It's time for more art from downtown Honolulu. This is Upright Motive #9 (1979-81) by Henry Moore, in a little plaza at the corner of Bishop St. & King St. If you read this humble blog obsessively and never read anything else about art, you might still be familiar with Moore's work thanks to his Reclining Connected Forms at CityCenter in Las Vegas. Who says going to Vegas isn't educational?
This is the ninth design in Moore's Upright Motive series, and the Honolulu one is one of six copies of Upright Motive #9. There's another at Moore's estate in rural Hertfordshire, UK, now an outdoor museum, and a third one at an outdoor sculpture park in Kansas City. I'm not sure where the other three are.
For the sake of comparison, here are a few other entries in the long-running Upright Motive series, which Moore began in the mid-1950s: One, Two, Three, Five, Six, Seven, Eight, Twelve. There's also a series with letters instead of numbers, so here are editions B, C, and D, as well.
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