Martin and Grace Johanson Rose

The next Weston rose on our mini-tour is the Martin & Grace Johanson Rose, on the NW corner of the Rose Festival warehouse on NE 12th, near the Buckman Field tennis center. The larger Keith Vernon Rose is on the SW corner of the same building. This rose is painted on a panel rather than directly on the building, which turned out to be a bit of foresight: The rose used to be located on the Duniway Plaza building at SW 4th & Caruthers, just south of downtown. Weston roses usually get painted over when a building is sold, but in this case they apparently just popped it off the wall and hauled it away to its current home. The Tribune's 2008 article about Weston roses explains that this one is named for a couple who young Joe Weston delivered the Oregon Journal to back in the 1950s.

As a tangent, here's the story of a different, unbuilt Duniway Plaza building, which would have been a condo tower where the now-vacant YMCA building stands next to Duniway Park. Although the story is more about an eager young architect's journey into cynicism/wisdom, thanks to one flaky client after another.

Keith Vernon Rose

The next Weston rose on our mini-tour (assuming you aren't sick of them yet) is the Keith Vernon Rose, on the SW corner of the giant Rose Festival warehouse at NE 12th & Davis. I'm not absolutely sure, but I think this one's named for a property manager for the Weston real estate empire.

Like a lot of the most recent roses, this is not a painting but a photo, printed and applied to the wall. This is a distinction that actually matters a lot under Portland's convoluted sign vs. mural regulations. My understanding is that the city's more inclined to see something as a sign (and not a mural) if it's printed and applied vs. painted in place. But I also have a vague recollection that there have been various things painted at this spot over the years and it may be grandfathered in, regardless of what the current material happens to be. (The usual disclaimers apply about me not being a lawyer, much less your lawyer, so don't blame me if the city comes and paints over your fancy decals.)

Ken Gephart Rose

The next Weston rose on the agenda is the Ken Gephart Rose, on the Willamette Park Plaza building, at SW Macadam & Nebraska. This is right next to Willamette Park and sort of across the street from the McMenamins Fulton Pub, the ancestral home of Nebraska Bitter (which is named after the street). I'm telling you all of this because I'm not sure who this one's named for. I found a few 1980s news articles (like this 1981 Popular Science article, and this Christian Science Monitor piece) mentioning a Portland-area architect or designer with the right name, but I don't know if it's the same guy or not.

Take Flight

Our next stop on the ongoing mural project is in the middle of the Pearl District. The Pearl as a whole isn't home to a lot of murals. It's full of shiny new condo towers these days, and no self-respecting condo HOA would ever let someone paint on their building. The very idea is laughable. The south end of the Pearl is still home to some older buildings, though, many with big blank walls, and at least one has sprouted a mural recently. The Low Brow Lounge is a dive bar at NW 10th & Hoyt; I'm not sure how old it actually is, but it seems like a relic of the Pearl's old days as a blue-collar light industrial area, full of auto shops and plumbing supply stores and so forth. One wall is now home to the striking owl mural you see here. This is Take Flight, a new Ashley Montague mural painted in October 2014. I'm sure someday this block will become another cookie-cutter tower for the $500 pinot noir crowd, but until then there's at least a cool owl to look at, and the lounge reportedly fries a mean tater tot.

For those of you keeping score at home, I don't actually know whether Take Flight is an official title; wiredforsound23 on Flickr used that name, and he appears to generally know what he's talking about, street art-wise. So I'm going with that in the absence of anything more definitive, just because I need to call this post something.

Sam Bates Rose

The next Weston rose on our mini-tour is the Sam Bates Rose, in the Hollywood District on NE Hancock between 43rd & 44th. The 2008 Portland Tribune article about these roses mentions that this one honors the man who gave Joe Weston his first job, as a soda jerk. (Weston, of course, went on to fame and fortune as a local real estate mogul, and presumably owns the building that hosts this rose.)

Incidentally, the job of soda jerk is not entirely extinct in Portland. Sandy Boulevard hosts not one but two independent drug stores with soda fountains: Paulsen's here in the Hollywood district, and Fairley's further out in the Roseway neighborhood. I've never been to either one, but they sound like great places to take a nostalgic parent or grandparent. My dad occasionally laments not being able to find Green River soda, since apparently it was everywhere when he was a kid growing in the Midwest. I tried it once and didn't think it was anything special, but childhood tastes are like that. To wit, the bubble gum that came with Topps baseball cards in the 1970s was objectively terrible in all respects, absolute bottom of the barrel, no redeeming qualities. Roughly zero out of five dentists recommended it. But I still associate it with long summer vacations and walking with friends to the distant (and long-gone) corner store to load up on baseball cards and random candy, all with zero adult supervision. Sometimes we even rode bikes without helmets or safety pads or full-body bubble wrap or 24/7 GPS tracking. I will absolutely agree that the 70s were a dark and primitive time; it's just that there was an upside to it every so often.

Healing Moon

The next mural on our ongoing tour is Healing Moon, at the Mississippi Health Center on N. Albina Ave. This is actually the same building as the Albina Press coffee place, home to the Life Cycle of a Sunflower mural and another mural on the building's garage. I posted about both of those back in September, but at the time I didn't realize there was another one on the far side of the building. That's kind of embarrassing, but honestly there weren't any clues indicating I should go look at the other side of the building. I'm starting to think that overlooking semi-obvious stuff is just an unavoidable hazard of this particular project.

Anyway, Healing Moon was created in 2011 by artist Sheri Love Earnshaw, who also did the sunflower murals on the other side of the building, with the help of art students from Reynolds High School. Both murals are done as a series of panels on a common theme.

Marquam Building Flag Mural

In the previous post, I talked a bit about the Kathleen Gorman Rose mural, on the west side of the Marquam Plaza office building next to I-405, south of downtown Portland. The same building also has a mural on its east side, this one of a US flag and the words "United We Stand" (quotation marks included). I initially figured this was some sort of 9/11 thing, but later realized that Weston rose murals often include flags, and it's just that this time the flag is on the far side of the building.

So as far as I know it's not supposed to mean anything in particular beyond a general "Go USA!" sentiment. Although I admit the "United We Stand" phrase has always puzzled me. On the surface it seems really vague, almost devoid of meaning: Unity and determination, sure, but not with any particular goal or idea in mind. And yet it's enormously popular. It seemed like the default go-to patriotic phrase after 9/11, and back in 1992 it was the original name of Ross Perot's organization before it evolved into the "Reform Party".

It also shows up in more divisive contexts. I distinctly recall counterdemonstrators hollering the phrase at people protesting the start of the Iraq war, and it shows up (often misspelled) on Tea Party signs fairly often. So obviously it means something else entirely to certain demographics, and I've never quite cracked the code. It feels like a demand that people shut up and stop rocking the boat, or be excluded from the national "we". I doubt they realize how weird it sounds outside their little echo chamber.

The Kathleen Gorman Rose

The next Weston rose mural on our mini-tour is the Kathleen Gorman Rose, located on the west side of the Marquam Building, part of the office complex between I-405 and SW Arthur St. just south of downtown. This is the same complex that's home to a groovy 70s fountain I posted about a couple of years back. A 2008 Tribune article about Weston roses explains that Kathleen Gorman was developer Joe Weston's eighth grade teacher, many years ago. Which seems like a really sweet gesture, regardless of what you think of these giant roses painted on buildings.

As a historical side note, this Marquam Building should not be confused with the infamous original 1891 Marquam Building at 6th & Morrison. It was a 10 story office block with a huge theater attached, and the whole thing appeared to be quite fancy. Unfortunately it turned out to have been built poorly out of cheap materials, and it collapsed in 1912 while being renovated. A news item in a contemporary issue of Architect and Engineer describes the circumstances of the collapse in greater detail, laying blame on the building's inferior bricks as well as on some of the modifications being made to the building. It leads with a rather snarky description of the building:

The building occupies one of the choice corners in the business section of the city, and in its time was considered a high class office building, but as Portland advanced from a sleepy overgrown village to a half grown city, the building became a home for quack doctors, and patent medicine fakers, and the element that generally follows in the wake of the above named professionals.

The Joyce Waddell Rose

The next Weston rose on our mini-tour is the Joyce Waddell Rose, located on the Ross Island Plaza, a small office building at SE Center St. & McLoughlin (although the street address says 8th Ave.). A 2008 Tribune article about Weston rose murals explains that this one is named in honor of Joe Weston's VP of accounting.

The weird thing about the location of this one is that I once lived just a few blocks due west of here for a couple of years back in the mid-90s, and I had no idea the Brooklyn neighborhood contained any office buildings until I went looking for this rose. The building does a great job of not drawing attention to itself. It looks like it might have a good view of the river from the top floor, though.

The Sarah Snow Rose

One of the few things I learned last year -- blogwise, I mean -- is that there's a hell of a lot of murals around Portland, once you start looking for them. There are enough of them that you start noticing distinct subgenres. One of the more distinctive subgenres is the collection of rose murals painted on office buildings around the metro area. These are the brainchild of local real estate magnate Joe Weston; apparently he just really likes roses, and has them painted on buildings he owns. Each rose comes with a caption dedicating it to a friend or family member, and sometimes the design includes a US flag too. You quickly realize they're all over the city, once you start looking for them. I think they just don't get a lot of attention because of their unhip subject matter, usually combined with unhip locations.

The Sarah Snow Rose covers the north side of the otherwise nondescript Capitol Plaza building on sorta-suburban SW Barbur a bit north of the big Capitol Highway / Taylors Ferry / I-5 interchange. (Note the door in the photos for scale.) I'm pretty sure this entire area qualifies as an unhip location. A 2008 Tribune article about the rose murals notes that Sarah Snow was Weston's former secretary.

Ochoco St. Bridge

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The next installment in the ongoing bridge project is yet another really obscure one. SE Ochoco St. runs right along the Sellwood-Milwaukie border, and it crosses Johnson Creek on the little bridge you see here. This isn't something that I would normally care about, but it got a mention in the state's 2013 historic bridge inventory, so I figured it might be worth a quick peek. Here's what they had to say about it:

Bridge Number	25B58
Year Built	1947
Location:	Near 21st Street in southeast Portland
Lat/Long:	45 27 31, -122 38 31
Description:	One 40-ft reinforced concrete rigid frame span
Designer:	Geary Kimbrell for Portland City Engineer Ben S. Morrow
Builder:	Johnson-Sterner Corporation
Significance:	This bridge is significant as an intact example of a slabtype rigid frame structure, which is a rare type in Oregon. Designed by the city, it improved access to the Kellogg Park Housing Project, which had housed soldiers during WWII. As is common with Portland structures, the bridge features an unusual railing that adds to the appeal of the visually simple structure.
Character Defining Features:	Decorative railing, Structure type

The only other photos I've found of this little bridge are in a big Word document full of photos of the area, focusing on the grounds of the giant Oregon Liquor Control Commission warehouse just east & south of here. Apparently they were involved in a late 1990s watershed restoration project for the bit of Johnson Creek that fronts on their property. I suppose pasting images into a Word document was the convenient way to share photos back then. Truly, it was a dark and primitive time.

Community Roots, SE 85th & Knapp

It's been a while since I've covered any City Repair painted intersections here. Generally speaking the close-in ones I know about have already appeared here, and the remaining ones are way off in St. Johns or east of 82nd, like today's installment. This is Community Roots, in the intersection of SE 85th & Knapp, a bit north of Flavel and Johnson Creek. In case it isn't clear from these photos, the design shows four trees of different colors, with their roots intertwined in the center of the intersection.

As with the intersection at NE 8th & Holland, this was funded by a Kickstarter, this time spearheaded by a local photographer. The project was funded in June 2013 and painted in July; here's video, a Flickr photoset, and a panorama of the July 2013 painting party.

Oregon Grape

So this is probably one of the more obscure public artworks I've covered here (so far). The Portland city parks bureau has a maintenance yard in outer SE Portland, at SE 89th & Flavel, next to the Springwater Trail. The facility was renovated back in 2012, and they decided to use their mandatory "2% For Art" budget on decorative gates to the yard. A design panel selected Oregon Grape, a striking design by Joe Larralde, a local tattoo artist. His description of the project:

This project was inspired by my background in Polynesian Tattooing. I used geometry to create flow and movement across the design. I chose to incorporate Oregon Grape leaves to relate the project to both the Parks and Recreation department and the City of Portland. I chose to show the leaves in their fall color of red, which provides good contrast and creates the palate of black and red, reminiscent of Native American artwork of the Pacific Northwest. Lastly I chose to incorporate Swift birds in flight, which are swallow like birds that migrate through our region in the fall.

Aaaaaaand.... Go!

In a recent post for this humble blog's 9th birthday, I mentioned something about having a vast number of draft posts waiting to be worked on. I've had the last couple of weeks off, and that already vast number has expanded a bit. As it stands now, it would be an unusually productive year, post-wise, if I just worked through what I already have in draft and did nothing else and took no new photos at all in 2015. This is quite an odd situation to be in, and I hope it doesn't backfire somehow.