creators: "Also had extra time to Jam with Gage Hamilton on a quick Skull piece on the side of the Jolly Roger Dive Bar, opposite the main mural!" (links added by me, btw.) I completely didn't notice this skull at the time. I would have noticed if only I'd turned around and looked behind me when taking Arch Angel photos. But I didn't, so I had to make another trip to go find it. And voila, here it is.

Giant Rabbit mural, NE Alberta

The mural tour is visiting NE Alberta again, and this time we're taking a look at the ginormous rabbit mural on the side of a building between 18th & 19th. This was painted by LA-based Brazilian artist Mateu Velasco for the 2014 Forest for the Trees event.

Given the subject matter, I have to put in a plug for an old blog post of mine about the movie "Night of the Lepus", a not-very-scary 70s monster movie starring DeForrest Kelley (Star Trek's Dr. McCoy). This was from the short period of time when I thought this might evolve into a blog about bad movies. Eventually I realized that writing about bad movies was a lot of work, or at least I made it into a lot of work, and this humble blog eventually morphed into today's photos-of-stuff format. The current all-mural thing is not a permanent feature of this blog, by the way; it's just the current project, which turned out to be a bit larger than anticipated. Eventually I'll move on and do something else, though I'm not sure yet what that might be. Maybe historic buildings or something like that. Dunno.

Lost Cause mural, SE 34th & Belmont

The next mural up is another Forest tor the Trees one, located on SE Belmont just east of 34th, at the far end of a parking lot facing Belmont. This was painted by The Lost Cause for last year's edition of the Forest for the Trees festival. The 2015 edition is coming up in a few weeks, with a whole new batch of murals to cover. I still have several unfinished posts about previous years' murals sitting around in Drafts. Hopefully I'll have those done & dusted before the new batch arrives, but you never know.

Dragon, SE Alder

Next mural up is this whatzit on the D&J Imports building on SE Alder, between 11th & 12th. wiredforsound32 says it's a dragon, and was painted by Klutch (who also did the large mural at Buckman Field). I think it looks more like a firebreathing Left Shark, but what do I know?

Nectar Cafe mural

The ongoing mural tour takes us back to the Hollywood district again. A few weeks ago we visited the Velo Cult mural, which faces a parking lot near NE 41st & Hancock. The same parking lot is also home to the smaller mural shown here, on the back of the Nectar Cafe, an artsy/healthy neighborhood coffee place. The mural's signed "Notes", which is basically impossible to Google (or Bing, if you prefer). Luckily the cafe's Facebook page had a couple of photos of the mural being painted, back in October 2013, and the captions explain that it was painted by artist Derek "Notes" Leitch. If I was in a grumpy mood (which I'm not), I might complain about people choosing more distinctive artist nicknames, but hey, I managed to follow the breadcrumbs this time, and I actually kind of like a little detective work now and then.

Machinery

The next Portland mural on our tour is one of the oldest ones I'm aware of. Machinery, at N. Williams & Shaver, was painted wayyy back in 1989 by Tom Cramer, and restored in 2003 just as gentrification started to take hold along Williams. Cramer later painted a similar mural at Ciao Vito on NE Alberta. (I have a draft post about that one, so it'll show up here eventually, but I couldn't begin to guess when.) Somewhere around town there's also an 80s-era vintage BMW that Cramer painted to look like Machinery.

If I hadn't known the date, I would have guessed it was from the late 1980s, or more likely inspired by the 80s. There was a common aesthetic in the 80s that involved lots of jumbled angles and primary colors (think Keith Haring for example), and it's kind of fun to run across a surviving example in the wild.

A bit about the design, from the 2003 Tribune article about the restoration project:

[Cramer's] original vision was to make something bold and colorful that could stand up to the neighborhood, he says. In the 1980s the area was harder-edged, and there was a lot of gang activity.

What Cramer continues to like about the mural today is that it's not trying to sell anything, either commercially or politically. But it still has an 'upbeat edginess.'

'It's improvised. It's like jazz, and it just kind of goes for it,' he says, adding that given its absence of a larger message, the mural probably wouldn't stand a chance of being approved by an officially sanctioned public art committee today.

NE 28th & Davis mural

Ok, our next stop on the mural tour is on NE 28th near Davis. This abstract design is signed "Seak Joker Daim" for the trio of artists who created it. The RACC's defunct Murals of Portland website [archive.org link] says it was painted back in 2003. That was during the time when City Hall was paranoid about allowing murals anywhere, for fear of having to allow billboard ads everywhere. So I'm not sure how this one came about in that climate. Joker is a Portland-based artist (interviews at Graffuturism & Futurism 2.0), while Daim and Seak are German and I gather are fairly prominent in the street art world over there. So maybe that's our answer: I could easily see 2003 Portland bending the usual strict rules a little if an artist was famous enough, for fear of getting a bad reputation in the art world.

Community Cycling Center mural

The next mural on our tour is a large RACC-sponsored one on the Community Cycling Center at 17th & Alberta. The RACC description:

The main focus of the mural is a child-powered apparatus, accompanied by a range of locomotion machines for children of all ages and varying physical abilities. The machines form a parade that includes a tandem bicycle, wheelchair, reclining bicycle, tricycle, unicycle, and other various bicycles. The imagery in this mural is inspired by the Community Cycling Center’s dedication as a non-profit service organization that teaches bicycle safety and provides bicycles to those in need.

This was created in 2006 by Robin Corbo (who also created the MIKE and BARK murals elsewhere in Portland), and restored in 2008 after the building was rammed by a truck.

BARK Mural

Next up on the mural tour is the huge BARK Mural, the jam-packed nature scene at the Firestone store at 4601 SE Powell. I ran across this in a Kay's Bird Club post, though I'm sure I would have noticed it on my own eventually if I was on Powell more often. A 2011 Tribune article about it interviewed lead artist Robin Corbo (who also created the MIKE mural near Lloyd Center, and a couple of others I haven't posted yet). The article explains that the mural was created in conjunction with BARK, a nonprofit that works to protect the Mt. Hood National Forest, which explains the subject matter here. I imagine "created in conjunction with" means the group supplied volunteers to help paint it. Here and there you can kind of tell that community volunteers were involved, and the sorta-infamous 'Art Wall of Shame' Tumblr ranted about some of the mural's more uneven details. Ranting about well-meaning volunteers seems kind of meanspirited if you ask me. I suppose there's just no satisfying some people.

A tire store on Powell may sound like a weird location for a saving-the-world nature mural, but this was a deliberate symbolic choice; Powell doubles as highway US 26, which (eventually) is the main road to Mt. Hood and points east. (You could keep going on US 26 all the way to Ogallala, Nebraska, if you were so inclined.)

There Is Always Hope

The next stop on the mural tour is in Portland's Old Town, on NW Flanders near 6th. This large Art Nouveau-styled mural was painted in May 2015 -- I ran across it while it was being painted, in fact -- by artist Lydia Emily, as part of a national awareness campaign for the National Multiple Sclerosis Society. Lydia Emily (who has MS herself) painted similar murals in Los Angeles, Austin, and Louisville, KY as part of this campaign. A 2014 LA Weekly interview discusses some of her other work in the LA area.

Animal Crossing NW mural

A while ago, I drove out to SE 72nd & Harold to track down the Mt. Scott-Arleta neighborhood's community mural, and I happened to park near a small neighborhood pet supply store. The entire front of the store was painted with a design full of cute animals. I figured since I was there anyway, I might as well take a couple of photos, so here they are.

Cartopia mural

Next thing on the mural tour is this design on a wall at Cartopia, the food cart pod at SE 12th & Hawthorne (which is home to a fantastic poutine cart, among other things). This was painted sometime in early 2015 or late 2014 by artist Dominatah, replacing a previous "Cash For Your Banksy" sign. I have photos of the old sign too but haven't posted them yet; murals seem to come and go faster than I can post about them. I suppose there are worse problems to have, blogwise, but it certainly isn't helping with the size of my Drafts folder.

Shop Small mural, SE 25th & Clinton

The next stop on our ongoing mural tour is at SE 25th & Clinton, where a bike-themed mural graces the side of a small commercial building (which apparently is not a bike shop, oddly enough). This was painted in 2014 by artist Stefan Ways, who also created the Green Hammer mural at SE 6th & Madison. The "Shop Small" on the bike basket is the key detail here: This was painted as part of a national campaign to promote Small Business Saturday, the day after Black Friday when you're supposed to do some holiday shopping at local small businesses.

In 2013, Ways painted another mural for the Shop Small campaign in Baltimore; that article mentions that the national campaign is actually sponsored by American Express, the huge global credit card company. (Their corporate Tumblr (which exists) has more photos of the Baltimore mural.) This is probably a way for them to try to reach millennials, who (it's widely believed) have less of an interest in "prestige" credit cards and other traditional status symbols than their elders did. The small business thing probably also reflects a desire to get more small businesses to take their card. Many businesses don't accept AMEX due to the higher merchant fees compared to Visa & MasterCard.

Anyway, long story short, when I started this post I figured this was yet another mural promoting our fair city's bike-based smug superiority, and/or a hip local bike store. I had no idea it was part of a national marketing push.

International Meat & Sausage mural

Here are a few photos of the painted sign outside the International Meat & Sausage / Overseas Taste market at SE 64th & Foster, next to Laurelwood Park. Business signs usually aren't part of this ongoing mural project, but this one's cute, and includes a cute cat, so I bent the rules for it, just this once. Sadly, until they invent Smell-o-Vision you won't get to enjoy the full effect; the whole surrounding neighborhood smells like spicy Eastern European sausages. I maintain this smells amazing, and the scent is a valuable public service, freely provided at no charge. Though I can see how non-carnivores (or people on diets) might beg to differ.

Tropical mural, SE 72nd & Harold

I stopped at SE 72nd & Harold to locate the Mt. Scott-Arleta Community Mural and noticed this tropical design painted on a building across the street. I don't know anything else about it, but it's kind of pleasant and I thought it was worth sharing.

JOIN mural

The next mural up is at NE 81st & Halsey, outside the JOIN homeless services agency. The agency moved to this location in 2010, and the mural was painted shortly afterward by artist Rodolfo Serna, with help from a couple of local youth programs. (The RACC's now-defunct Murals of Portland site [via archive.org] lists the credits as: El Programa Hispano students from Madison High School p:ear youth, JOIN staff, and Jakub )

Serna also created a mural in the 4600 block of SE Hawthorne in 2009, but I'm afraid you won't be seeing it here; the entire block is now home to a shiny new apartment building, because gentrification

Buckman Field mural

The next mural we're checking out is at Portland's Buckman Field Park, or rather on the back of a warehouse facing the park. This was created in summer 2014 by mural artist Klutch. Despite its size, this mural is a bit hard to find. The warehouse it's on is at the SW corner of the park, and the mural's down a slope from the running track, located behind some trees. If I'm not mistaken, the same warehouse is home to two Weston roses on the NE 12th side of the building. So, business in the front, party in the back, I guess.

Emerson School mural

The next mural we're visiting is at the Emerson School on Portland's North Park Blocks, where a cartoon mural version of the park blocks faces the school's parking lot. This was painted in 2012 by Mofee123. I've seen it called Elephant in the Park before but I don't know if that's an official or not. One fun thing about this mural is that the lot's "reserved parking" signs were integrated into the design. There's a closeup in the slideshow that shows this a lot better than the first photo does. (You did know my posts always have slideshows, right?)

In any case, the elephant in the maybe-title is the Da Tung sculpture, which a Chinese businessman donated to the city back in the early 2000s. My post about the elephant went up in 2008, and looking at it now I think my photos were better back then. I'd just gotten a swanky DSLR and I took it everywhere and used it all the time, whereas in 2015 the vast majority of my posts are just Samsung phone photos, mostly because the convenience of Flickr auto-upload is hard to beat. The rest of the post is pretty much just a link dump, though. I posted it in November, so I suspect I was trying to get a bunch of posts done in bulk to get to zero drafts by year's end. Zero drafts on New Years is my goal again this year, but I have so many of them right now I have no idea whether I'll be able to hit that goal. You probably don't believe me. If I could show you my Drafts folder you probably still wouldn't believe me. It's not just murals, either; they're just the low hanging fruit, so I've been doing a lot of them, and saving the others for later.

Alley mural, SE 6th & Yamhill

So our next stop on the mural tour is a little unusual. The block bordered by SE 6th & 7th Ave., & Yamhill & Taylor Sts. is home to several older buildings, with narrow alleys between them. Alleys like this in Portland are almost always fenced off, but these aren't (at least not yet), and the one facing 6th contains the mural you see here. It doesn't appear to be signed, and I don't know anything about it; I just happened to notice it while walking by, so I stopped for a few photos. It kind of looks like a Mayan design to me, but I'm not an expert on pre-Columbian art, and it could just as easily be an Aztec or Olmec pattern, or something invented for this mural for all I know.

Mt. Scott - Arleta Community Mural

The next stop on the mural tour is another neighborhood community one, the Mt. Scott - Arleta Community Mural, on the side of a building at SE 72nd & Harold. The RACC blurb:

Artist Tiago DeJerk and local teens have created this vibrant design depicting local community members, including a gardener, a person reading a book, a motorcyclist, an athlete, a musician, a person holding an umbrella and another walking a dog, a bicyclist, and a painter. The mural’s purpose is to unite and improve the community as well as promote diversity.

DeJerk's blog has a few posts about the mural project as slowly it came together.

Woodstock Community Mural

The next mural on our ongoing tour is the Woodstock Community Mural at SE 45th & Woodstock. This is a bit more ambitious than your usual community mural, and I really wish construction hadn't prevented me from getting a better look at it. At least there's a long RACC blurb describing what's on it:

Located in the heart of the Woodstock neighborhood business district, the mural is divided into three sections representing different themes of its location. The figures featured in each section are adorned with symbols of Greek Gods representing each theme. The left side of the mural represents Commerce, depicting a business owner in his store. He is surrounded by symbols of Hermes, the Greek god of Commerce—he is bearded, has a crocus flower, a winged hat, and a tattoo of the Caduceus, Hermes’ staff. The center of the mural is Education, featuring a student in a classroom and symbols of the goddess Athena, including an owl, an olive branch necklace, and a tiger lily. One of the highlights of education in Woodstock is the acclaimed Mandarin Immersion Program, so the neighborhood motto is translated into Mandarin on the chalkboard behind the student. The right side of the mural is the Outdoors and features an urban farmer. The Greek goddess of the harvest, Demeter, is referenced with a poppy headdress that mimics a radiate crown, a tattoo of a sheaf of wheat, a cornucopia, and a lotus staff. This final section also includes images of the nearby farmer’s market and Woodstock Park.

Links:
Article: http://portlandtribune.com/sb/75-features/204786-woodstock-finally-gets-its-neighborhood-mural-on-the-boulevard
Press Release: http://www.racc.org/public-art/new-mural-woodstock-neighborhood
Artist Website: http://www.threeredheadstudios.com/
Artist Website: http://www.heidischultz.com

Note that these photos were taken several months ago. I'm not sure what was being built on the lot next door, but it's entirely possible the mural's now obscured by another cookie-cutter apartment building or something. I haven't gone back to check.

Velo Cult mural

The ongoing mural tour takes us back to the Hollywood District, where this large mural graces the back of the Velo Cult bike shop, facing NE 41st, north of Hancock. This is a fairly recent mural, painted in summer 2014 by Andy Phillips. And yes, the store does serve beer, and sometimes has live music at night. This may sound like a gag from a certain Portland-based IFC show (which Shall Not Be Named), but it's a thing that exists within Portland city limits. I kind of hope the 'burbs never find out about this combo, though, because they'll turn it into Jagermeister shots at the local BMW dealer, featuring a Nickelback cover band.

Turtle Place mural

A few days ago, I did a theme day here and posted about a bunch of murals around downtown Vancouver, WA. It turns out I had at least one more VanWa mural post in my ginormous Drafts folder, so I figured I ought to post it before the others scroll off the front page. Until fairly recently, downtown Vancouver had its own "transit mall" along 7th St., a smaller version of the one in downtown Portland. Like Portland's bus mall, it acquired a bad reputation for loitering, drug deals, homelessness, etc., and in 2007 C-Tran (the Clark County mass transit agency) closed the bus mall and sent the buses somewhere else (I'm not entirely sure where they went). So this left the city with an unused half-block parcel of land downtown, which they decided to turn into a tiny park called "Turtle Place". Apparently C-Tran still owns the land here, and the park is meant to be temporary, to be removed once a shiny new Bus Rapid Transit line comes to town Real Soon Now. In the interim, they've taken a few steps to spruce up the mini-part a bit: There are a couple of interpretive signs, some old not-quite-vintage signs left over from the bus mall, a big steampunk water feature, and the gigantic mural you see here. The mural's just called Turtle Place, and was painted in 2010 by Guy Drennan, who also created a couple of the other Vancouver murals we looked at the other day. At first sight I actually thought this was a billboard; it doesn't help that "Turtle Place" sounds like it might be an upscale subdivision, or maybe a nursing home or something. But no, it merely tells you where you are. I suppose this is still better than having an ugly blank wall to look at here.

Proving Ground of the Mad Overlord

If you've been following this humble blog's ongoing mural project, you might be wondering where I find all this stuff. Locating good sources is a fun part of any blog project, and I've found several over the course of this one: The RACC website lists many (but not all) of the ones that belong to their "public art easement" program. There's a Tumblr that covers Weston rose murals, and the Forest for the Trees website tends to list everything created for their annual festival. And then there's a guy whose Flickr handle is "wiredforsound23", who posts geotagged photos of all sorts of obscure stuff. The guy clearly knows a lot of people in the street art world, since he often includes a title and artist with his photos. Though I get the impression he sometimes invents a title on his own if a mural doesn't have one. In any case, the mural we're looking at now is one he says is called Proving Ground of the Mad Overlord, by Acid Wizard, on the second story of a building at NE 29th & Alberta. If the artist's name sounds familiar, he(?) also painted a similar wizard face next to the smoking cat mural on N. Mississippi. I have a feeling this wizard face may be on the no-permit side of the street art world, which is a fun legal distinction that only matters in Portland. These photos were taken a few months ago, and for all I know it's been painted over by now. For all I know, the entire building's been replaced with luxury apartments by now, because NE Alberta.

Canned Heat Glass mural

Next mural up is this giant robot battle at Canned Heat Glass, a glassblowing equipment shop at SE 10th & Taylor. The mural's clearly signed "OASIS", but my Google-fu isn't coming up with an artist website or Tumblr to point you at. It might be out there somewhere, swamped by spurious results for Oasis and Canned Heat, the bands. So if any artists out there are reading this, here's my occasional reminder that I'd love to link to you, but first I need to be able to find you. Adding a little URL or Twitter handle to a corner of your mural never hurt anyone, hint, hint.

442 mural

The next mural on the ongoing tour is this group of soccer players outside the 442 soccer bar / Bosnian restaurant at SE 18th & Hawthorne. I don't know anything else about this one, unfortunately.

Some might argue that it doesn't really count as a mural when a business decorates an outside wall. I tend to err on the side of including things in this ongoing project, unless something's just a logo or an ad. And I might include it even then, if it's interesting enough.

Vancouver Brewery History mural

The next stop on today's VanWa mural tour is Brewery History, on a wall at Main St. & Evergreen Blvd. This was created by local artist Tamra Davisson for Vancouver's 2012 Summer of Murals event. The mural shows a few historic beer bottles from the city's erstwhile branch of the Lucky Lager empire and its various local predecessors. The mural's info page goes into this history further than I care to, and tracks all the corporate mergers and renamings over the years, up to 1985 when the Vancouver brewery closed its doors. The one interesting bit is that Star Brewing (one of the predecessor companies) briefly employed brewer Henry Weinhard before he moved on and started his own operation in Portland. During the 1990s there was a short-lived revival of the "Star Brewing" name, but that company was unrelated to the original one other than the name. I imagine I would have tried their products once or twice, but I have no specific memory of it. I've never heard anyone claim to miss them, or even remember them. At last report, circa 1996, they'd concluded they were done for in Portland, and were pulling up stakes to move to Phoenix where beer drinkers didn't know any better, I guess.

Kaiser Shipyard mural

Today's VanWa mural tour continues with Kaiser Shipyard at E. 7th & Main St. This was created by Ellen Clark for Vancouver's 2013 Summer of Murals. That page describes the design briefly:

In 1941 a beautiful morning begins with employees efficiently working on various phases of ship assembly. scaffolding and cranes stand high to assist progress of the finest ships built on the Columbia river. The SS Joseph N. Teal awaits loading. Built in ten days, the 10,500 ton Liberty ship is proudly launched from the Henry J. Kaiser Shipyard. Reference materials provided by Pat Jollota.

A 2013 Columbian article interviewed several local residents who had worked at Vancouver's Kaiser shipyard during World War II. As the article points out, for much of the war the shipyard produced amphibious landing ships and even small aircraft carriers, rather than the Liberty ship depicted here.

After Degas’ "Practicing at the Barre”

The next VanWa mural on today's tour is After Degas’ "Practicing at the Barre”, outside the Columbia Dance school at E. 17th & Broadway. As the name indicates, this mural was inspired by a famous Degas painting (now owned by the Met museum in NYC). The mural was painted in 2009 by Guy Drennan. Its Clark County mural page describes it briefly: "Clients like the Degas piece, and this illustrates what the building offers to students of dance. Painted with Kelly Hytrek."

Vancouver Farmers Market mural

Our next VanWa mural is one at 6th & Main St honoring the Vancouver Farmers Market. The market itself is held at Esther Short Park, a few blocks further west, so I'm not sure why they needed a mural about it at this spot, but hey. Anyway, it was painted for Vancouver's 2013 Summer of Murals by Travis Czekalski of the Portland-area duo Rather Severe. Their work has appeared here once before, a mural on NE Sandy created for the 2014 Forest for the Trees event. You can kind of see a family resemblance, though Vancover's mural is a bit less psychedelic, aside from the walking ear of corn.

Chkalov's Landing mural

The next VanWa mural on today's tour honors an episode in Vancouver aviation history. In June 1937, Soviet pilot Valery Chkalov made the first nonstop intercontinental flight over the north pole, starting in Moscow and landing at Vancouver's Pearson Field. This flight is now often forgotten in the US (except for Vancouver), but Chkalov remains a national hero in Russia, along the lines of Charles Lindbergh here. Chkalov's flight wasn't just a publicity stunt, either; modern airline flights between Europe and North America generally follow near-polar "great circle" routes (this being the shortest distance between two points on a sphere), so this pioneering effort turned out to be of great practical importance.

Vancouver remembers the event with a few commemorations around town. There's monument to Chkalov next to the airport, and a major road nearby is named in his honor. And then there's this giant mural downtown, at Main St. & Evergreen Blvd, which was created in 2008 by Guy Drennan and Linda Stanton. Unusually, one wing of Chkalov's ANT-25 extends out over the windows of an adjacent building.

Fort Vancouver mural, Main St.

Today I'm going to post another batch of murals from downtown Vancouver, WA. VanWa has a lot of murals around its downtown core, thanks in part to a group called the Clark County Mural Society. Apparently one of the things they do is an annual Summer of Murals, in which several new ones are painted around town, and prizes are awarded. The mural we're looking at right now depicts historic Fort Vancouver (which is just east of downtown, on the other side of I-5), and was painted for the 2014 Summer of Murals by Michael Feliz. It took third place overall, as well as the "People's Choice" award. It's located on the wall of a financial planning firm at the corner of 12th & Main St.

Share-It Square

The next painted intersection on our ongoing tour is Share-It Square, at SE 9th & Sherrett in Sellwood. (The name's a pun, see?) This is Portland's first and oldest painted intersection, dating all the way back to the late '90s. I described a bit of its history in my first post on City Repair intersections, about the one at SE 15th & Alder. Here's the relevant passage, so I don't have to repeat myself:

The first one was Share-It Square, the intersection of SE 9th & Sherrett (hence the name), down in the Sellwood neighborhood. As this was a strange new thing back in 1997, the neighborhood first had to convince the city that painting a lightly used residential intersection wouldn't be the apocalypse. The apocalypse didn't happen, and street graphics have multiplied since then.

Piazza di Wilbur

The next painted intersection we're visiting is Piazza di Wilbur, at N. Holman St. & Wilbur Ave. This one was created in 2012, sponsored by the Overlook neighborhood association. This was around the same time Overlook Feng Shui went in at the N. Concord/Failing/Melrose/Overlook intersection. A May 2012 Oregonian article mentions both intersections, and includes a short video clip about Piazza di Wilbur.

Elsewhere on the interwebs, I found what seems to be a project website, though it's private and members-only, for whatever reason. The piazza is also listed on "World-Wide Labyrinth Locator", thanks to the little maze in the middle. And someone's Prezi presentation about City Repair intersections describes the design as "some kind of vortex". Cryptic private website, mysterious maze/vortex in the middle of an intersection, suspiciously foreign-sounding name... Obviously there's some sort of fnord intricate conspiracy going on. Aliens and bigfoot and fluoride are almost certainly involved, if you ask me.

Community Blooming, NE 85th & Milton

The next painted intersection on our (very occasional) tour is Community Blooming, at N. 85th & Milton, out near Rocky Butte. It turns out there's another painted intersection just one block north at 85th & Beech, but I didn't realize that at the time, and I don't have photos of it yet. In any case, the two intersections were first painted in May 2014 (which was the subject of a short film), and received their first annual repainting just a couple of weeks ago.

Urban Garden mural

The large mural shown here is on the back of a building on NE MLK, between Mason & Shaver. I've seen it called "Urban Garden", but that's really all I know about it. These photos were taken from Garfield Ave, behind the building.

Main St. Day Spa mural, Vancouver WA

The ongoing mural tour heads back to central Vancouver, WA, near W. 20th & Main St., where a gap between a couple of buildings has been transformed into a twee little garden spot. There are a few benches, some flowers, and a large mural on the side of the Main St. Day Spa building. The Clark County Mural Society's mural map doesn't list anything north of 19th, so I don't know the story behind this one.

I suppose the map ends where it does because this area isn't considered part of downtown Vancouver. My VanWa geography is kind of hazy, but I gather the business district along this stretch of Main St. is called "Uptown Village", and the city's neighborhood office says Main is the line between the Arnada and Hough neighborhoods. So now you know as much as I do.

I have a sorta-theory that Portland's next hip (and hyped) area is going to be around the historic mini-downtown of one of the 'burbs. People are increasingly being priced out of Portland itself, and demand is such that whenever a new part of the city becomes "trendy" it instantly fills up with cookie cutter luxury apartments. So maybe it's time to ask which suburb gets to be the Brooklyn to Portland's Manhattan. Vancouver has to be a leading candidate, although it loses points for the commute into downtown Portland.

Bird mural, N. Williams Ave.

The next mural on the tour is on rapidly gentrifying N. Williams Ave., near Shaver. This large bird mural is on an outside wall of the TreeHouse Childrens Boutique. I like the style of this one; it's too bad I can't find any info on who created it.

Mini-Mozarts mural

Next mural up is outside the Mini-Mozarts preschool on Main St. in downtown Vancouver, WA. Unusually, the mural was crowdfunded back in 2011 with an Indiegogo campaign. The Indiegogo page says the painting was done by The Space Art Collective, an arts organization based nearby. Sadly, going by the group's social media accounts, they lost their space and went defunct just a few months after painting this mural.

Expanse

The next mural on our ongoing tour is Expanse, on the Allport Editions building on NE Lawrence Ave., just south of Sandy. This mural was created by Seattle artist Mary Iverson for the 2014 Forest for the Trees event. The Allport Editions Facebook page includes a making-of video, if you're curious how something like this comes together.

(Regarding the weird address, Lawrence is a short diagonal street at the NW corner of the weird Laurelhurst street grid. It's more or less equivalent to 26th Ave, if you're trying to visualize where this is at.)

The Future Will Be Hairy

The next mural on our tour is The Future Will be Hairy, on the upper story of a building in the 2100 block of NE Sandy. It's another Forest for the Trees mural, from the inaugural 2013 festival. That Oregonian article has much better photos than mine; I wish I knew where they were taken from, since I couldn't find a better angle than what you see here. Anyway, the mural's a collaboration by three artists whose work has appeared here before: Zach Yarrington, who created the huge Everything is Everything in SE Portland; Gage Hamilton, who did the DeSoto Building mural for the 2014 Forest for the Trees; and Madsteez, who collaborated on the Clyde Drexler mural at SE 9th & Clay. A page at MadeByBand has the inevitable bunch of photos of the mural being painted. A thing I didn't realize until now is that the 2013 festival also featured a limited edition line of clothing & shoes. Apparently you could buy a "The Future Will Be Hairy" bow tie, or even custom Chuck Taylors. That sounds odd, but we're already putting our old airport carpet pattern on every imaginable consumer product, so it's a bit late to complain about some mural-themed high tops.

Rather Severe mural, NE Sandy

Next mural up is on the Pulse PDX building in the 3600 block of NE Sandy. This was painted by Portland duo Rather Severe for the 2014 Forest for the Trees event. It actually took me a while to find this one, despite the fact that it takes up a whole wall. I was walking from the west, and it's on an east-facing wall, so I didn't notice it at first. A couple of blocks further along, I decided it must've been painted over already & turned around, and there it was. This mural project's been going on for months now, and this still happens to me all the time.

Adorn mural

The next mural up is this crowd of space pigs in front of the Adorn tattoo place in the 2500 block of SE Belmont. I ran across this one in an early 2013 post at Kay-Kay's Bird Club, although the design's been changed out since then.

Mt. Hood mural, SE 9th & Belmont

The next stop on the mural tour is at SE 9th & Belmont, where this faded picture of Mt. Hood graces a vacant auto shop building. It's painted on panels instead of directly on the wall, and at least one of the panels has gone missing in the last year or so. I kind of suspect this whole block will be torn out in the near future, and replaced by another cookie-cutter apartment block, with an artisanal goat yoga studio on the ground floor. I suspect that because it's what always happens.

Decker

The ongoing public art tour takes us back to the Portland State campus yet again. This time we're taking a look at Decker, the large ceramic wall sculpture at the entrance to PSU's Millar Library. It was created by Geoffrey Pagen for the library's early 1990s expansion. The Public Art Archive description (which I doubt is an artist statement, given that the author wasn't sure if it's ceramic or not):

This piece is comprised of rectangular sections of flat, perhaps ceramic material that has been painted in deep blue, red, turquoise, and black. A pattern seems to emerge from their painted surfaces. Pieces vary in height, and they are arranged in such a way that they resemble a xylophone that stretches a significant length down the curved wall upon which they are mounted.

On a semi-related note, I probably ought to stop thinking of the expansion as the "new" part of the library. It was under construction while I was in school (and the existing library was loud and kind of dusty as a result), but at this point it's older than most of the students studying there. So "new" is probably not the right word anymore.

"Retail Birthplace of U-Haul" marker

For our next adventure, we're tracking down one of Portland's more unusual historical markers. In front of the U-Haul dealership at SE 88th & Foster is a sign proclaiming the spot as the "Retail Birthplace of U-Haul". The 'Retail' qualifier is there because the company itself was founded in Ridgefield, WA (a small town north of Vancouver) in 1945. But this location was the first actual dealership, apparently. The company's history page goes on in more detail, if you're curious; there's even an official book, if you're that curious. In any case, corporate headquarters moved to Phoenix many years ago in search of a more favorable regulatory environment.

In the unlikely event you've been following this humble blog since the mid-2000s, you might remember I mentioned this marker once before, in a post from September 2006. Which in turn points to a Roadside America page that describes the marker, and I have no idea where I found that page anymore. Probably on the late, lamented ORBlogs aggregator, or in someone's RSS feed, because 2006. I never actually promised I was going to go find this marker, but it did spend close to 9 years at the bottom of various todo lists before I got around to it, which might be a record (so far). But then again, I've never once claimed to be in the breaking news business.

SE 28th Pl. & Powell mural

The next stop on our mural tour takes us to SE 28th Place at Powell, where a long retaining wall holds up the parking lot for a Wendy's fast food place. At some point, the wall was painted in bright primary colors, and it was either done by kids or designed to look that way. Since then it's been tagged extensively, so in parts it's impossible to tell what the original design might have been. Which is sort of unusual; there's a popular theory that murals deter tagging, out of professional courtesy or something. That's the entire rationale behind Weston roses, for instance. So maybe this was a popular graffiti wall before the mural went in, and it gets tagged now out of force of habit. Or maybe the cutesy aspect offended enough people, sort of the way Star Wars fans hate Jar-Jar Binks, so the usual unwritten code doesn't apply here.

Pambiche mural

The next mural on our ongoing tour is Pambiche, on the east side of the Cuban restaurant of the same name at NE 28th & Glisan. The RACC description:

“Pambiche” is a cultural depiction of Cuba, inspired by its history, people and traditions. It blends Cuba’s unique music, dance, architecture, historical figures, and natural beauty. The mural gives visibility to the historically misconstrued people and culture of Cuba, and provides an educational opportunity for the community at large.

The mural is painted on the Apambichao Building, which has unique architecture identical to that of central Havana. The area in which it is located is frequented by Cuban refugees and the mural seeks to aid the tough transition they undertake when relocating.

McDonalds mural, NW 18th & Burnside

Here are a few photos of the faded sorta-Mediterranean mural at the NW 18th & Burnside McDonalds, next to the drive-thru. A mention of it in Sybilla Avery Cook's Walking Portland indicates it's been there since at least 1998. A 1991 Oregonian article refers to a mural at a McDonalds on W. Burnside, and this is the only McDonalds I know of on W. Burnside. So assuming it's the same store, and the same mural, this was painted by Mark Bennett, who's best known for creating the gigantic blue heron mural that towers over Oaks Bottom in Sellwood. A CNN interview with Bennett mentions that he's been creating murals since 1984, so it's newer than that; the "Open 24/7" part of the mural looks like it was maybe part of the "Mac Tonight" ad campaign that ran 1986-90. It's entirely possible it hasn't been repainted since then. I suppose it could use a touch up, but I actually kind of like the faded look in this case.

Wheel Series I

The next installment in our ongoing public art tour takes us back to Vancouver WA's little municipal sculpture garden, at E. 9th & Broadway. This collection focuses heavily on Portland-area artists circa 1960-1980, and we've already looked at their Manuel Izquierdo and James Lee Hansen sculptures. Today's installment is about Don Wilson's Wheel Series I. Wilson was/is an art professor at Portland State, and he also created Holon on the South Park Blocks, and the massive Interlocking Forms along Portland's downtown transit mall. Both of those date to the late 1970s (although the date situation with Holon is complicated, for reasons I don't understand). I'm pretty sure the "1998" on the sign here is when Wheel Series I was donated, not when it was created. If I had to guess, I'd say this dates to the late 70s as well. Family resemblance and all that.

bird sculpture, 1st ave.

Here's another item to file under the "gone" tag. Until recently, the big office complex at SW 1st & Market was home to the Regence Blue Cross Blue Shield insurance firm, and the building's main lobby featured this sculpture of a flock of birds over the front desk. I noticed it while walking past the building, and immediately figured it was a Tom Hardy sculpture, since it looks very much like a smaller version of his large flock of birds at Lloyd Center. I don't have actual confirmation of this, but his style is pretty distinctive. You could see the resemblance comparing the photos, if my photos of this one were better. Unfortunately I won't be able to get better photos; the lobby's been renovated since I took these and the sculpture's no longer there.

Old Wives Tales mural

The next stop on the mural tour is the former Old Wives Tales restaurant at SE. 13th & Burnside, which had a nice painting of Mt. Hood over the front door. The restaurant closed about a year ago when the building was sold to rapacious apartment developers. I haven't checked back recently but I'm told the old building has already been demolished, so I'm applying the "gone" tag to this post. Given the current state of the Portland real estate market, I'm going to be using the "gone" tag a lot going forward.

Death Industry mural

The next mural up is this somewhat gory design on the back of a building at N. Flint & Tillamook, overlooking Interstate 5. Wiredforsound23 on Flickr calls it "Death Industry mural"; I don't know whether that's "official" or not, but I'm going with it for lack of a better name. In any case, it's by Spencer Keeton Cunningham, who also did the cool snake mural that wraps around a building at SE 11th & Stark.

Andy & Bax mural

Our next stop on the ongoing, ever-growing Portland mural tour is the the Andy & Bax surplus store at SE Grand & Oak, where these painted outdoor scenes wrap around the outside of the building. The store's been around since the end of WWII or thereabouts, but this mural is pretty recent, created in November 2014 by Jose Solis. I gather the store gets repainted in a different design every so often, as a little Google-fu turns up photos of several previous designs.

NE Morris & 37th

One of the many ongoing projects at this humble blog involves tracking down Portland's handful of traffic circles. I started this because there aren't a lot of them here, and the ones we have often have something interesting in the center, like public art or rose gardens or a fountain. I had an old note on my giant omnibus TODO list/map that there was one more circle to track down, located at NE 37th & Morris in the middle of the Alameda neighborhood. So when I finally got around to tracking it down, I realized it was just one of the little traffic calming circles the city likes to add instead of speed bumps. I normally don't bother with those because they're not very interesting, and there's a lot of them, so I'm not sure why I put this particular one on the list. I mean, I'm sure I would have looked at it in Street View ahead of time and noticed that. There must have been some other reason why a.) I knew this was here to begin with, and b.) then thought it was worth a visit. But for the life of me I can't recall what that might have been. The only thing Google turns up is a 2008 neighborhood effort to add more traffic calming widgets along 37th south of Morris, which the city politely declined to do. And I'm pretty sure that wouldn't be enough to generate a TODO item. I really need to start including a "why" when I put things on a list, or maybe even not put them on the list if there isn't a good "why". Although a significant chunk of this blog wouldn't exist if I'd had a rule like that before now...

Vending machine mural, SE 7th & Main

The next mural up is a picture of a generously-stocked vending machine, located outside the big vending machine dealership at SE 7th & Main. The building it's on is also home to a medical marijuana dispensary, so customers there are likely to run across these pictures of sandwiches, fruit, slices of pie, etc. on exiting. I'm pretty sure this would be a great place to put a real vending machine instead of just a picture of one.

William "Bill" Potts Rose

The next Weston rose mural on our occasional tour is the William "Bill" Potts Rose, next to a gas station at NE 33rd & Broadway. Like a lot of the other roses this also includes a big US flag, plus ads for the self-storage and property management arms of the Weston real estate empire. There's also a little "Under God" beneath the flag, which most of them don't have. A 2008 Stumptown Stumper in the Tribune mentions that this rose honors one of Joe Weston's close friends. To be honest I'm kind of surprised more people in commercial real estate don't do stuff like this, I mean, not rose murals per se, but little nods to close friends and family. Maybe the sort of people who prosper in commercial real estate don't often have close friends and family. I dunno.

Burnside Arts Trust mural, SE 9th & Madison

The next mural on our tour is just across the alley from the FAB PDX mural in the previous post. This one was created in 2013 by the Burnside Arts Trust. They're apparently defunct now and their website is offline, but one of the artists has a nice photo of the mural on their personal website. My photos aren't as nice, but (as I'm not exactly famous for chutzpah) they're the best I could do without scaling the fence or talking my way in to the building or something.

FAB PDX mural

The next mural is in a gated alley at FAB PDX on SE 9th, between Madison & Main. The company does custom wood and metal fabrication, for retail displays, exhibits, etc. The mural was painted in 2011, and apparently modified/added to since then, since the photos in that Facebook post don't quite match mine.

Aquatic Maintenance mural

Here's a small mural outside an aquarium shop on NE 42nd, in the Hollywood District. If you look closely, it's signed "Jade" and dated "9-00".

Levitated Light

The next stop in the ongoing public art project takes us back to Portland State University campus, this time to the 1980s-era business school building, where Levitated Light hangs in the large atrium facing SW 6th Ave. It's visible from outside, and I just sort of assumed it was a fancy chandelier. Although as you can see here, the lights are actually mounted in the atrium ceiling, and it's not a chandelier at all. It turns out this is a large sculpture by Dale Eldred, who I gather was quite a well-known artist. This is the part where I explain once again that I'm not really an art critic or much of an expert, and my unfamiliarity with his work is not an interesting data point.

I haven't figured out how PSU ended up with a large (but very obscure) sculpture by an apparently famous artist. The Oregonian apparently never reported on in when it went in, nor have any of the paper's art critics mentioned it in the decades since then. So... I dunno. It did show up in someone's interesting list of Portland-area glass art. (I say "interesting" because I may want to track down a few of the other entries on the list at some point.)

After All

The ongoing art tour takes us back to Gateway Transit Center again; this time we're looking at After All, the trio of rounded stones outside the Oregon Clinic building. This was created in 2010 (when the clinic building went in) by artist Jonathan Bonner, who also has what might be the world's silliest Twitter account. Here's the RACC description of the sculpture:

Working with the confines of the triangular landscaped area, the artist created three identical granite ellipsoids that emanate from a single point underground. The forms suggest several things: flowers, seeds, or a sitting figure. It is not intended to be conclusive, but rather leaves the viewer to draw his or her own meaning from the piece.

As you can see here, at least one viewer saw it and drew the meaning "park bench". It's about bench height, in an area where people expect benches, so I bet this isn't rare. And no, I didn't try to shoo the guy away so I could get a better photo. That would be a fun conversation: "Hi, I run a weird little blog you probably haven't heard of, and I'm going to need you to move so I can take some photos of the art you're sitting on. Ow! Ow! Stop punching me!"

bongo dog mural, se pine

And then there's this mural of a cartoon dog playing bongo drums, on the back of a building on SE Pine between 9th & Sandy. I don't know anything about this one; it's not signed, and searching the interwebs about it comes up with precisely nothing. It's on the back wall of a commercial printing company, not a veterinarian or dog day care or anything, so the business isn't an obvious clue either. There's bound to be a weird and funny story behind this, but I have no idea what it is. If you know, or you have a theory about it, feel free to leave a note down in the comments. Thx. Mgmt.

Geometric Windmill

This is going to be a somewhat unusual art post. Geometric Windmill is a sculpture that sat in Lake Oswego's Millennium Plaza Park back in 2007. I was relatively new at blogging back then and neglected to get a photo showing the name of the thing, so the photos sat around unused in iPhoto for aeons. Well, internet aeons, but you get the idea. So I dug the photos out some time last year and started digging around looking for a name. Mostly, I admit, because it seemed like an interesting and non-trivial internet search problem to work on. I actually ended up doing some Google image search, looking for anything similar to my photos here, and/or any art from Lake Oswego taken during the right time period. This eventually led me to an old city arts page with a little info on it, crucially giving the name and artist. It's by Minnesota sculptor Tom Brewitz, who specializes in kinetic art like this. A page on his website includes a video of Geometric Windmill doing its thing (though note that it's a 14mb QuickTime download, not just something you can watch on YouTube). The sculpture has long since left Lake Oswego. At one point it was included in the Port of San Diego's Urban Trees 3, a rotating exhibition along the San Diego waterfront. More recently, the city of Mount Dora, Florida purchased it around 2013 or so and installed it to spruce up the city's downtown. So that's the story. I suppose it's not really much of a story, and I realize probably nobody besides me cares at all, but The Case of the Geometric Windmill was a longstanding (albeit minor) mystery here at this humble blog, and I'm a little pleased to have finally sorted it out.

Sr. Ilene Clark Rose

The next Weston rose on our mini-tour is the Sister Ilene Clark Rose, on the Weston Plaza building (i.e. company headquarters) at NE 22nd & Broadway. It's dated 2013, and like a lot of recent Weston roses it's mounted on the building and isn't really a mural, per se. I think they do this so they can take a rose down and relocate it when they sell a building; I've already seen one instance where they did exactly that. Anyway, I'm not really sure who this is named for or why; a quick search comes up with a teacher in Seattle by that name, but it may or may not be the same person. So no links, in part due to a residual Catholic school fear of angering nuns.

Walgreens mural, SE Chavez & Belmont

The next mural up is a very large nature scene on one side of the Walgreens store at SE Chavez (39th) & Belmont. I haven't been able to find out a lot about this one. I ran across it on a Kay's Bird Club post and went to check it out. A post about it at the short-lived, erstwhile PDX Murals blog (which was only active for 2 months in 2007) tells us it's been there since at least 2007, but I don't know exactly when it was created or by whom. The store itself dates to some time in the 1990s (at least according to a Vintage Portland comment thread about the 39th & Belmont intersection), so that gives us a rough time window, at least.

A Tumblr called "Art Wall of Shame" ranted about this mural a couple of years ago, invoking both Thomas Kinkade and Bob Ross. Which, I dunno... I mean, nobody goes to a Tumblr called "Art Wall of Shame" looking for nuanced art criticism, but that's just plain cruel, that is.

Persistent Parabola

The next mural on our tour is Persistent Parabola by DALeast, a prominent Chinese mural artist. It's located on the north side of the East Side Central Garage building at SE 6th & Yamhill, and was created for Portland's 2014 Forest for the Trees mural-palooza. An article about it at Street Art News includes a quote from the artist:

The new mural titled “Persistent Parabola”, this is the moment of the wave playing with a cargo ship and the falling crates. There is a old Chinese saying: Water can carry a boat, it can also turn it upside down.I imaging my life journey is like the cargo ship carrying all the crates on the ocean, as well as the plans, wishes, relationships and the things that I've attached with as the importance. By thinking of the capacity and impermanence face to the ocean, I feel I am the most insignificant one in the entire world. It brings me more appreciations towards what I have right now. I guess that’s where the idea come from behind this work.

A Hypebeast article about the mural includes a short making-of video, because Portland murals always seem to have making-of videos, or at least all the cool ones do.

Keep Our Rivers Clean

The next mural on our ongoing tour is Keep Our Rivers Clean, on the Pacific Motorsports garage at SE 10th & Powell, across the street from the famous Original Hotcake House. This one isn't on most of the lists or maps of Portland murals for some reason, but I ran across it on a page at PDX Street Art and tracked it down from there. The mural was created in 2011 by a group of artists known as SubM2. The garage's Twitpic account has a bunch of photos of the mural being painted, which may or may not be available now based on how the ongoing Twitpic soap opera turns out: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] and more here.

Glyph Singer No. 3

The next stop in our mini-tour of VanWa public art is Glyph Singer No. 3, in the city's Broadway St. sculpture garden. It's a 1976 piece by James Lee Hansen, a prominent Vancouver sculptor who was a key part of Portland's mid-20th Century art scene. Hansen's work has appeared here a few times before, including a couple of sculptures on downtown Portland's transit mall. If you visit the tag and look at the other examples, you'll quickly notice that he has a consistent and very distinctive style. It's always struck me as a sort of 1950s pulp Sci-Fi book cover look. I have no idea whether this resemblance is intentional or not, though.

Phrogy

The next stop on our mini-tour of VanWa public art is Phrogy, the goofy carved redwood frog at E. 11th & Broadway. As the story goes, back in 1981 a local businessman and his wife were on an anniversary trip to Carmel, California, a coastal town on Monterey Bay that's been an artist colony and tourist trap since time immemorial. Carmel elected Clint Eastwood as mayor for a few years back in the 1980s, if that gives you any idea. Anyway, the couple ran across this frog somewhere in Carmel, fell in love with it, bought it, and then donated it to the city, as one does. And the city took it, because the Pacific Northwest of 1981 didn't have today's annoying hangups about being tasteful and highbrow. They don't even seem to have kept track of who carved it originally, since I can't find that tidbit of information anywhere.

In any case, it's graced the streets of downtown Vancouver ever since, originally at a prominent spot at 11th & Main. By the early 2000s, time and the elements had taken their toll on the frog, and concerned citizens wrote letters to the local newspaper calling it an eyesore. It was restored a few years later (and no, I don't know how you restore a carved redwood frog), and was unveiled at its current location in March 2014. It even has a Facebook fan page with a few dozen likes, which is a few dozen more than most public art can muster.

Aeolian Columns

Here's a photo of Aeolian Columns, a Lee Kelly sculpture in front of the Portland Veterans Hospital at OHSU, in a landscaped median between two buildings. Kelly's website describes it:

Aeolian Columns (1989), stainless steel and porcelain enamel columns fitted with organ pipes, c. 198 inches high; Collection Veterans Administration Medical Center, Portland OR. With composer Michael Stirling.

This is about the same vintage as Kelly's better-known (and similarly musical) Friendship Circle (1990) in Waterfront Park, and the family resemblance is uncanny. Sadly, I have a long track record of bad luck with local musical art, and I have never heard either of these sculptures in action. Or any other musical sculptures in town for that matter, except for the Weather Machine in Pioneer Courthouse Square. I'd claim to have some sort of anti-musical superpower, but in reality it's a combination of the art often being broken, and me being too impatient to wait around for it to do something. Anyway, a 1988 Oregonian article has a bit more about Aeolian Columns:

Oregon City artists Lee Kelly and Michael Stirling have been selected from among 64 contestants to create the $40,000 art-in-architecture project for the new Veterans Administration Medical Center, according to Barry Bell, center director.

The artists have created Aeolian columns, a collaborative sculpture and sound artwork created by sculptor Kelly and composer Stirling. The sculpture consists of three stainless steel columns between 15 and 16 feet in length, with bands of porcelain enamel providing splashes of color and highly reflective material.

The interior of the columns will be fitted with two tuned pipes that will produce the continuous series of tones scored by Stirling. The three pieces will be placed in the parklike setting at the entrance to the center, to create a man-made physical and musical grove.

I actually first heard of this sculpture in a Portland Public Art post about OHSU art that mentioned it briefly; the mysterious 'C' behind the blog was even less of a Kelly fan than I am, and said: "There’s an old rusty Lee Kelly in front of the nursing school, and another shiny one in front of the VA. Both hideous." I wouldn't go quite that far; "eyeroll-inducing" is more like it, and in general I do like Kelly's stainless steel stuff better than his rusty work. More importantly, I just hope the organ pipes play something pleasant and soothing, for the sake of the VA staff and patients.