Saturday, October 11, 2014

SE 9th & Oak Mural

The next mural on our tour is on the Willamette Plaza building at SE 9th & Oak, painted for last year's Forest for the Trees. Two of the artists (J. Shea and Yoskay Yamamoto) also worked on the nearby mural at 8th & Sandy, painted the same year.

You can clearly see where the mural replaced a large billboard. In fact there's still a ClearChannel logo on the building now. I don't know whether it's just left over from the billboard days, or they still have some sort of rights over this spot, and it could someday go back to being a Lexus ad or something.

The building itself is a cool mid-20th century modern design; it was built in 1960 and originally housed insurance company offices.

Clyde Drexler Mural, SE 9th & Clay

Here's a slideshow of the large mural of Clyde Drexler (the star Portland Trailblazers player in the late 1980s and early 1990s). It's located on SE 9th between Clay and Hawthorne (i.e. the south side of Hawthorne), on the back side of the same building that hosts the koi mural you might have seen here recently.

This was painted by artists Madsteez (who has a Wikipedia bio) and Oyama Enrico Isamu Letter, for the 2013 Forest for the Trees mural event. The festival's Vimeo channel has a time lapse video of the mural being painted, assuming you're in the mood for a Hall & Oates soundtrack. Going by other examples of the two artists' styles, I'm guessing Madsteez created the Drexler part, and Letter did the abstract sorta-lightning design that coils around Drexler.

SE 8th & Sandy Mural

The next mural on the agenda is this sorta-dream-nautical design on the Nu-Way Printing building at SE 8th & Sandy. This was painted by J.Shea & Yoskay Yamamoto for the 2013 Forest for the Trees festival. Shea also painted the mural at Kidd's Toy Museum during that year's event, and there's a clear family resemblance between the two, even apart from being all blue.

I ran across a post about this mural at Kay-Kay's Bird Club. It looks like she's been doing a mural project too, including several I'm not familiar with. I'm starting to get the impression this project is going to be even bigger than I thought.

Monday, October 06, 2014

Arch Angel

The next mural on our ongoing tour is Arch Angel, the large design on the Studio 3 building at SE 12th & Madison, behind the Jolly Roger tavern. It was created by artists Meggs and Kamea Hadar for the 2013 Forest for the Trees mural festival (and a time lapse video was filmed while they did it.) Meggs's description of the project:

The (approx) 100×20 ft mural, titled ‘Arch Angel’ reflects both my recent solo show and Kamea’s powerful portraiture work; using a composition that could stretch the full width of the space. As a homage to Portland we kept to a trailblazers colour palette and included Roses & tattoos – all things very identifiably P-town!
We were stoked that so many locals came by during the process and felt the mural really represented them and their town!

Apparently there's also a skull design on the Jolly Roger that was painted at the same time. I didn't notice it while I was there, but I made a little note to look for it next time I'm in the area.

Black Butte, Siskiyou County


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Just south of Weed, California, near Mt. Shasta, Interstate 5 passes right along the base of a big volcanic cinder cone called "Black Butte". Not to be confused with the one near Bend, OR (the one the beer's named after), or any of the others out there. The USGS geographic name database has 196 entries for things named "Black Butte", although some are rivers, schools, dams and so forth. Still, as a place name it's probably right up there with "Bald Peak", "Larch Mountain", and "Salmon Creek" in terms of unoriginal pioneer-era names.

The puzzling thing is why they ran the freeway right along the base of a volcano when they didn't have to. It's definitely scenic this way, but they've placed a pretty serious bet that the thing will never erupt again. It's only thought to be around 9-10k years old, which is less than a heartbeat in geological time. It was after the Bering Land Bridge era, so there could very well have been people around to witness it forming, hopefully from a safe distance. Undoubtedly there was a planning discussion about where to put the freeway, and I imagine it was all documented for posterity somewhere, but I have no idea where to look for that sort of thing.

Sunday, October 05, 2014

Boston Common


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A couple of summers ago, I spent a week in Boston on a business trip, and managed to find a little time here and there to take some tourist photos. Actually a lot of tourist photos, such that I'm still slowly sorting through them and putting together new blog posts every so often. I walked through Boston Common a couple of times; it's a sprawling park in the middle of the city, across the street from the state capitol building, and I always seemed to end up back there after wandering around the city's mazelike streets. Which I suppose is better than running into the municipal minotaur or something.

Long story short, I was there and took a few photos. A few have showed up here previously, in posts about the Brewer Fountain near the eastern edge of the park, and the Soldiers and Sailors Monument on a high point toward the park's center, as well as the Boston Public Garden next door. I still had a bunch of photos from here and there around the park, so I figured another slideshow was in order. Et voilà.

For the Love of Cars Mural

I am beginning to sympathize with the city's handwringing over murals vs. billboards. I've covered a lot of cases where a local business painted the outside of their building, with a theme more or less related to the business, and went through the city's hoops in order to get it approved as "public art". On the other side of the grey area are things that are obviously advertising, but were painted as murals, or at least look like they were. Case in point, the big "For the Love of Cars" kinda-mural on a building at SW 2nd & Stark, which is an ad for the Ron Tonkin chain of car dealerships. The design you see here shows a nature scene full of cars, complete with spark plug butterflies. This was painted in 2009, replacing an earlier design with cherubs wielding car keys instead of bows and arrows. Anything promoting cars in Portland is bound to get some negative reactions, like this rant at RebelMetropolis.org that contrasts it with the "America's Bicycle Capital" mural that ran afoul of the city's byzantine sign code. And I get the frustration, but I can't come up a simple and precise dividing line between advertising and art, in order to treat the two differently. I'm not sure how you do that without lots of byzantine rules and special cases..

Unfortunately it's already too late to see this one. Shortly after I took these photos, workers began plastering over it, pasting up a giant generic Land Rover ad in its place. On the bright side, this preserves it for future archeologists as an artifact of the early 21st century, before we ran out of oil and melted the polar caps. I'm sure they'll be fascinated by us.

The Tiffany Weston Rose

Not far from the previous two rose murals I've covered here is another one, the Tiffany Weston Rose (1994), on a back wall of the Tiffany Center (previously the Neighbors of Woodcraft Building), at SW 14th & Yamhill. There's a rose here because this is yet another building owned by Joe Weston, the local real estate baron, and (as explained in a previous post) he just sort of likes murals of roses. This rose and the building it's on are named for his daughter, which I suppose is one of the little benefits of being a real estate baron.

The fraternal organization that built this tower had an odd taste in architecture. It's fortresslike on the outside, complete with Art Deco gargoyles. On the inside, it has a pair of fancy ballrooms, popular for weddings and other events. I've been to a number of company holiday parties there, and off the top of my head I can't think of any comparable event spaces around the city just in terms of sheer swankiness. It really makes me wonder what these Woodcraft people were up to. I do know it was a concert venue well before it became the Tiffany Center; for example, here's a blog post pointing out that Jerry Garcia played an acoustic show here on June 4th, 1982. Personally it's always reminded me of the 55 Central Park West tower in Manhattan, the building made famous in Ghostbusters as "Spook Central", built by an insane architect as a tool for summoning Gozer.

Swan Island Lagoon

Here are a few photos from the Swan Island Boat Ramp, at one corner of the Swan Island lagoon, in the midst of a shipping and industrial zone. I haven't actually taken up boating; it just seemed like an interesting spot to go and take some photos. Looking around, you'll see some more or less natural areas, as well as a bunch of ships and barges docked at the ship repair facility downriver. There's even one end of a Freightliner wind tunnel protruding out over the lagoon, which is not something you'll see every day. Unless you work there, obviously.

The land around the boat ramp is not quite a city park; for some reason it's owned by the city's Bureau of Environmental Services, the local stormwater and sewer agency. I'm not sure what their interest in the place might be, since it looks like it predates their Big Pipe project on the other side of Swan Island.

This area was actually once part of the Willamette River, back when Swan Island was still an island, before the channel was filled in during the early 20th Century. Swan Island then became home to Portland's municipal airport until the current one opened in 1940, and it quickly became a shipbuilding center during World War II, churning out the war's ubiquitous T2 tankers. After shipbuilding wound down, it eventually evolved into today's general industrial zone. It seems like an unlikely place to put a public boat ramp. There are very few river launch points along the lower Willamette, so I suppose the city saw a chance to add another and grabbed it, even though boaters may have to dodge tankers and grain ships and Coast Guard dredges in order to use it.

As with much of the lower Willamette, the river here is full of all sorts of icky stuff, and there are big signs here warning people to never, ever, ever eat any fish caught here. Fishing in the Willamette has become a popular activity among some local immigrant communities, so the signs are translated into several languages to make sure people get the memo.

In some of the photos you'll see a rather photogenic abandoned and half-sunken boat not far from the boat ramp. This has been there for several years, and it's part of a larger abandoned boat problem the state continues to wring its hands about. Apparently nobody has the legal authority or the funding to do anything about it, so abandoned boats in state rivers just continue to sit abandoned indefinitely while nature slowly takes its course.

A Vintage Portland photo from 1935 shows this area in its short-lived airport days. A comment on the article mentions that the Swan Island lagoon was a popular waterskiing spot in the 1950s and 1960s, back before the word "Superfund" was invented. Eew.

Black Canyon, Colorado River


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Here are a couple of old photos from the Colorado River's Black Canyon, downstream of Hoover Dam and a short drive from Las Vegas. I was on a group tour bus at the time and we had stopped at the Willow Beach marina (on the Arizona side of the river), where we rented motorboats and headed up the river toward the dam. In the photos of the canyon walls, I was actually trying to photograph some bighorn sheep high up in the canyon, despite only having a cheap point-n-shoot camera at my disposal. At one point I thought I could pick them out as tiny specks in the photos, but now I'm not so sure.

Vaillancourt Fountain


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Here's an old photo of San Francisco's modernist Vaillancourt Fountain, in a plaza along the Embarcadero across from the Ferry Building. You can tell this is an old photo because of the Embarcadero Freeway lurking in the background. This was taken a couple of years after the big Loma Prieta earthquake that damaged the old freeway, and the city was in the very early stages of tearing it out. If you look closely you can see construction equipment on the lower deck of the freeway.

The one thing everyone seems to know about this fountain is that it was vandalized by U2's Bono during a concert in 1987. I actually liked them at the time, but I still thought it was a dumb stunt. It looks even worse with a few decades of hindsight, as Bono's aged into a pretentious celebrity buffoon (who hasn't had a decent album since 1993's Zooropa). First he vandalizes a fountain, then he comes and dumps his new album on your iPod without even asking.

Kidd's Toy Museum Mural

Here's a slideshow of the new J.Shea mural on the Kidd's Toy Museum building at SE Grand & Main St., painted for this year's Forest for the Trees mural thing.

I've never actually been inside the museum. I'd vaguely heard of it before, but didn't know it was here until I came looking for the mural and realized what it was attached to. Other than the new mural, the building is almost comically nondescript on the outside. On the inside is a vast collection of vintage toys, focusing primarily those produced before 1940.

Accounts of visits to the museum often warn that some of these vintage toys are rather shockingly racist. The common argument made is that it's important to not whitewash the past and pretend this stuff didn't happen. I can see the logic of this argument; a significant number of people alive and voting today grew up playing with toys like this, and there's some value in understanding where your whackaloon Tea Party great uncle got his ideas. I suspect, however, that this is one of those things that's easy to say as a white person. I don't imagine the "important historical artifact" argument would feel terribly compelling if I was the one being targeted.

Saturday, October 04, 2014

Koi Mural, SE Hawthorne

Here are a few photos of the koi mural along SE Hawthorne, between 9th & 10th. It's on a wall next to the historic Red Men Hall building (the weird name refers to the fraternal organization it was originally built for, a group allegedly descended from the Boston Tea Party guys, and later New York's Tammany Hall.)

The mural was created by Portland artist Blaine Fontana for the 2013 Forest for the Trees mural event. Apparently koi are a common theme of his.

The Greg Chaillé Rose

So the next rose mural on the list is the giant Greg Chaillé Rose, on the west side of the historic Art Deco Terminal Sales building at SW 13th & Morrison. (I explained the deal with these rose murals in a previous post about the Mary Lou Fendall Rose.) This rose honors the retired longtime head of the Oregon Community Foundation, who retired in 2011, the same year the rose went up.