Alberta Street Crossing

Next up we're visiting Alberta Street Crossing, a pair of murals on NE Alberta Ct. on either side of 42nd Avenue. These were created in 2011 by artist Loey Hargrove, with a grant from the RACC (the local public arts agency). I was going to snark and be pedantic about the title saying "Alberta Street" when it's really on Alberta Ct. But I noticed my original notes from whenever I saved this draft post said "Note ct. not st., to be pedantic about it.", and I'm kind of inclined to play against type for once. So really, who cares? It still says "Alberta", after all. Close enough.

Alberta Who's Who

The next mural we're visiting is on NE Alberta, facing the alley between 29th & 30th avenues. An old Neighborhood Notes post calls it "Alberta Who's Who" (or I think it does, or did; the site seems to be down at the moment). The mural doesn't list any names, but I gather this is a diverse assortment of prominent people from around the neighborhood. Call me a non-Alberta resident if you like -- and you'd be correct -- but I have no idea who any of these people are.

Richmond School mosaics

Next up, we're visiting the animal & nature mosaics outside Richmond Elementary in SE Portland, at 41st & Grant Ct. These were created in 2008-09 by artist Lynn Takata, along with students from the school's Japanese language immersion program.

Mark Hatfield bust, OHSU

At one entrance to the main OHSU hospital building is this bust of Oregon's late Senator Mark Hatfield, who represented the state in Congress from 1967-1997. He was possibly one of the last decent and humane Republicans around, although I voted against him the one time he was on the ballot & I was old enough to vote, because he was still a Republican. As a senator with a great deal of seniority, he was also quite generous with those old-style earmarks, and OHSU was one of his favorite beneficiaries over the years, and a great many places and things around the campus are named in his honor. An old Portland Public Art post says this is one of at least two depictions of the august senator, and the frieze somewhere near the main lobby is a better likeness, but I don't know where that one is & have no photos of it, so this one will have to do.

I don't know who created this bust; it's bound to have been someone very well reputed, as Hatfield's wife owned an art gallery for many years, and knew absolutely everyone. I didn't see a signature on the front, and its shrine-like niche sort of discourages one from looking at the back of it for a signature, as if from that angle you'd discover he was a mostly-benevolent space alien the whole time, and then the guards would have to dispose of you. Possibly that's not exactly what would happen, but that's the general sense I got.

Avalon Sanctuary

[View Larger Map]

The next sorta-park we're visiting is on SE 19th Ave. where it dead ends just south of SE Division. The city acquired the land for the street back in 1909 but never quite got around to completing it, so it just sort of sat vacant for a century or so. The local neighborhood association got the idea that it might be a good place for a small park, so they worked things out with the city and "Avalon Sanctuary" was born. The name sounds like some sort of crystals-and-dolphins thing, and it's certainly the sort of neighborhood where that might happen, but it turns out this bit of 19th Ave. was originally called Avalon St. until the Great Street Renaming of 1933. The renaming fixed the previous bizarre and chaotic address system, and created a lot of temporary jobs in the middle of the Depression, but we did lose a few pleasant street names in the process.

Wistaria & Alameda/Beaumont Stairs

Ok, in the previous post I mentioned something about having another public stairs post floating around in Drafts. So this is that other post, and the stairs we're visiting connect NE Wistaria Drive on the lower end, and Alameda St. on the upper end, 3 fancy rich-person houses east of where it becomes Beaumont St. I put "Beaumont" in the title because there's another set of stairs between Wistaria & Alameda a couple of blocks east of here, and in theory they might show up here someday, and if that ever happens I'll need a way to disambiguate the two.

Embedded maps usually aren't very useful on stairs posts, since you can't really see them very well. I put one here since you can sort of make out where the stairs are, thanks to the hedges that run alongside it.

NW 25th Pl. / Barker Ave. Stairs

One of the ongoing projects I haven't revisited in a while involves tracking down public stairs here and there around the city. In fact the last stairs post was back in January 2010, though this post and another one have been floating around in Drafts for a good while, so it's not like I've been completely neglecting this particular project. So the stairs we're looking at this time are in NW Portland, connecting NW 25th Place on the lower side & NW Barker Ave. on the upper side. The stairs are weirdly grandiose for something that connects two quiet dead-end residential streets, and I wish I knew why. These stairs are in a weird corner of NW Portland and aren't among the city's better-known stairs (I seem to recall I just stumbled across them without knowing they were there), and I don't see many other mentions of it across the interwebs. It does show up on one tour of stairways in the area, weirdly enough on a cycling website. Maybe it's there for the hardcore cyclocross nuts, people who want to run up & down all these stairways while lugging a bike, while it's raining or (hopefully) hailing, and maybe wolves or velociraptors are chasing you or something.

Base Camp Brewing mural

Here are a few photos of the mural outside Base Camp Brewing, on SE Oak between 9th & 10th. I don't know who created this one, which is the big reason this post's been sitting around in Drafts for a long time. The top Google hit for "base camp brewing" + mural is one of my photos in the Flickr photoset above, which is usually a big clue there's nothing out there on the interwebs about it. About the only other mention I see of it is in a very enthusiastic beer blog post about the brewery. Which is convenient since I'm not really in the beer blogging business (despite being a bit of an enthusiast), and you can read alllll about the brewery that way. But since you asked (and you totally did), Base Camp isn't bad, though I usually end up at Hair of the Dog instead if I'm in the area.

goose mural, 25th ave., vancouver, wa

The next mural we're peeking at is up in Vancouver (the midsized Washington one, not the big Canada one), on 25th Ave & the alley between Main St. & Broadway. I don't know anything about it, but I see it now & then during allergy season, since the 'Couve is the land of non-prescripton Sudafed, and the Walgreens across the street is the closest pharmacy to the Interstate Bridge. Note for non-Oregonians: Our local state legislature has determined that we're uniquely unable to handle our Sudafed, and requires us to get a non-renewable prescription from a doctor for something you can buy at a pharmacy counter everywhere else, to keep us all from turning into depraved meth fiends. They haven't yet figured out how to prevent you from just crossing the river and buying it there like normal human beings do. And while you're over there, you can go for the 'Couve trifecta and buy some tequila at a grocery store and then pump your own gas, a couple of other things the State of Oregon feels its citizenry can't handle. Granted, on your way back home you can wave at all the 'Couve residents coming home from a day of sales tax-free shopping on the Oregon side of the river. So, potato, potahto, I guess.

Harbor View Property

The usual practice when I do a Portland city park post involves visiting, taking a few photos, and trying to find something to write about the place. This particular time, we're going to settle for a few photos from a distance; the euphemistically-named Harbor View Property is a chunk of abandoned industrial land next to the 5.1 railroad bridge, just downstream from the McCormick & Baxter Creosote Superfund site. Apparently the city's owned it since 1970, and hasn't figured out anything useful to do with the place all this time. If you look closely, you might see an intersection where Van Houten Ave. crosses the railroad tracks; the city-owned parcel is to the left of the tracks, and this side of the intersection. I understand there are ways to get in if you're really determined, but to be honest I really just didn't want to. The abandoned buildings in the background weren't a big draw for me either, and I understand they've been demolished & replaced by a parking lot since I took these photos. Besides, I draw a firm line at "Superfund", and I'm not even sorry.

Lents Town Center monuments

In a recent post I mentioned something about the big new monument doodads the city installed along SE Foster to let visitors know they'd arrived at the fabled Lents Town Center, with upscale housing and amenities to be built Real Soon Now. So here's one of the two monuments in all its glory, in case anyone was curious.

As a side note, one of this humble blog's more esoteric projects involves tracking down some obscure places from an old Parks Bureau list from the early 90s, places they'd had something to do with in the last couple of decades but generally didn't own. One of the items on the list was "Foster Woodstock Couplets", which is here, or technically was a previous incarnation of here, prior to the big monuments and so forth. I think the earlier effort was strictly for traffic flow, making Foster & Woodstock a pair of one way streets through central downtown Lents, such as it was/is. Still, I'm going to check that item off the list now, since I don't see how else it gets checked off, and checking it off is important because of reasons.

Beastmaster

The next mural we're visiting is an Ashley Montague one at NE 15th & Burnside, dated 2014. I don't know much about this one; the mural guy on Flickr who I find a lot of these things through calls it "Beastmaster". That may be its actual name, or it may just be a series of cheesy sword & sorcery movies starring Marc Singer and a bunch of ferrets:

Updated 11/30/2021: If anyone's still watching this old post for updates, today is finally your lucky day. I just finished a long-forgotten draft post about another mural that once graced the same building, a few feet away from the one in this post, and photographed a few minutes before or after it (both were painted over years ago, possibly before I hit 'publish' on the post you're looking at now. As I explain over in the new post, the mural with the tiger here was actually called "Visual Guardians", and never had anything at all to do with the 1982 film, its two sequels, or the syndicated TV series that followed. That said, the embedded movie trailer above had become a broken link -- as unofficial posts of movie trailers often do -- so I went ahead and fixed it anyway, since fixing broken links is one small part of the long twilight struggle against entropy and the eventual heat death of the universe. In fact, thanks to the, uh, magic of finding random junk on Youtube, I can now present to you the trailer to the second film, plus the opening credits for the third one and the TV show. You're welcome.

Bob White Theater mural

Meanwhile, our ongoing mural project is visiting this design in an alley next to the long-defunct Bob White Theater, on SE Foster just west of 65th. I don't really know anything about the mural, unfortunately; the theater itself was the subject of an attempted revival a couple of years ago, but that stalled out, & the theater was sold to a mysterious LLC in September 2015, with rumors the space might become mini-storage or something mundane like that, just based on the name of the LLC. I have a thing for old movie theaters and I'd hate to see that happen. There's always room in this city for another neighborhood beer-n-pizza theater, or another fancy art house cinema if the gentrification gods really smile on the area. Surely that would be worthy of a chunk of PDC development money, assuming you know the right people and so forth.

Rocket Bike

Next up on the VanWa art tour is the Rocket Bike thingy in Heritage Square, the city's temporary park on Washington St. between 8th & 9th. There wasn't a sign next to it & I haven't been able to figure out who created it or anything. Maybe it's technically considered a glorified bike rack (note the racks at the base) rather than capital-A Art, per se. I am not sure how that works. In any case, the city put this city block back on the market earlier this year, so the park and its flying rocket bike may not be around for much longer.

Winged Woman

The next stop in our downtown VanWa art tour is Winged Woman, a 1997 sculpture by Elizabeth Heron in the city's Broadway sculpture garden. We've already visited the other 3 denizens of the garden on our tour: Spike Flower, Glyph Singer No. 3, & Wheel Series I.

The Phoenix

Next up in downtown VanWa art is The Phoenix, near 8th & Main, a kinetic sculpture by artist Andrew Carson that was installed in 2010. I seem to recall it wasn't being very kinetic at the time, so I don't have a video of it doing its thing, whatever it does.

Flying Umbrellas

Next up on the occasional VanWa art tour is Flying Umbrellas, at E. Evergreen & Main St. This was created in 2013 by Vancouver artists Jennifer Corio & Dave Frei.

I am in a distinct minority of Pacific Northwest residents in being pro-umbrella. Certain people loudly insist that true Portlanders are forbidden to ever use or even own umbrellas, under the mistaken impression that points are somehow awarded for getting rained on when you don't have to. I have no idea who would award points for that, or why, and I'd rather be dry than collect their stupid points anyway.

Standing Lady Hare with Dog

Next up, we have another bit of art at OHSU. This time it's a really odd statue of an anthropomorphic female rabbit holding a dog. The late, lamented Portland Public Art blog did two posts about OHSU art, back when the Kohler Pavilion and the aerial tram were new, and one post included a short blurb about this statue:

There are outdoor sculpture areas on both floors with fantastic views of the city and the tram, showing artwork like the kitschy Sophie Ryder Standing Lady Hare with Dog – which she’s remade and sold many times. But it really works here, strong arms and strong backside gently holding the sick dog.

That last bit is glowing praise, by Portland Public Art standards. I'm unsure that this is my cup of tea, though, possibly because I've seen too many monster movies involving rabbits. Ok, one. Two, if Donnie Darko counts. Still, the artist's Wikipedia bio includes this fabulous line: In 1994 a sculpture of five minotaurs was banned from an exhibition at Winchester Cathedral because of the prominence of their genitalia., with a link to this Independent story. So that's a big mark in her favor, I'd say.

Transplant

Next up is another installment in our occasional tour of TriMet MAX art. Art along the westside Blue Line can be sort of hard to figure out sometimes; TriMet's official guide doesn't always mention titles and sometimes doesn't even name the artists, and I don't feel like I can do a proper public art post without knowing those two things. For example, take the group of decorative brick carts (i.e. benches that look like carts) at the Elmonica MAX station at SW 170th. TriMet's description of the station explains that Westside design team artists and Don Merkt echoed the act of transplantation—moving objects, plants and people from their original environment to a new place. Three brick carts symbolize transplanting, transporting, transforming.. At some point I ran across an RACC page that was a bit more specific, saying the group of carts was called Transplant and was created by Merkt. Unfortunately if you follow that link now you'll get an ugly IIS server error; I don't know whether it's a website error or the page has been deleted without redirecting to a nice 404 page, but it's been this way for months now. Anyway, I seem to recall there was a longer description on that missing page, though I feel like I understand the general concept already without a longer description. Still, it's too bad, if only because quoting a extended block of art lingo makes one's blog post look a bit larger and fancier.

In any case, this humble blog has previously visited a few other artworks by Merkt: Driver's Seat on the downtown transit mall near Union Station, Water, Please at the city water pollution lab next to Cathedral Park, and On TV at the cable access studio building on NE MLK. I think there's also something of his along the new MAX Orange Line, but I haven't gotten around to Orange Line art just yet.

"Brick Relief", PSU

Next up on our public art tour is Brick Relief by Jacques Overhoff, just inside the 6th & Harrison entrance to the Portland State University business school building, which is currently undergoing a major remodel and expansion. Its Oregon Arts Commission page includes a brief description: Stylized and patterned alterations to conventional bricks integrate into a wall of otherwise conventional bricks. Although you could probably tell that much just by the photos. (The chair in the photos is not part of the art, though I couldn't blame you for wondering.) PSU's art inventory mentions it & says it dates to 1986-87, which would have to be when the building went in, given that it's part of the building. The state archives website also has a series of photos of the relief being assembled, unless it's a different brick relief in Corvallis by the same artist. That part isn't entirely clear.

SE 91st & Foster Plaza

The next sorta-park we're visiting is a relatively new one. For years now, the Portland Development Commission has been trying -- fruitlessly so far -- to gentrify the Lents neighborhood, particularly the stretch of Foster Rd. between about SE 88th & I-205. So far they've poured close to $100M into the area, and the fickle condo tower gods have yet to appear & bestow their various blessings, so the struggle continues. A recent PDC effort here was called "Lents Streetscape Improvements", which involved redesigning a few intersections and adding a couple of large gateway monuments to let drivers know that a.) they had arrived at Lents, and b.) this fact was important. One of the intersection tweaks added a bend to SE 91st Ave. at the intersection with Foster, and the original straight bit of street was transmogrified into the semi-shiny new plaza you see here. (Note: in 2016, Google Maps still can't decide whether it wants to show you the old street grid or the new one. If you don't see a bend in the embedded map above, try clicking "View Larger Map", which will take you to a map that's both larger and newer. Don't ask me why; I don't work for Google and am at least as confused as you are.)

The little plaza doesn't seem to have an official name, and a 2014 Willamette Week article dubbed it "Cockroach Plaza", due to the pest control business housed in the building next door. That's a bit unfair, considering the building is a vintage Carnegie library that just happens to house a pest control business right now. I will grant that the plaza won't win any urban design awards. It looks like it could use a weird sculpture in the middle, or a couple of food carts. Possibly they're waiting a few years to do that, so locals can get used to the new bend in the road & won't plow right through the local fruit cart or something.

SW Bertha & Donner

In the previous post, I mentioned something about one of this humble blog's more esoteric ongoing projects, tracking down a group of obscure places on a list I found in the city archives website years ago. Some of these places are actual city parks (albeit very obscure ones). Others turn out to be bits of city-owned property the parks bureau had a hand in maintaining at one point, and then there are a few cases where I can't figure out why they're on the list at all. This installment actually invents a fourth category, as you'll see in a moment.

My Evernote copy of the esoteric list said there was something at SW Bertha & Donner, a hairpin intersection of winding streets up in the West Hills. Street View wasn't promising; there was nothing obviously park-like or even green to be seen, just a somewhat wider-than-usual intersection. Still, I went and visited and took some photos, because them's the rules, and here they are.

So I checked property records and came up with a theory about the place, for anyone who's still reading & isn't utterly bored to tears by this project. At one point, PortlandMaps showed a tiny bit of the intersection as a parcel of land owned by the city transportation bureau, as opposed to counting it as part of the street right-of-way (which is what normally happens). This later changed, and the website now lists property ID #R178213 as "inactive", and the property description now includes the word "CANCEL". So, theory is that the tiny bit of land may have been a bit of landscaped median or something at one point, and it was paved over later on, and eventually the city decided to abolish it entirely, for mysterious but I'm sure very important bureaucratic reasons.

An additional fun detail from PortlandMaps is that Bertha Ave. continues west from here in the legal sense, but there's no actual road there; the physical street picks back up a couple of blocks west of here. I suppose at some point the city must've concluded the missing Bertha bit wasn't going to be built anytime soon, and tried to round off the would-be intersection into more of a hairpin corner, and whatever was here before was paved over at that point. A more adventurous and outgoing person than I might have started knocking on doors and asking people strange questions about their weird street. And this more adventurous person might have gotten definitive answers, or (more likely) doors slammed in his or her face, and a nice visit from Officer Friendly and his or her enormous K9 partner.

The exciting twist, now that you've read this far, is that then I went back and looked at the original list, and the original item actually reads "Dosch & Bertha/Beaverton". Which is an entirely different place, albeit not that far from here. So this spot is in category number four, things that seem like they ought to have been in category three (i.e. things on the list where I don't understand why they were listed), but in fact were not on the list at all. Which is a fancy way of saying I completely screwed up this time, beginning with typing the wrong thing into Evernote. With any luck, this post will be the only item in category four. I thought about just deleting this post since it's not even a genuine item from that silly list, but I figured I already had the photos and I'd done the research, and there was (slightly) more of a story to it than most of the stuff on that list, and I seem to be a big believer in chasing sunk costs, so here goes.

If this happens to be your neighborhood, I like to think I'm somehow boosting your property values or raising the tone of your neighborhood by showcasing this little spot. If busloads of foreign tourists start showing up to take photos, though, I assure you I had nothing to do with it; to be honest this whole thing started because most of your neighborhood street names are German words starting with B or D, which is a lousy and confusing sort of naming convention, so frankly you only have yourselves to blame for all of this nonsense.

SW Fairmount & Sherwood

The anatomy of an ongoing blog project here looks something like this: I find or compile a list of places and things (parks, bridges, statues, murals, etc.), usually around Portland (for convenience), the more esoteric the better. I track them down, take a few photos of widely varying quality, and attempt to write something interesting, often while protesting that the subject isn't very interesting and the entire project is perhaps ill-conceived. There's one project in particular that I grumble about a lot: Many moons ago, I ran across a list of obscure places on the city archives website, all places the parks bureau had spent money on at some point between the 70s and early 90s. I thought it might be interesting to try to track them down. Some turned out to be obscure but real city parks, others random bits of road landscaping, and sometimes they weren't anything at all anymore. The city took the list down at some point, but I had the foresight(?) to include a copy in a post back in 2011, so I've sort of felt obligated to keep going for the sake of completeness, I suppose thanks to our old friend the sunk cost fallacy.

So as you might have guessed, this is another installment in that particular project. The list said there was something at the intersection of SW Fairmount Blvd. & Sherwood Place, two roads that wind around in the West Hills. What turns out to be there is a bit of vacant land, with a small gravel turnaround or parking lot and a sloping bit with some trees and blackberry bushes. PortlandMaps says it's all considered street right-of-way, so it's not really a city park, and I couldn't guess what sort of improvements the parks bureau might have made here a few decades back. Unless it's the gravel lot, maybe. Or maybe there's forgotten art or a disused fountain or rusty 70s playground equipment under the blackberries, although I rather doubt that. That's not how it usually turns out with this project. Usually I'm left scratching my head and wondering why it was included on that dumb list, and I never get a good answer. So it goes.

"A Gift For You"

Another of our ongoing occasional projects here is a public art tour around downtown Vancouver, Washington, Portland's northern suburb across the river. It's not always world-renowned cutting-edge work, exactly, but at least there are different people selecting it, so it's at least different than the usual stuff by the usual Portland suspects. In that spirit, here's A Gift For You, in Esther Short Park, near the fountain & bell tower. This was created by Jim Demetro, who also did the George Vancouver statue at the west end of the park.

Back in 2009, while snarking at an kitschy 9/11 memorial on SE Belmont, I laid out a few semi-ironclad rules for deciding whether a statue is Bad Art. This, sadly, violates three of these rules: The statues are painted, or at least were at one point; it includes multiple people interacting, which usually looks goofy; and it includes at least one child, which always looks creepy. Still, the burbs like what they like, and locals seemed to be rather fond of it in a 2012 Columbian article. So yeah.

"Doctors" (OHSU)

We still have a few items left on our tour of public art at OHSU, because doctors really like buying art. This one's actually called Doctors, in fact; it's by Bonnie Bronson, whose work has appeared here a few times before: Nepali Window downtown, and the painted panels on her husband Lee Kelly's Leland One and the untitled sculpture at NE 72nd & Fremont.

Essex Park

Ok, time for another blog post. I haven't done a city park post in a while, and honestly this probably won't be among the more memorable of them. A while ago I was out tracking down murals in SE Portland and ran across little Essex Park, on SE Center a few blocks west of 82nd. It's another of those neighborhood parks I keep saying I don't bother with; ballfields and playgrounds are fine, of course, but there's usually nothing distinctive there to justify a blog post. I took a couple of photos since I was there anyway, and eventually it occurred to me that there might be something interesting about the place in the old Oregonian newspaper database. That turned out pretty well a few years ago with Irving Park, which was previously a horse & auto racetrack where a world land speed record was set in the early 1900s.

If Essex Park has ever seen that level of excitement, it somehow didn't make the paper, unfortunately. I did come across one minor mystery, at least: The city parks website says the city acquired it in 1940, but the surrounding neighborhood was developed starting around 1906, and the developers were already calling the neighborhood "Essex Park" at that point. So either the neighborhood predated its namesake park, or someone else owned the park prior to 1940, or the city's records are off. Subsequent news items peak in the 1950s & early 60s, when the neighborhood would have been full of Boomer kids, all wanting to play Little League and enjoy wholesome group activities before heading down to the malt shop. That tapers off in the late 60s & into the 70s when the kids all headed off to college and communes and whatever, and then it's mostly crime news until the current century, when hip young couples began to realize the distant lands beyond Mt. Tabor were inhabited and surprisingly affordable. So that's our story, such as it is, and here are the assorted news items I ran across:

• Here's the first reference to "Essex Park" in 1906, which (as I mentioned) refers to an exciting new real estate development, not a city park.
• A 1909 article about the real estate boom in Lents & Mt. Scott mentions Essex Park being near "Firland station", and today's Firland Parkway is a few blocks west and south of today's Essex Park, so that was the first clue the neighborhood and the park were in the same general area.
• A 1920 "City News in Brief" item relates the tale of a couple who agreed to swap their Essex Park lot for 160 acres of Alberta farmland (meaning the Alberta in Canada, not the street in NE Portland), sight unseen, only to discover the land was mostly swamps and ravines. An indignant court case had been filed as the paper went to press.
• The first mention of the park itself in the paper came in 1954, with a brief item about the parks bureau organizing events for kids in a few parks around the city. An item just below this mentions that OMSI (Portland's science museum) would be hosting a special showing of "Rhythm of Africa", a Jean Cocteau short documentary with a screenplay by Langston Hughes. I really wonder how that was received in the white-bread Republican Portland of 1954. The short was originally filmed in 1944 and released in 1947, and a 1976 review in the Journal of American Folklore (Multnomah County Library link here) suggests the film was already seen as a bit patronizing and cringey at that point, though the footage was interesting if you completely blocked out the narration. It looks like nobody has a streamable copy of it online, but I'm going to guess it hasn't exactly aged out of cringefulness in the intervening 40+ years.
• Through the rest of the 1950s into the early 60s, the park gets mentioned a lot in connection with Little League games and wholesome organized kids activities, including one mention of the long-forgotten sport of "wicket-croquet-bowling", described as a cross between lawn bowling and cricket, played with a croquet ball.
• These news items sort of petered out in the mid-60s, I suppose as a generation of Boomer kids grew up and headed off to Woodstock or 'Nam. The annual Essex Park Pet Show was still going as of 1975, though, according to an item with photos of a cute fuzzy dog sliding down a playground slide.
• After that it's mostly real estate ads, with an occasional crime item, like a 1976 police chase ending at the park, and a 1980 clinic on avoiding bike theft. The clinic involved engraving a driver's license number (yours, or a parent's) on the frame of the bike for identification, which I suppose was reasonable back in the innocent days before modern identity theft was invented.
• The city renovated the park in 1982, replacing play equipment and benches, adding lights to the tennis courts, and adding basketball courts and an irrigation system. A beloved ex-Trailblazer was on hand as the guest of honor for the park's big re-dedication celebration.
• Less than a year later, a story in June 1983 discusses major budget cuts across the parks bureau, as Oregon's deep early-1980s recession took hold. The story mentions that the recent park improvements had come from a one-time federal grant, and at present the city couldn't afford to mow the grass in the park regularly.
• The paper starts mentioning kids activities again in the mid-90s and early 2000s, though there are still the occasional crime items, like a 2012 carjacking, and a June 2016 multiple assault
• The local neighborhood association runs a summer movies-in-the-park series, including a 2014 showing of The Goonies
• The park was a test site for a Water Bureau soil moisture sensor project in 2014, I suppose because it has an underground irrigation system (thanks to the 1982 federal grant) and a lot of city parks don't. The idea is that moisture sensors can reduce water use, instead of watering automatically at a set time every day even during a downpour. The flip side of course is that this probably means putting the irrigation system on the net where script kiddies and the Russian mafia can find it. So that could be exciting someday.
• In other assorted recent crime news, local TV news websites have alarming recent stories about discarded syringes in 2014, a prowling sex offender earlier this year, and a possibly gang-related shooting in August. I was actually working on this post literally when that shooting happened; posting it right then seemed a little crass, so I saved it to drafts & let it chill for a while. I think it's been long enough now that hopefully it won't look like I'm trying to capitalize on lurid news or anything like that.

So anyway, there's nothing really earthshaking here, but there you have it. If there's a more comprehensive history of the park (other than this post) anywhere out there on the interwebs, either Google hasn't indexed it, or my Google-fu has failed me somehow.

september keepalive

Oof, I just realized I haven't posted anything this month, and (as we've discussed) posting nothing for an entire calendar month would be bad. I honestly thought I'd posted one or two things around the beginning of the month, but apparently I was thinking of the end of August. I suppose I could hurry and whip something into shape in the next few hours, but it's a Friday evening with cocktails and I just don't feel like stressing over it right now. As of tomorrow there will still be 3 months left in the year, so "draft folder zero" is still technically possible by New Years. At the moment I wouldn't bet a lot of money on it though. Which reminds me, there's a second backlog of recent photos that haven't even become draft posts yet. Oof. Maybe I ought to wrap this thing up before it gets discouraging...

Alpha Helix

The next public art we're looking at is Alpha Helix, a red sorta-corkscrew in front of an old house at SE 40th & Hawthorne. It looks like yet another random abstract sculpture, but there's a bit more going on this time.

Alpha Helix is a tribute to Nobel-winning chemist Linus Pauling, who grew up in the house here, and an alpha helix is a fundamental protein structure that Pauling co-discovered in 1951. He received the Nobel Prize for Chemistry in 1954, primarily for this discovery. I have never been accused of being a biochemist, but my understanding is that this was a key building block leading up to figuring out the structure of DNA in 1953. (Pauling narrowly missed out on that acrimonious discovery.) Pauling went on to win the 1962 Nobel Peace Prize for his nuclear disarmament work, and he spent his later years promoting eccentric ideas about Vitamin C as a universal cure-all.

In any case, the house is now home to Portland's Institute for Science, Engineering and Public Policy, which runs an annual Linus Pauling Memorial lecture series. The sculpture was created for them by Portland-based sculptor Julian Voss-Andreae.

Stonehenge Memorial, July 2013

So here's an old photoset I'd lost track of at the bottom of my drafts folder. For any non-local readers, this is the Columbia Gorge's somewhat low-fidelity Stonehenge replica, built in 1918 as Klickitat County's World War I memorial. It was widely believed at the time that the original Stonehenge was built for human sacrifices, and I gather the memorial was meant as a sort of bitter comment that humanity hasn't progressed in the last few thousand years. Though the fact that they had the archeology all wrong kind of muddles the intended message. In any case, it's quite a scenic location and not at all depressing in person, and I thought some of my photos turned out ok, so here they are.

N. Polk & Crawford

Here are a few photos of Portland's new-ish city park at N. Polk & Crawford in St. Johns, just north of the railroad bridge. The city bough the land in June 2015, but the parks bureau says they aren't planning on developing it or even naming it any time soon. Which generally means they don't have any money to spare on a new park. Still, that's essentially what they've done with the Skidmore Bluffs for the past couple of decades, and that seems to have worked out pretty well so far.

Silver River

Next up is Silver River, an 87' rendition of the route of the Colorado River in cast silver, created by Maya Lin in 2009 for the Aria hotel/casino in Las Vegas. I was going to chalk this up as another only-in-Vegas thing, but it's actually part of a wider series of cast-silver rivers, including the Mississippi, Missouri, Hudson, and Housatonic.

This All Happened More or Less

One of the newer public artworks in Portland (at the time of writing) is This All Happened More Or Less, a collection of tiny figures scattered along inner SE Division St. These were created in 2014 by artists Crystal Schenk and Shelby Davis for a city streetscape project that also added bioswales and other gentrifying goodies. The RACC press release described the project thusly:

Appropriately titled “This All Happened More or Less,” the bronze characters created by the artists were inspired by their observations of activity along Division. The scale of these bronze figures (much different than the scale usually seen in public art) can draw a viewer in close enough to imagine a story behind each of the figures that vary from active, such as a kid on a skateboard, to inactive, such as waiting for a bus or sitting quietly with a pet dog. The artists have said, “We are merely suggesting stories and we want people to draw their own conclusions, to fill in all of the details, and to follow their imaginations.”

The title is almost, not quite, the opening line of Kurt Vonnegut's Slaughterhouse-Five. Which I admit I haven't read since high school, so the allusion sort of escapes me at the moment.

Vita Mensae, Living Mind, Life of Thought

Ok, next up on the ongoing public art tour is another stop at OHSU. This time we're looking at Vitae Mensae, Living Mind, Life of Thought, the giant spooky half-head in front of the university's Medical Research Building. This was created circa 1993 by sculptor Larry Kirkland, who also did Capitalism, the stacked-coins fountain outside the Lloyd Center mall. There's a longer post about Vita Mensae at an OHSU history blog; the author wonders whether the Latin name is quite correct, and whether it would have been more appropriate to depict the other half of the head. Which are concerns that I guess a doctor would have about it that I never would have thought of. The post includes a photo of a sign explaining the sculpture, located inside one of the adjacent buildings. Oh, and the old Portland Public Art blog hated it (as usual), calling it "astonishingly ugly" and "a booby prize, probably selected by a committee of department heads as a perk for putting up with construction delays". The rest of the post continues in a similar vein. I used to aspire to that level of invective now and then, not so many years ago; now I'm just happy when I remember I still have a blog and ought to hit publish at least once a month.

Capt. George Vancouver statue

Next up is the Captain George Vancouver statue in VanWa at W. 6th & Esther, across the street from Esther Short Park. This was created back in 2000 by local sculptor Jim Demetro. As I suspected, this is far from the only statue of George Vancouver out there; there's one in front of City Hall in that other city of Vancouver, and one in King's Lynn, Norfolk, UK, and a gold one atop the British Columbia provincial parliament. The one we're looking at here is by far the most goofy-looking of the four.

Johns Community Garden

Next up are a few photos of the Johns Community Garden in St. Johns at N. Edison St. & John Ave. A lot of community garden photos that show up here are taken in the off season and are kind of unattractive for that. So the good news is that these were taken in August, the bad is that they were last August and this has been sitting in drafts all this time, unposted. But that's sort of part for the course these days.

Anyway, on a related note that only I really care about, this is also the latest installment of one of this humble blog's more dubious projects: At one point I ran across a cryptic list of really obscure places in the city's online archives, and set to tracking them down. This was listed incorrectly as "John Garden", so it took quite a long time to figure out what that referred to. So, mission accomplished on yet another one of these places, unless maybe I ID'd it wrong.

art fence, omsi max stop

Some decorations on a chain link fence around a vacant lot next to the OMSI MAX stop. I don't know anything about who created it, and I'm sure it's only meant to be temporary until the lot gets developed. PortlandMaps says the museum owns it. Come to think of it, I vaguely recall that they either bought the lot or had it donated back when I worked there, about 20 years ago. So I wouldn't exactly hold my breath waiting for a futuristic new museum expansion anytime soon.

Working Class Acupuncture mural

Large, recent mural outside an acupuncture studio on SE 92nd north of Foster, near the Lents MAX station. Also near the Zoiglhaus brewpub, which was the primary reason I made the trip out to Lents. I'm not really in the restaurant review business, but I thought it was worth the trip.

june keepalive

Ok, I got busy again with $REAL_JOB this month and didn't get around to finishing a single blog post, so this here is the standard ritualized post so I'll have posted at least once this month. It probably hasn't helped that I've spent an inordinate amount of nonwork time watching ROV livestream from the Okeanos Explorer, a NOAA ocean research ship. They're currently exploring interesting bits of the seafloor in the Mariana Trench Marine National Monument. It's less work than owning a fish tank, and you get to eavesdrop while the science team tries to identify the rocks and creatures they're observing. Every so often they run across a probable new species, something nobody's ever seen before. I remember reading about early explorers visiting the mysterious and unknown Mariana Trench as a kid, and now in 2016 we get to watch live video from there. Once I even fired the livestream up on my phone so my cat could stare at some weird deep sea fish, which he seemed to enjoy. Say what you will about 2016 in general, but now and then living in the future has its moments.

Vancouver Arches

Photos of VanWa's Vancouver Arches, of which the city says: "These three brick arches were installed in 1984 to create a landmark for downtown Vancouver.". They're maybe not the most ambitious civic landmark ever, but hey. They're actually quite visible from Interstate 5 northbound into the city, so the designers at least got the location right. It's just that I always sort of assumed the arches belonged to a bank branch or an office complex or something.

Pioneer Mother

In this installment of the public art tour, we're looking at VanWa's Pioneer Mother, an Avard Fairbanks sculpture on the north side of Esther Short Park. Unusually, Pioneer Mother has an extensive Wikipedia page, which is great since I can just point readers there instead of doing a bunch of research myself. Fairbanks's work has appeared here a couple of other times, for monuments in Portland Firefighters Park and Milo McIver State Park, and I know of a couple of other public examples of his work around Portland that haven't made it into posts, such as the doors on the old US Bank building on SW Broadway.

Contemplative Place

The next stop on our ongoing public art tour is Contemplative Place by Michihiro Kosuge, located in Ed Benedict Park next to the skate park. The city's blurb about it says "A granite and basalt sculpture entitled Contemplative Place by Michihiro Kosuge was installed in 1996 at the west end of the park. Each of the four stones is placed to represent the four directions.". The RACC description has a bit more to say:

Kosuge describes “Contemplative Place” as establishing “a relationship between the stones and natural phenomena: the movement of the sun, the seasons, and an awareness of the cardinal directions, ”fostering “contemplation, spirituality, and quietude.” Each of the four stones is placed to represent the four directions.

Unfortunately the skaters next door were arguing loudly over something or other when I visited, so contemplation and quietude were not really being fostered at the time. And spirituality has never been my thing, so I have no idea whether that was being fostered or not. Your mileage may vary, obviously.

Untitled, OHSU

Next up is another bit of OHSU art, an untitled Bruce West sculpture in the Kohler Pavilion's sculpture garden. The university's wildly incomplete art page lists a different West sculpture titled Oregon Fabric. The page doesn't give a location, but it looks like it's indoors somewhere. (Also, the photo links on that page point at huge .TIF image files for some reason, so you might want to not click on them.)

Gathering In

The next bit of MAX art we're looking at is Gathering In/Gathering Rail by Christine Bourdette, at Hillsboro's Hatfield Government Center station, the far end of the Blue Line. The link above used to go to an RACC project page with a brief description of the art, but this part of the RACC website's been broken with a PHP script error for several months now, apparently without anyone noticing -- or figuring out how to fix it. So instead here's a hilarious page explaining why PHP is "a fractal of bad design".

The Three Graces

Next up, we're back at the OHSU campus again, looking at a small fountain called The Three Graces, in the Kohler Pavilion's outdoor sculpture garden. The fountain was created by Oregon artist Bill Kucha, and is dedicated to the late Leonard Schnitzer.

Comets

The next bit of MAX line art we're looking at is Comets, an installation along the Vanport Bridge over the Columbia Slough & Columbia Blvd. TriMet's Yellow Line art guide describes it:

Spencer T. Houser and Chris Rizzo present two approaches to the nearly 4,000-foot light rail bridge. Ninety flaming comets inspired by the car culture of the '50s blaze northward from Kenton. Blue metal panels on the north end of the bridge allude to the Columbia River.

I imagine the blue panels on the north end of the bridge are officially a separate piece with a different title, but I don't know what it's called, and I don't think I have any good photos of the panels right now anyway.

underground garage mural, sw 3rd & yamhill

A mural I ran across inside an underground parking garage on SE 3rd between Yamhill & Taylor. I don't know anything else about this one, and as far as I can tell the rest of the internet doesn't either.

La Calaca Comelona mural

Mural outside La Calaca Comelona on SE Belmont. This is another one that's been in drafts for quite a while; I posted photos of another mural next door back in August of last year, which seemed late already because the photos were taken in January. Still, I'm fairly sure a year and a half in drafts isn't even a record here, but then I've never claimed to be a breaking news outlet. I take photos when I feel like it, and I post them when I feel like it, if I get around to it.

La Sirenita mural

Mural outside the La Sirenita taqueria on NE Alberta, by Portland artist Pablo Garcia. He was actually busy painting it when I wandered by (which kind of tells you how long this has been floating around in my drafts folder). I suppose I could have stopped and said hi and asked a few questions or something, but I admit I'm not really in the interviewing business here at this humble blog. I've gone over a decade without ever doing one, and I don't think I'd be very good at it if I tried to start now. Even if I wanted to, which I don't, because antisocial.

Port City Gallery mural

Next up, a large mural outside the Albertina Kerr Center's Port City Gallery at N. Williams & Thompson. I managed to locate someone's Instagram photo of it that lists the artists who created the mural. It turns out several of them also worked on the Keep Our Rivers Clean mural on SE Powell.

World's Greatest

Continuing with the current theme of MAX line public art, here are a few photos of World's Greatest, Bill Will's giant trophy thing at the Fair Complex/Hillsboro Airport MAX station.

I cut MAX art a lot of slack, possibly too much, but this one has always reminded me of a cheesy 1990s home decor knickknack grown to enormous size. This must have seemed like a good idea back in 1998 when the MAX line went in. I suppose the trophy fits because of the whole county fair thing (though I think the fair gives out ribbons, not trophies), but if you're really going for a giant 90s look, a 20 foot tall copy of one of those winged cat gargoyles would have been a lot cooler. Relatively speaking.

Heart Beacon

The next installment of our ongoing public art project is Heart Beacon, by Joe O'Connell and Blessing Hancock, located at the Emergency Services building next to Ed Benedict Park. The artists' description of the piece:

Heart Beacon is an interactive enclosure of light, color and sound that senses and artistically displays the heartbeats of visitors who lay their hands on the piece. This highly interactive sculpture takes the literal and metaphoric ‘pulse’ of the Portland community. The sculpture takes inspiration from the life-saving mission of the Emergency Coordination Center.

The heartbeat widgetry just made a weird banging noise when I tried it, and I didn't notice any sort of light show. But I didn't know what the device was for at the time, and I didn't see any instructions, so it's entirely possible I was doing it all wrong. Either that or I was doing it right but the machine got confused by my heartbeat and was trying to warn passersby that an alien walks among them. At least the heartbeat thing shows I'm probably not a vampire, so there's that, I guess.

Three Creeks One Will

Next thing we're looking at today is Three Creeks One Will, the giant blue cylinder in front of Beaverton's new City Hall building, next to the Beaverton Central MAX station. The city's Public Art Tour Map describes it:

The art of Devin Laurence Field brings together universal and archetypal symbolism, the vernacular of a given site or culture, and natural forms to communicate ideas about the evolution of the complex relationship between the built environment and the natural world.

The name sort of weirds me out, for some reason, even if the One Will isn't doing any triumphing. Anyway, the current City Hall building was once home to Open Source Development Labs, which was meant to become the center of the Linux operating system universe, putting Beaverton on the map next to Microsoft's Redmond and Apple's Cupertino. It turned out the Linux universe didn't really need or want a center, so that effort eventually fell by the wayside. And many years before that, the Beaverton Central area was home to a municipal sewer plant. The city eventually concluded that a centrally located sewer plant wasn't popular among people with noses (a key voting demographic), so they moved it and the land sat empty for a few decades until the long-troubled Beaverton Central project came along.

Intersection

Next up is Intersection, a sculpture by Michael Passmore located at the SE Clinton/12th Ave. MAX station. TriMet's Orange Line art guide describes it: "Landmark sculpture constructed of repurposed freight rail references the historic impact of transportation infrastructure on the neighborhood."

Aril

A few photos of Aril, the tall red sculpture at the new PSU/OHSU lab building next to the South Waterfront MAX stop. Aril was created by German artist Christian Moeller, whose website describes it thusly:

The idea that served as inspiration for this sculpture on the grounds of the new Life Science Building of Portland’s State University was the highly geometrical and abstract visual representations of molecular structures. Like a tree, the sculpture will consist of a trunk and branches made of cylindrical tubes holding one hundred colored spheres.

A quick note for pedants: I've tagged this post "orangeline" since it's next to the new MAX line, but the sculpture was actually funded as part of the university building, not the MAX line. So it's not MAX art in the strictest sense, but I figured people should be able to find this post even if they don't know who paid for the art. I just thought I should point this out before anyone complains & tries to out-pedant me. Which does occasionally happen, never successfully.

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PSU Art Annex mural

Next up is a mural on the back of Portland State's Art Annex building, facing 4th Avenue near Lincoln. There doesn't seem to be anything about this one on the interwebs, unfortunately; the temporary art for the MAX Orange Line opening included a mural, but it was a different one located in the vacant lot behind the main art building.

Questions for Humans: Curiosity Wall

Next mural up is titled Questions for Humans: Curiosity Wall, one of a series of four "Questions for Humans" murals by Gary Hirsch located around SE Portland (I have yet to locate the other three). This is an RACC-sponsored project, and their info page for the mural includes a set of user instructions:

Hello humans! We are Bots from a distant galaxy that have arrived with wonder and curiosity about your species. To help us understand humans, we have posed a series of questions throughout your city. Operating Instructions:
- Stand in front of a Bot and ask someone to take your picture (or take a “selfie”).
- Think about your answer to the question being asked by the Bot that you are posing with. when you have your answer, post it along with the photo of you in front of the Bot to your human social media platform of your choice (Instagram, Facebook, Twitter) include #qs4humans and #botjoy. Check in online to see how the resulting community portrait is forming.

I'm afraid I kind of disobeyed the instructions, and just took photos of the mural instead of taking selfies, because that's just how I roll. The intergalactic bots are just going to have to deal.

Naked Bike Ride mural, 2500 se 8th

Next up is a gigantic mural on a warehouse at SE 7th & Division Place (though the street address says 8th). This was created last year by New Zealand artists BMD, in honor of the annual World Naked Bike Ride, which has become a huge event in Portland in recent years. I realize you didn't ask, but I've never participated in said ride. It's not that I'm squeamish or embarrassed or anything; it's just that I'd be too afraid of crashing -- road rash, stuff getting caught in gears, that sort of thing.

mural, 312 se stark

Mural at SE MLK & Stark, by Dutch artist Joram Roukes

mural, se 10th & oak

Mural by Klutch at SE 10th & Oak

mural, 1005 sw park ave.

Mural at SW Park & Salmon, by Rustam QBic. Incidentally, the other side of this building is home to the sole US location of a Japanese izakaya (pub) chain. It's pretty good.

mural, 221 sw 6th ave.

Mural at SW 6th & Pine, by Spencer Keeton Cunningham & Jaque Fragua.

mural, 412 sw 12th

Mural at SW 12th & Stark, by by Troy Lovegates & Paige Wright. Wright also created one of the murals at SE 23rd & Morrison for the 2014 edition of the festival. I had this one confused with the nearby mural at 12th & Washington and had the artists backwards, but I think I've got the credits right now, & I've corrected the other post.

mural, 412 nw couch

Mural on the upper floors of a building at NW 4th & Couch, by Tokyo artist Nigamushi.

mural, 524 se ash

Mural at SE Ash & MLK, by Peruvian artist Jade Rivera, near the "Nothing Good Comes Easy" mural we looked at a couple of posts ago.

mural, 1302 se ankeny

Mural on a church building at SE 13th & Ankeny, by Andrew Hem.

mural, 417 se 11th

Mural at SE 11th & Oak by Blaine Fontana & David Rice, on the same building as a couple of other murals we've looked at before. Similar to how some people can't stop with just the one tattoo, I guess. Though I imagine these buildings will be torn out and replaced with luxury condos in a few years, and the analogy sort of breaks down at that point.

mural, 200 se mlk

2015 Forest for the Trees mural at SE MLK & Ash, by Michael Salter.

Nothing Good Comes Easy

Next up is a giant mural of the words "Nothing Good Comes Easy", on the upper stories of a building at SE Grand & Pine. This was created for the 2015 Forest for the Trees event by Ola Volo & Zach Yarrington. I'm not a huge fan of the "ginormous motivational affirmation" style of mural, but they've been proliferating across the city in recent years, so obviously someone likes them.

mural, 706 se mlk

A 2015 Forest for the Trees mural by Aaron Glasson & Celeste Byers, located at SE MLK & Alder, outside the River City Bicycles store.

mural, 1129 sw washington

A large mural at SW 12th & Washington, created for the 2015 Forest for the Trees event by Michael Reeder.

The Journey Itself is Home

Next up is a 2015 Forest for the Trees mural by Josh Doll, located way out at SE 50th & Franklin, a couple of blocks north of the Foster & Powell intersection. I'm not usually a big fan of murals that feature big sorta-inspirational sayings, but this one gets partial credit for including a dog. This area isn't exactly suburbia, but the intersection does feature a Taco Bell, a Taco Time, and a Burger King -- and I have to admit I ran across the mural by accident while making a drive-thru taco run. I realize Real Portlanders are supposed to eat nothing but artisanal kale-quinoa nuggets, washed down with artisanal kombuchatinis. Corporate tacos are just so downscale and inauthentic, after all. But hey, this is a pseudonymous blog, I can admit it here and nobody can pin it on me.

bird mural, se 11th & alder

A recent mural of birds at SE 11th & Alder, by Portland artist Klutch

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mural, 2505 se 11th

A 2015 Forest for the Trees mural by Insa, John Gourley, & Zach Johnsen, located on the back side of the Ford Building at SE 11th & Alder. The building was originally a Ford car factory (albeit a rather small one), believe it or not.

april keepalive

This is another one of those periodic "I need to post at least once in this calendar month" posts. I actually haven't posted anything since early March, and it's May tomorrow, so this is close to the maximum possible time gap without breaking the decade-long run. I actually have a slightly different alibi this time; I was on vacation for a couple of weeks in March (and I've barely sorted the photos from that, so there'll be a few Hawaii photosets to post whenever I get around to it). Then I got sidetracked working on a fun open source project that I'd love to link to if I wasn't trying to keep blogging/social media and professional stuff separate. Suffice it to say it was fun, and it took up a lot of spare time that might've otherwise been spent here. Maybe I'll get back into this thing again in May.

To be honest I'm sort of trying to decide whether to just bulk post the contents of my drafts folder as-is, just so I can stop stressing over it.