Alumni Fountain, OHSU

Here are a few photos of OHSU's Alumni Fountain, located in the plaza in front of Mackenzie Hall. A plaque at the base explains that it was a gift from the alumni association for the school's 75th anniversary in 1962, and it was designed by architect Lewis Crutcher. The fountain wasn't actually installed until August 1963, though; an Oregonian article about the new fountain proudly noted it was the first new public fountain in the city for over 40 years (and what the previous one might have been doesn't come to mind immediately). The article continues:

Pumps will send a 25-foot gusher into the air, then the water will flow back into the basin through 10 cuts in the upper side of the fountain, so there will be a dual sound. Colored lights will play upon the fountain at night.

The fountain is clearly not sending a 25-foot gusher into the air in these photos. OHSU has some vintage photos of the fountain online, and it was obviously spraying higher in 1968 than it is now. So they must have dialed it back at some point. Looking at the old photos, I suspect you wouldn't have wanted to walk past it on a windy day. I haven't visited the fountain at night, so I have no idea whether the colored lights are still there or not.

I wasn't familiar with Crutcher's work, but the interwebs have a few interesting tidbits. His 2000 obit in the Daily Journal of Commerce is largely devoted to his 1950s campaign against garish billboards and neon signs, cluttered sidewalks, and other civic ugliness. As this was decades before PowerPoint was invented, Crutcher illustrated his campaign with watercolors of European landmarks blanketed with the commercial clutter of 1950s Portland. The February-March 1959 issue of Old Oregon (the UO alumni magazine) [PDF] included an editorial by Crutcher about the many ills of the modern city, illustrated with a few more of these paintings. (Incidentally, his complaint about utility companies' hack-and-slash tree pruning practices is something that hasn't really improved over the last 60-odd years.) The city sign code largely adopted his ideas after a few years, although as fate would have it the few neon signs that survived are now seen as civic treasures to be protected at all costs.

Another aspect of his anti-ugliness campaign has survived the test of time a bit better: At some point, decades earlier, the city had decided that all Portland bridges must be painted black, no exceptions. The Broadway Bridge was black, the Ross Island was black, along with the Hawthorne and all the others. Crutcher had the bright idea that maybe a little variety wouldn't kill us, which led to the range of colors we see today. Except the Steel Bridge, which is owned by a railroad and not the city, and frankly looks like it hasn't been repainted since before the current color scheme went into effect.

Other projects Crutcher was involved in included restoration work at Skidmore Fountain Plaza and the Railway Exchange Block (which is currently being transmogrified into yet another boutique hotel), and the design of Memorial Coliseum. As an architecture student in the 1940s, he designed the houses for an early desegregated subdivision in Claremont, CA, which are now on the National Register of Historic Places.

Colonial Soldier, SW Barbur & Huber

Next stop on our public art tour takes us a bit off the beaten path. If you're heading out of Portland on SW Barbur, right after the tangled intersection with Capitol Highway and I-5 you might catch a quick glimpse of a statue of a Colonial minuteman, bravely guarding the low-rise brick offices of a local mortgage company. I noticed this a couple of times on rare trips out to the 'burbs and made a note to check it out, which I did on a subsequent rare trip. (It's at SW Barbur & Huber St.; the geotag for this post points at the exact location.) The statue's base includes an inscription "Carlton Bell 1976", along with the names of a few assistants, which I can't quite make out in my photos, unfortunately.

The only info I've found about this statue comes from an almost decade-old Portland Public Art post. Or rather, from the comments to the post. Several comments are by people who had known Bell in years past and had googled around trying to figure out what ever became of him. Go read the whole thread. It's kind of fascinating. And be sure to look at the dates: The post is from April 2006, but comments keep trickling in; the most recent one (as of right now) is dated July 2015.

I wish internet comment sections worked like that more often. I still get occasional (and generally interesting) comments to my original Kelly Butte post (which also dates to 2006), but that's pretty much the only example I've got here. Alhough to be honest this humble blog often goes months without a single comment, even to the most recent posts. I prefer to think that's because I've done such a thorough job that nobody has anything more to add. That may even be true sometimes...

The Bearer

Our next art stop is on the OHSU campus again: This time we're looking at The Bearer, a small James Lee Hansen sculpture lurking in the shrubbery outside Baird Hall. The Maryhill Museum did a retrospective of his work in 2014, including a study for The Bearer dated 1974. Which I imagine gives us a rough date for the final product too.

I've probably said this before, but Hansen's style somehow always reminds me of a 1960s science fiction paperback cover. It's not fashionable contemporary art in 2016, by any stretch of the imagination, but I've sort of warmed up to this look over time. In any case, I think we can all agree the location's doing it no favors. An old Portland Public Art post noted it and assumed it was somebody's little vanity project:

This little thing peeks out of the bushes in front of Baird. No tag, no nothing. I bet a dollar it’s a Arts & Crafts Society project a beloved Dean or Director made while in mid-life crisis. Prove me wrong. About two and a half feet high, bronze, late 1970’s by the style. Hmm. A cubist mother pushing a futurist baby stroller.

A commenter took the bet and explained that it was actually by a (locally) famous artist. No word on whether the promised dollar actually changed hands.

Scribner II

For the past year and change, new posts here have been about Portland murals to the near-exclusion of everything else. I think it's gotten a little monotonous, frankly, so I think I'm going to switch gears and work through some of the non-mural stuff I've had lying around for a while. I'd been planning on doing those after I got to zero mural posts in Drafts, but I think I could use a little variety right about now.

The previous big project here (if you remember back that far) involved tracking down public art around the Portland area (specifically excluding murals, at first, on the grounds that there are a whole lot of them around, and more all the time). As part of that project, I made a trip up to the OHSU campus on Marquam Hill, since the state's medical school has a ginormous art collection, including a few outdoor sculptures scattered around here and there.

The example we're looking at this time is Scribner II, a rusty Lee Kelly whatzit from the 70s in his usual chunky style, at a bus stop across the street from the Nursing School. This one reminds me of Kelly's Arlie outside the Portland Art Museum, which looks kind of like Scribner II up on stilts. I couldn't find a lot on the interwebs about this one; it only merited a brief mention in an old Portland Public Art post about OHSU art: "There’s an old rusty Lee Kelly in front of the nursing school, and another shiny one in front of the VA. Both hideous." (The one at the VA Hospital is Aeolian Columns, seen here last April.) That mention wasn't much of a clue, but I eventually located it in Street View, and later tracked it down in person. And here it is, in all its semi-groovy 70s glory. On the plus side, if you're waiting for a bus here and happen to cut or scrape yourself on Scribner II, you can just pop across the street for your tetanus shot. I dunno, maybe the whole reason it's here is to help drive demand for tetanus shots.

The only other mention of this sculpture I've seen anywhere on the net is a vintage photo from the Pacific Northwest College of Art, with Scribner II squatting in a snowy field, and that page contains no further information about the thing. So I can't explain the title, I'm afraid. I imagine it either refers to Charles Scribner II, the 19th Century publishing magnate, or there's a Scribner I lurking out there somewhere.

Cherry Trees @ NW 19th & Lovejoy (2016 Edition)

Every January, I pay a visit to the two cherry trees at NW 19th & Lovejoy, just as they're starting to bloom. These two trees bloom absurdly early for a cherry tree here; it'll be weeks before the usual early-spring flowers like daffodils and crocuses appear, and normal cherry trees don't do their thing until April or so.

At first I couldn't explain this phenomenon. Then I blamed it on global warming. Then I noticed a maple tree on the same block that doesn't lose its leaves over the winter, and blamed it on some combination of global warming and a weird one-block microclimate. When I posted this year's photos on Twitter right after taking them, someone pointed out that there's an oddball variety of cherry tree from Japan that normally blooms around now. Which is a disappointingly un-magical sort of explanation, if you ask me, though I suspect it may be the correct one. Though that still doesn't explain the weird maple tree down the block. So I have two competing hypotheses now:

1. We're seeing the combination of three independent factors: Early-blooming variety, weird microclimate, and global warming.
2. The maple tree is an oddball cold-climate variety that barely notices Pacific Northwest winters, there's no weird one-block microclimate after all, and whoever planted the trees here may have done it to troll people.

I have no idea which of the two is more likely.

Ristretto Bound

Back when I was taking photos of the Scrap Mural and Machinery for this humble blog's ongoing mural project, I noticed a cool painting of racing bicycles hanging outside a building at N. Williams & Shaver. I took a couple of photos of it since I was in the area anyway, and filed them away in case I ever ran across any info about it. Later, while I was researching a different post, I ran across a 2012 BikePortland article that mentioned it in passing. So this is called Ristretto Bound, and it's by artist Amanda Houston. I like it a lot.

The BikePortland article was about a proposed mural honoring Major Taylor, an early 20th Century African-American bike racer. The proposal hasn't moved forward yet as of early 2016.

El Pajaro Cantor

Next up is El Pajaro Cantor ("The Songbird"), on the side of a building in the 2900 block of NE Alberta. The old Murals of Portland site said this was created by Judee Moonbeam and Dave England in 1998, around the time "Alberta Arts District" first became a real thing. (It's just a luxury condo marketing term these days, but that's a whole other story.)

Elsewhere on the interwebs, a Waymarking page for the mural has a less obstructed view of it than my photos, from a better angle. I'm not sure what the mural's original context was, but as of 2015 it faced the outdoor patio of an Iraqi restaurant.

Peace Mural, SE Belmont

Next up, we're visiting the Peace Mural at SE 30th & Belmont, outside Two Rivers Aikikai (an aikido studio). This was created by artist Christa Grimm; her website has a copyright notice of 2012, but I'm not sure whether that's for the mural or the website itself.

Longfellows Books murals

Next up we're visiting a pair of murals outside Longfellows Books, a small used book store at SE 14th, Division, & Orange Ave., on the edge of Ladd's Addition. One has an Alice in Wonderland theme (as seen in posts at Kay's Bird Club post and Savouring the Seasons), while the other features a dragon (as seen in an old Portland Public Art post). I looked but couldn't find artist/date info about either one, so we'll just have to go with the photos this time.

Hand-Eye Supply garage mural

The next mural is a black-and-white zebra pattern on the Hand-Eye Supply garage building on NW Glisan, between Park & Broadway. They even used some sort of sunshade/mesh material to extend the wild stripes over the building's windows, which is kind of cool. So maybe this doesn't qualify as a mural, strictly speaking, but for the purposes of this project the rules bend whenever I need them to bend. So there.

ripples, airport way bridge, columbia slough

Since it's cold and icy outside right now, I thought I'd dig out something a little more summery to post. Here are a couple of Vine videos from the Columbia Slough Natural Area. At one point along the trail, a concrete bridge carries NE Airport Way over the Columbia Slough, and the trail goes underneath it. When the sun's at the right angle, ripples on the placid slough are reflected up onto the underside of the bridge, and voila.

Musicians Union Local 99 mural

Our next Portland mural is the Musicians Union Local 99 mural, on the union's building at NE 20th & Sandy. The RACC description:

This project was designed to bring higher visibility to the artistic community and foster dialogue across boundaries. Within the mural, images of jazz, European, classical, bluegrass, rock ‘n roll, hard rock, hip hop, rhythm and blues, reggae, Asian, Latino, and African influences, provide opportunities for dynamic composition.

This was created in 2006 by artists Isaka Shamsud-Din, Joe Cotter, Hector Hernandez, & Baba Wagué Diakité. Shamsud-Din also created Now is the Time, the Time is Now (which we visited a couple of posts ago), and we looked at Cotter's Buckman Community Mural back in August 2014, as this ongoing project was just getting underway.

Sky mural, NE MLK & Shaver

The next stop on our mural tour is the blue sky & clouds mural at NE MLK & Shaver, on the church building that's also home to Now is the Time, the Time is Now. This wall hosted a companion mural about African history from 1989-2009, but it was lost as part of emergency repairs to the building. A 2009 Oregonian article about that mural's demise noted: The church is open to working with the original artists to possibly paint a replacement mural someday, according to Marie Larkins, a church board member. It isn't clear whether this sky design is the hoped-for replacement mural.

Now is the Time, the Time is Now

Next up on the mural tour is Now is the Time, the Time is Now, at the Irvington Covenant Church at NE MLK & Shaver. This was created back in 1989 by artists Isaka Shamsud-Din, Paul Odighizuwa, Charlotte Lewis, and Kathy Pennington. The RACC description:

This mural was created as part of a neighborhood mural project designed to train and employ promising young artists, enhance the cityscape, foster a sense of community pride and aid in revitalization efforts in the area. ‘Now is the Time, the Time is Now’ is about education, the importance of history, the identity of the African American community and knowledge of where they came from.

The mural was created with a second companion mural on the south side of the building that was regrettably removed in fall 2009 due to necessary repair of the building.

From a 1989 Oregonian article about the then-new murals:

The first two of what Shamsud-Din hopes will be more than a dozen murals along King Boulevard were dedicated Dec. 18. They grace the north and south walls of the American Contractors Center owned by Bruce Broussard, who was the first "to take a chance on us," Shamsud-Din says.

The north-facing mural was designed and painted by Shamsud-Din. It features a large portrait of Martin Luther King Jr. surrounded by other faces, among them Nelson and Winnie Mandela, South African expatriate playwright Selaelo Maredi, and muslim leader Elijah Muhammad.

The south mural was painted by artists Kathy Pennington, Charlotte Lewis, and Paul Odighizuwa and depicts the progression of African heritage from ancient Egypt to contemporary children using computers.

Shamsud-Din hopes the project will become self-sufficient and eventually expand to other parts of the city. Similar projects in San Francisco, Los Angeles and Philadelphia have caused a reduction in graffiti and initiated a visible increase in civic pride in the neighborhoods.

"I wanted to start something that would give African-American artists in Portland some exposure," he says. "It would be a lot more fun here if it wasn't such a whites-only art club."

Note that Nelson Mandela was still imprisoned by South Africa's apartheid government when these murals went up, and many Western politicians still insisted he was some sort of scary Communist.

As of 2015 the south wall of the building was home to a simple blue sky design instead.

He is Watching

Here's another mural in the vicinity of NE 15th & Burnside, which I happened to notice while looking for Metal Mole Movement and a couple of others I haven't posted yet. This one's on a pair of doors facing 15th, is signed "GTM", and bears the words "He is Watching". That's all I know about this one. It's located right between a couple of Ashley Montague murals (i.e. the ones I haven't posted about yet), and it looks kind of, how should I put it, 8th-grade-art-class in comparison. But I figured I might as well take some photos of it since I was in the area anyway, and here they are. Enjoy!

Metal Mole Movement

The next stop on the mural tour is on SE 15th, just south of Burnside, where a large mural lurks down an alley/driveway between two houses, on the back of a commercial building. Wiredforsound23 on Flickr calls this "Metal Mole Movement" (whatever that is) and notes it's by local artist Klutch, who did a couple of other murals I've covered here, including the huge one at Buckman Field.

Watershed mural, N. Lombard & Charleston

Next up on the continuing mural tour is a small design on an empty building at N. Lombard & Charleston, which I happened to notice while looking for the Peninsula Station mural across the street. The building housed the Weir's Cyclery bike shop for a number of years; you can sort of make out the mural in the photos of an April 2007 Waymarking page about the store. That's all I know about this one, I'm afraid. Well, that and the fact that it might not be around for much longer. A St. Johns Review issue from last July talks about a proposed 4 story upscale apartment complex to be built on this spot. Because it's mid-2010's Portland and that's what always happens. I think the idea is to build as many upscale goodies as possible as quickly as we can, to cash in before our media-driven hipness bubble bursts.

Taqueria y Panaderia Santa Cruz mural, St. Johns

Next mural we're looking at is in St. Johns again, this time outside Taqueria y Panaderia Santa Cruz at N. Lombard & Alta. The mural's by Portland artist Senén Angón, who was the subject of an interesting Oregonian profile back in 2007. I also ran across a 2009 Walla Walla Union Bulletin article about a mural he did there, for another Mexican restaurant.

We ♥︎ St. Johns mural

Next stop for the ongoing mural project is the We ♥︎ St. Johns mural outside the Tulip Pastry Shop on N. Lombard, literally right next door to the Peninsula Station mural we looked at yesterday. No luck searching the interwebs about this one, so this is going to be a rather short post.

Incidentally, I had a bit of trouble adding the heart to the title of this post, since a lot of fonts (OSX Futura among them) don't include a full set of emoji. So technically what you see here is a playing card heart and not an I-wuv-this heart, since the Unicode committee insists they have to be separate characters, and fonts are more likely to contain the playing card one, I think because it's been a defined character for a lot longer.

24 Hour Fitness mural, Pearl District

Next up we're checking out the murals outside the Pearl District's 24 Hour Fitness at NW 12th & Johnson, in which a bunch of handlebar-mustached Victorian gentlemen show off their boxing and weightlifting skills. The artist also co-created the Roseway neighborhood's Neighborhood in Motion mural at NE 72nd, Sandy, & Fremont.

People's History of Hawthorne

Next up on the continuing mural tour is People's History of Hawthorne, on the Eagles lodge at SE 49th & Hawthorne. Regular readers with good memories might recall the similarly-named People's Bike Library of Portland on W. Burnside; you probably can't go wrong with an obvious Howard Zinn reference here in Portland. Anyway, here's the RACC description:

“The History of Hawthorne”—or “the peoples’ history”—is a direct dedication to the surrounding neighborhood and community, showing not only the “known” history, but the personal mythos, characters (past and present, alive and dead) who have shaped SE Portland and this core region. This part of Portland is known for great neighborhoods, food, bars, churches, houses, parks, retail, and a general place to “hang out.” Hawthorne is a busy community all year round. Artist Chris Haberman wanted to show Hawthorne’s history and vibrancy, from hipster to hippy, from early farmer to brewmaster, and from homeless to home owner. During this exploration he canvassed the neighborhood, talking with dozens of citizens. Haberman sought to embody an “oral” tradition by weaving these stories and experiences into the history of the Hawthorne neighborhood.

For some reason this design makes me think "Dr. Bronner's soap label", even though the two things actually look nothing alike. Maybe it's the jumble of disordered words along the top, I'm not really sure. In any event, it was painted in 2012-13 by Chris Haberman, who also did the much smaller mural at O'Malleys, a bar at SE 66th & Foster.

Peninsula Station mural

The ongoing mural tour visits St. Johns again, for a peek at the Peninsula Station mural at N. Lombard & Charleston, outside the shipping & printing shop of the same name. The RACC description:

The Peninsula Station mural is a colorful celebration of life in the St. Johns neighborhood. It commemorates residents, both young and old, doing what makes St. Johns great—talking, playing, laughing, eating, dancing, cycling, and being with one another.

This was created in 2010 by Bruce Orr, who also did the Scrap Mural on Williams Avenue.

Women Making History in Portland

Women Making History in Portland at N. Interstate Avenue & Harding St., not far from the Widmer brewery. The RACC blurb about it:

In Other Words Women’s Books and Resources were the organizers of this mural. The mural represents a women’s history of Portland, and was made to promote the mission of empowering women through art and education. The mural portrays women from all walks of life within the Portland community.

Links:
Video: https://www.youtube.com/watch?v=4ShNOxn-TqY

This was created in 2007 by Robin Corbo, who also did the mural at the Community Cycling Center on NE Alberta, and the large BARK Mural on SE Powell, among other things. She posted a Facebook photoset about the mural, with brief bios for many of the women depicted here.

Albina Yard mural

Next stop on our continuing mural tour is the gigantic Albina Yard Maintenance Building Mural, on the eponymous building on Mississippi Avenue near the Interstate 5 underpass. It's another of the "history of this neighborhood" murals that Portland loves so much, and it has a rather wordy RACC description:

The west side of the Albina Maintenance Building features a mural embracing a theme of “perpetual collaboration” similar to a Rube Goldberg machine in city scale and through time. Community practices and industries that affected the local Portland-Albina neighborhood over the last several eras represent the mechanical components of the city-Goldberg-machine. The driving force behind this mural was the community engagement where the nearby communities and maintenance workers contributed their voices to develop the mural.

As the Maintenance building tapers out of the hillside, from left to right the image shows our Native American landscape migrating into historic Oregonian industries of lumber, railroad, and steel, moving into representations of the diversity of people and activities characteristic of Portland. Throughout the image are several series of local mountains, bridges, gardens, parks, icons of communities, and city workers behind the scenes to keep the city-Goldberg-machine functioning. Included are symbols of the neighborhoods’ transitions of communities from the Native American, Volga Germans, Finnish, Chinese, and African American. Out of the neighborhood flows a procession of all communities, some are playing instruments, creating a lively jazz display in the foreground. As the maintenance building’s height rises vertically the mural shows a culmination of the community united in celebration, incorporating elements of diversity throughout the image.

Links:
Article: http://www.oregonlive.com/portland/index.ssf/2012/07/albina_yard_maintenance_buildi.html

In the interest of historical accuracy, I just have to point out that a lot of these transitions (like, say, Native American tribes to pioneers, or from an African-American neighborhood to upscale white hipster playland) were rather less happy and orderly than the mural indicates. I mean, we all know this already, yes? But I still feel like I can't let this pass unremarked-upon.

All That Is Gold

The next stop on the mural tour takes us to NE 33rd & Sandy, where All That Is Gold is hidden down a gated alley next to the Laurelhurst Studios building. The mural was created in 2014 by Gage Hamilton and Zach Yarrington, whose names you might recognize from innumerable Forest For The Trees murals over the last few years.

The title's painted up toward the top of the building and is hard to see from street level; I'm not sure where it's meant to be viewed from. The iceberg theme around the alley entrance made me think the title said "Cold" rather than "Gold". Luckily I ran across some photos and making-of videos that cleared this up before I hit Publish. That would have been sort of embarrassing. Not as bad as the New York Times spinning lurid tales of Iraqi WMDs that, um, never existed, but embarrassing by this humble blog's usual standards.

Fight for Your Dreams

Next mural up is Fight for Your Dreams, created by artist Maryanna Hoggatt for the 2014 Forest for the Trees event. It's located out at NE 59th & Sandy, on the side of BTU Brasserie, a newish brewpub/Chinese place I haven't gotten around to trying yet.

Share the Road

Next mural up is Share the Road, a mural about bikes on the side of an auto shop at SE 43rd & Hawthorne. It has a brief RACC description:

The mural graphically registers the pulse of a neighborhood in motion and integrates the auto into the grander scheme of alternative transportation, environmental sustainability, and the need for harmonious safe traffic through an urban neighborhood.

This was painted in 2006 by artist Sara Stout, and was the subject of (at least) three BikePortland posts as well as (at least) one at Portland Transport, because bikes.

Children and Youth Bill of Rights

The next mural on our ever-continuing tour Children and Youth Bill of Rights, a big and busy 2 story design on the south side of Killingsworth at Maryland Ave. The RACC description:

This mural by Jesus Kobe Garcia and Margret Harburg was inspired by The Bill of Rights for the Children and Youth of the City of Portland and Multnomah County. Adopted by both City and County in 2006, the document was created with help from more than 3,000 youth and seeks to serve as a constant reminder of the vital role children and youth play in shaping the future of their communities. Garcia and Harburg worked with students from five schools throughout North Portland to design the mural which honors the academic dreams and successes of youth as well as the history of African-Americans and Native Americans in North Portland. Extending beyond the immediate community, the mural also displays painted flags representing countries where natural disasters and conflicts have disrupted their people (Japan, Libya, El Salvador). The artists worked with youth from Blue Faith Youth, a faith based youth group from North Portland’s Holy Cross Parish, and students from Trillium’s 3rd and 4th grade art class to paint the mural.

NE 30th & Killingsworth

Ok, the next painted intersection we're visiting is a bit different from the last few; rather than placing a big design in the middle of the intersection, the one at NE 30th & Killingsworth has designs on the four streetcorners instead. A circa-2006 City Repair description of the then-new progject (via archive.org) indicates that the intersection was too busy for the traditional sort of street design, and the city wouldn't let them close it off for a day of painting:

This community project will include painting creative crosswalks and building kiosk-type structures along Killingsworth approaching the intersection from both directions to catch driver’s eyes and slow traffic, transforming a dangerous intersection into an attractive expression of community co-creation and safe space. Despite the flood warnings and evacuation routes that must be kept unperturbed, the residents are tired of it all passing by unnoticed. Can’t we just close the street for one day to paint? Many thanks to this community for braving the “higher ups” and doing something anyway. Keep the dream alive and keep the designs a’comin. Strong community prevails.

2015 in Instagram cat photos

#Caturday #CatsOfInstagram

A photo posted by brx0 (@brx0) on Jan 24, 2015 at 12:20pm PST

So there's a year-end tradition here (by which I mean the last couple of years) in which the year's final post is just a batch of Instagram cat photos from the previous 12 months. I figured I'd go ahead and do that again for 2015, since people never really get tired of cute cat photos. Incidentally, this post also brings me up to 186 posts for the year, which isn't a lot by recent standards, but it moves 2015 into an exact tie with 2012 and 2009. Apparently this is pattern that repeats every third year, for whatever reason. *shrugs* Anyway, Happy New Year!

#CatsOfInstagram #caturday #cat #neko

A photo posted by brx0 (@brx0) on Feb 21, 2015 at 8:43pm PST

Friday... #CatsOfInstagram

A photo posted by brx0 (@brx0) on Jun 5, 2015 at 8:39am PDT

Sunshine #catwednesday #CatsOfInstagram

A photo posted by brx0 (@brx0) on Jun 10, 2015 at 8:51am PDT

Lazy #Caturday... #CatsOfInstagram #catsofportland

A photo posted by brx0 (@brx0) on Sep 26, 2015 at 8:57am PDT

Mid-yawn #cat #neko #CatsOfInstagram

A photo posted by brx0 (@brx0) on Oct 1, 2015 at 11:39pm PDT

#NationalCatDay

A photo posted by brx0 (@brx0) on Oct 29, 2015 at 2:07pm PDT

Compass Junction

The next painted intersection we're visiting is "Compass Junction", in St. Johns at N. Edison & St. Louis. This one was first painted in 2011; a recent City Repair project guide describes it:

Compass Junction, three berry-lined blocks from Cathedral Park, was first painted in 2009. Our Mariner's Mandala is a navigational aid, directing our gaze outward from the central compass to an Escher-like outer ring from which we see the Baltimore Woods Connectivity Corridor, the sparkling river that separates us from Forest Park, the titanic vessels that ply the working waters of the Willamette's North Reach, and the iconic green gothic arches of our beloved St. Johns Bridge, from which we can glimpse downtown, Mt. Hood and Mt. St. Helens on a clear day. This is The Crossroads.

We are on the Edge of Everything, and the edge is where the action is. Come look through our special window on the world for the day!

That description really captures why I have a soft spot for the whole painted intersection phenomenon. I'm an inveterate cynic (in case you hadn't noticed already), but there's a sense of goofy unironic optimism about the whole business that I just can't bring myself to sneer at; it would be like sneering at a box of puppies or something.

Jarrett Grove

Next up on the painted intersection tour is "Jarrett Grove", at NE 28th & Jarrett. Like a number of the others I'm posting today, this is a recent one, first painted in summer 2015. The project description:

The Jarrett Grove intersection painting is the first of many natural building projects planned by the neighborhood. The community named the project Jarrett Grove as it is a celebration to pay homage to the amazing Douglas Fir trees, among many other evergreens, that fill the neighborhood. The trees are pointed in four different directions with faith houses at each base. The trees all stem from the same potent, lovely, and sacred geometry.

I'm no expert on "sacred geometry", but this design does look kind of familiar, as if we've seen a very similar design at some other intersection. I can't put my finger on which one, but it definitely rings a bell. In an early post in this series, I offered a few free ideas for intersection paintings, and I'd just like to toss them back out there for anyone who's got a city permit but needs a design. It's been almost 2 years and as far as I know nobody's used any of them so far, so you -- yes, you -- could be the first:

It's a shame there's nowhere to put one in my downtown neighborhood. All the streets around here are way too busy, and most of them have MAX or streetcar tracks running through them. It's a shame because I think I'd be pretty good at brainstorming designs. The moon, maybe, or a giant octopus, or a Deep Space Nine wormhole, or Pac-Man, or a crop circle, or maybe a Sarlacc pit, or a surreal Escher design to confuse passing motorists. Some of these might be a bit tough for amateur street painters to pull off in a weekend, though, and others might have trademark issues. Feel free to swipe any of these notions for your local intersection if you like though.

Rainbow Dragon

The next painted intersection on our tour is the Rainbow Dragon at NE 32nd & Sumner. This is another new one, first painted in summer 2015. The brief project description:

Dragons symbolize strength in many cultures. Slide down the Rainbow Dragon and feel the force of neighborhood community. Rainbow Dragon honors the strength of our friend and neighbor, Brook Irwin, who lost a five-year battle to cancer. Rainbow Dragon infuses a playfulness into the intersection. Forget the crosswalk, just skip across the street on the stepping stones and admire the brook below.

The design kind of takes me back to junior high in the early 1980s, when roughly half of all school supplies were plastered with some combination of rainbows, unicorns, and dragons. I say half because anything with a rainbow was strictly a girls' item for whatever reason, and I recall a lot of my school supplies having an epic space battle theme instead. I didn't mind that at the time, but in retrospect it's weird that I missed out on a lot of dragons because of a few rainbows and the anxieties of a strange decade.

Community Blooming, NE 85th & Beech

Some time ago, I did a post about the "Community Blooming" painted intersection at NE 85th & Milton, near Rocky Butte. While putting the post together I discovered it was the southern half of a pair of intersections, so I put an item on my big todo list to visit the one at 85th & Beech the next time I was in the area. So I finally got around to it, but ended up with a couple of subpar photos. Someone was having a house party right next to the intersection, and people kept arriving, and I didn't want to be mistaken for an uninvited guest and either confronted or (maybe even worse) invited in. It sounds silly now as I try to explain it, but it felt like a reasonable concern at the time. It's an introvert thing, I guess.

Jade's Jewel

The next painted intersection on our tour is "Jade's Jewel", at NE 61st & Tillamook. The project description has a weirdly downbeat tone:

Jade's Jewel reinvigorated the vibrant community around NE Tillamook and 61st Ave. The neighborhood used to have block parties, Christmas parties, Easter egg hunts, and a plethora of gatherings annually. However, the community has dwindled in the past few years and there have been illnesses and deaths impeding upon community building. So, the community was brought back together by painting the streets rockin' colors! The drawing is Sponge Bob Squarepants inspired!

Identifying the SpongeBob Squarepants connection is left as an exercise for the reader. Mostly because I don't see it. I've watched an embarrassingly large number of SpongeBob episodes thanks to the magic of Netflix, and I don't recall seeing this in any of them.

North Tabor Mandala

Ok, it's been a while since we've visited any of Portland's ever-increasing number of artsy painted intersections. I have a few more in Drafts, though, so I think I'll run through those and post them as a change of pace from all the murals. I suppose it's not a huge change of pace, but at least we'll be looking at horizontal painted surfaces instead of vertical ones for the next few posts.

Anyway, the next stop on the ongoing "intersection repair" tour is the North Tabor Mandala at NE 53rd & Everett. This is one of the newest ones, first painted in summer 2015. The City Repair page about it describes it:

North Tabor Neighborhood Association in conjunction with South East Uplift was overjoyed to bring an intersection mandala into the heart of the neighborhood. In the spirit of their long term goals to bring life, culture, and vibrancy to the community, they worked with the local Portland Montessori School, whose upper elementary school children produced a design of geometric shapes, angles, and patterns. With the help of a generous grant from South East Uplift, partnerships with neighborhood icons Folktime and Community of Christ Church, and - most importantly - the help of volunteers who call North Tabor home, something unique and beautiful was created to be enjoyed and celebrated by all for years to come.

For what it's worth, I tend to quote from City Repair pages instead of just linking because these pages have a nasty habit of vanishing when the next year's crop of projects rolls around.

X

Just a quick note that today is this humble blog's tenth birthday. I don't really have any remarks prepared; for various reasons it's been kind of an off year, blogwise, and I honestly hadn't given the big anniversary a lot of thought. As it turns out, this is also the 25th anniversary of the very first web page going online, so this blog's been around for 40% of the modern interwebs.

At this point I'm probably supposed to have nuggets of wisdom to share or something, but I can't think of anything off the top of my head. It certainly doesn't feel like it's been a decade, although when I first started this thing I still had dialup, had just bought my very first digital camera, and had just moved into downtown Portland from the wilds of westside suburbia. So I'm forced to admit this has been going on for a while now.

I'm not going to venture any predictions about a possible twentieth birthday. It would surprise me if Blogger and Flickr both exist in their current form a decade from now, since one's an increasingly neglected backwater of the vast Google empire, and the other currently belongs to Yahoo. It's also possible (even probable) that I might lose interest at some point without my hand being forced, or I might just get hit by a bus or something. So no promises on that point.

If I have time and get around to it, I may put together a list of personal favorite posts from the last decade. Seems like the least I can do, in lieu of having any pearls of wit or wisdom to pass along. It's just that there are close to 3000 posts to sort through, so this is going to take a bit of thought. I'll try to have something put together before New Years, unless work intervenes again.

Blinded by Science

Next up is a small mural near SE 6th & Oak, painted on an industrial building's rolling steel door. A Flickr photo caption by wiredforsound23 (who's the source for a lot of my mural posts) says this is called Blinded by Science, and says it's by local artist Klutch, who also did the big mural next to Buckman Field. I keep thinking this looks like a hop cone, wearing awesome 80s shades like it's beer's answer to the old California Raisin commercials. But that's just me.

Riggins Remodeling mural

The mural tour continues with another stop on NE Alberta; the next mural is at the Riggins Remodeling shop, facing the alley between 27th & 28th. I wasn't able to find out anything about this one, which happens a lot with art on Alberta for some reason. The local booster association has a murals page, but they only list a handful of RACC and Forest for the Trees ones, which is no help since I've already covered all of those. Oh, well.

Binks mural

Next up is the mural outside Binks, a hipster bar on NE Alberta at 27th. A June 2014 Oregonian article indicates it was painted around that time, thanks to a grant from the Portland Development Commission, but doesn't say who it's by. Which is a shame because I like linking to the actual artists when I can.

I do think it's weird that NE Alberta still gets PDC money, though. If you looked at the area just 15-20 years ago, there were empty storefronts everywhere, buildings in disrepair, potholes in the street, precisely the sort of thing the PDC was supposed to be targeted at. And they did it: Over the next few years, they were able to gentrify the area, first into an edgy-artsy district, and then into an upscale retail street lined with luxury condos (though "Arts District" lives on as an effective real estate sales slogan). You'd think that at some point the street would finally be on its feet and able to fend for itself, and the PDC could declare victory and go elsewhere. It's not that I'm in favor of them going to Lents, or Cully, or Portsmouth, and giving the neighborhood the Alberta treatment, displacing existing (mostly minority) residents in favor of the usual hip artisanal pumpkin spice pod people. I'm totally not in favor of that; I'm just surprised the PDC isn't doing it.

Dream into Reality

Next mural on our tour is Dream into Reality, at the McCoy Academy alternative school on NE MLK near Failing. Other than the Kay's Bird Club post in the first link, I couldn't find any info to share about this one. I would guess this is from the mid-90s or so, going by the faded paint and the inscription "Peace in the Hood".

Monarca murals

Next up on the mural tour we're visiting Monarca Sunrise & Monarca II, a pair of butterfly murals on SE 49th, just south of Division. The latter of the two has an RACC page and description:

This mural is an extension of the mural “Monarca Sunrise” painted by the same artist on the front of the building. The butterfly pattern that extends through the two murals adds continuity and unity with the next door mural “Urban Wellness,” also by Hernandez, in which the butterfly images continue playing an important role as a symbol of transformation. In this way the use of butterflies in this mural reinforces the metaphor of transformation at the dawn of a new day, and the wellness that such a new day could bring.

(And yes, I already posted about the Urban Wellness mural mentioned in the description.)

Urban Wellness mural

Next stop on our mural tour is the Urban Wellness mural on the eponymous alternative medicine office at SE 49th & Division. The RACC description:

The concept for this mural is based on the idea of wellness and well-being in an urban environment. The composition is rich with symbolic imagery, from the lotus as the achievement of health in an urban context, to the butterflies as a representation of change, to the images of the buildings and Mt. Hood as a sign of strength and a hopeful future. The mural integrates these different elements with the architecture of the building and creates a landscape that flows and connects to the next building featuring a second mural by Hector Hernandez, Butterfly Horizon. The subject matter of this neighboring mural is that of hope, and the Urban Wellness mural the blooming of wellness from that hope.

So yeah. Perhaps you're familiar already with my periodic disclaimer: Writing about someone's mural doesn't mean I'm endorsing the business itself. Even if I like the mural, which I do in this case. I'm not saying I thought you personally were conflating the two things, but somebody might, hence the disclaimer. In this case I'd also like to point you at Respectful Insolence, a blog by a doctor who pokes holes in alternative medicine and related woo. It's a good read. Enjoy!

Community Energy Project mural

Next up on our tour is the Community Energy Project mural at NE MLK & Alberta. The RACC description:

The Community Energy Project (CEP) empowers people to maintain healthier, more livable homes, control the utility costs, and conserve natural resources through education, hands-on training, and distribution of weatherization materials. The mural for CEP depicts the positive actions and services they provide to communities, portraying people who are setting an example for others through their daily activities. The imagery reflects both interior and exterior local residential environments involving many factors that make a house sustainable.

This was painted in 2010 by artist Esteban Camacho Steffensen with help from community volunteers. The Community Energy Project itself has since moved to offices on SE Stark, but the mural was still there on the empty building the last time I checked.

Tabor Commons mural

The next mural on our tour is the Tabor Commons mural on a small community center building at SE 57th & Division. This one has a brief RACC description:

The SE Uplift Neighborhood Association mural combines large color fields with imagery relating to gardens and nature in the surrounding community. Contemporary folk art is referenced through thematic content, asymmetrical shapes, and color arrangements that create a lively sense of rhythm, friendliness, and light.

The building his home to Cafe au Play, which describes itself as "a nonprofit coffeehouse and community center with play areas for children and activities for children, caregivers, and the community". Their history page explains that the building was originally a gas station, and was home to a used car dealership, a convenience store, and then a coffee shop / deli. In 2003 the deli was seized by the feds; apparently the owner was making a little extra money on the side selling bulk Sudafed to meth labs. (I'm generally skeptical about federal drug wars and asset forfeiture, but that's a whole other subject.) In any case, eventually the local neighborhood association bought the "blighted" building, and they landed an RACC mural grant to help with the building's transformation. The mural here was created by Laura Bender & John Early, who also did the very large Tapestry mural at the Barbur Transit Center in SW Portland.

Musgo mural

Ok, next mural up is in Old Town, on NW Flanders between 6th & Broadway, outside the Musgo art gallery. The only show listing I can find for this place is from May 2012, so either they're defunct or they have a really bad PR person. The name is the Spanish word for "moss", btw. (As in regular moss, not Spanish moss, which is a whole other thing entirely.) I gather that in the late 90s & early 2000s there was a New Agey shop & gallery here, which might be where the murals came from.

SE 48th & Hawthorne Roses

Sometimes when I think I've gotten a little too esoteric here, I remember somebody has a Tumblr (and a Google Map to go with it) that are just about Portland murals of roses and nothing else. You probably know about this already because I, uh, link to this Tumblr a lot. Still, I'm reasonably sure that this humble blog is less esoteric than that Tumblr. I like to think this is a fascinating and eclectic corner of the interwebs, at least if viewed over a sufficiently long time scale, e.g. if you want to see something other than murals, just go back to somewhere prior to last August or so, and there's all sorts of other stuff. Ok, it was mostly public art then if I remember right, but there were a bunch of bridges before that, plus vacation photos now and then. And after murals it'll be something else, though I'm not sure exactly what just yet.

Anyway, the aforementioned Google map included a couple of painted roses somewhere around SE 48th & Hawthorne, so a while back I went to track them down. They apparently didn't merit a post of their own on the Tumblr, so I wasn't sure what I was looking for, but eventually I found the one you see here. It was quite the thrilling adventure, as I recall. Although it was a while ago, and it's possible I'm misremembering, and the whole middle part with the tigers never actually happened.

But I digress. Turns out the rose here is identical to a couple on a different building further west on Hawthorne. So maybe it's a sort of corporate logo, though PortlandMaps shows different LLCs owning the two buildings (yes, I checked). Or maybe there's an obscure local rose artist who works in stencil and doesn't sign their work. Dunno.

Second Nature Design mural

The next mural up is at Second Nature Design at SE 47th & Clay, just off Hawthorne. This was created in 2013 by J.Shea, who also did a number of the Forest for the Trees murals that have appeared here before, e.g. the one at Kidd's Toy Museum, and ones at SE 8th & Sandy, and SE 9th & Oak. I think I ran across this one while paging through the artist's website for one of those previous posts. I rather like the others, so I figured I should track this one down too. It's because of stuff like this that I use the word "ongoing" a lot when talking about the, uh, ongoing mural project.

Creating Community Mural, SE Chavez & Division

The next mural on our tour is a large design on the Rite Aid drugstore at SE Chavez & Division. It seems kind of weird that there'd be a community mural on a big corporate chain drugstore, even in SE Portland, but this one actually has a long history. Before it was a drugstore, this building was a Kienow's grocery store (a long-defunct small Portland-area chain), and they let some local residents paint a mural on the store circa 1984. It faded over the years, and the building changed occupants, and by 2003 the people who decide these things felt a new mural was in order, and local artist Rin Carroll Jackson was selected to create the new one you see here. Her website calls this the "Creating Community Mural", so that's the name I'm going with.

The interesting part is that this happened right at the height of City Hall's anti-mural paranoia, after the city lost a court case with an aggressive billboard company. It turns out that under the state constitution, the city can't distinguish between capital-A art and mere commercial speech, and anywhere murals are allowed is fair game for advertising too. So for a few years the city prohibited new murals entirely, and sent work crews around to paint over any illicit wall art they could find. This mural was grandfathered in, though, due to the previous mural. So long as you were painting over something that was there before 1998, and you made sure to paint in the same exact spot and not cover a single additional square inch with anything that looked like Art, the city could allow that without also letting the barbarians through the gate. Eventually the city came up with a couple of maybe-clever legal dodges involving permits and easements that let them re-legalize mural painting, while keeping the nefarious billboard companies at bay, at least for now.

O'Malleys mural

Ok, continuing today's Foster Road theme, the next stop on the mural tour is outside O'Malley's Saloon & Grill, a bar at SE 66th & Foster, just east of the previous three posts here. Their Facebook page includes a 2009 photoset of a few people painting mural panels. I mean, if you're interested in photos of people painting stuff, which I realize is sort of a niche interest. Also Lcscss.com has an interview with one of the artists, mostly concerning a much larger mural he did on Hawthorne... which, as it turns out, I already have a long-delayed draft post about. Hopefully I'll get around to posting that at some point.

Bar Carlo mural

Next up on the mural tour takes us to Bar Carlo, at SE 65th & Foster. If you're following along at home, you might have noticed this is just a couple of blocks east of the last two tour stops. I'm still trying to make a dent in my ginormous draft posts folder, and my latest semi-brilliant plan is to go through my remaining draft mural posts roughly oldest to newest, and worry about the non-mural ones -- which do, in fact, exist -- once I'm done with that. Given that the last few posts involve photos from December 2014, I'm not going to predict any sort of ETA on when I'll have this sorted out.

Anyway, going back to the topic of the current post, this is one I ran across in an old Kay's Bird Club post. It looks like a couple of scenes from Russian folklore, but that's not really my area of expertise and I don't get the reference. The restaurant itself isn't Russian, but the surrounding neighborhood has a large Russian immigrant population, so I guess the theme sort of makes sense, maybe.

Bar Maven mural

The next stop on the mural tour is outside Bar Maven, at SE Foster and what Google Maps calls "SE 63rd Ave-SE 62nd Ave Alley". It kind of looks like at least 3 people worked on different parts of this one. Searching the interwebs about it comes back with nothing, though, and I can't make out any of the signatures well enough to search on them. Oh, well.

Meticon Bikes mural

Ok, the next Portland mural on our ongoing tour is at the Meticon Bikes shop at SE 60th & Foster. The old Murals of Portland website gave the artist's name as Stephen Williams, but that's all I know about this one. When I took these photos the shop was closed and I honestly thought it was defunct, and I had a few prepared remarks about how this was a sign that gentrification hadn't reached this part of the city yet, seeing as the neighborhood wasn't able to support a local bike store. Turns out I was wrong and the shop just keeps eccentric hours, so I had to toss all that earnest social commentary stuff. Still, Foster hasn't sprouted any luxury apartment towers yet, so I wouldn't have been entirely wrong.

Do Not Ignore the Humanity in Front of Your Eyes

The next stop on the ongoing mural tour is at N. Albina & Killingsworth, where a building bears the inscription "Do Not Ignore the Humanity in Front of Your Eyes". I've found a lot of photos of this on the interwebs (see [1] [2] [3] [4] [5]), but nobody (myself included) seems to know who painted this or why. Though I suspect that if this sort of sentiment has to be spelled out for people, the struggle is not going well.

SE 76th & Mitchell

Ok, the next post up is something I debated whether I was going to post at all. There's a guy on Flickr who posts a lot of Portland mural photos, and he geotags his photos religiously so they're easy to track down. (I used to tag and geotag my Flickr photos too, but it's kind of a hassle, and I stopped several years ago.) A while ago he posted several photos of elaborate graffiti on the back of a warehouse at SE 76th & Mitchell, just north of Foster Road and a short walk from the Firland Parkway blocks. I wasn't sure it was really blog material, but I put it on my great big TODO map just in case, and eventually I was in the area and tracked it down. Sure enough, graffiti wall. I don't usually do graffiti walls, but since I'd gone to all this trouble already, I figured maybe I should go ahead and post the photos anyway. So I went back and forth, and this post sank down into my vast Drafts folder, never to be seen again, until now. Anyway, just to be clear, this isn't a precedent. If all you do is tag buildings with your initials, you almost certainly won't get a post here, or receive the international fame and fortune that comes along with being posted about here.

Hawthorne Ink murals

Next up are a couple of murals outside the Hawthorne Ink tattoo place at SE 34th & Hawthorne. One mural's by Hunter Armstrong, who also did the giant snail mural at SE 22nd & Ankeny. The other one is by Jason Prouty of Garage31. I've said this before, I think, but I just want to thank artists who include a web address, Twitter handle, etc., in their work. This blog business is so much easier when people do that, and it helps me sound like I sorta-know what I'm talking about, which is nice.

Don Pancho murals, NE Alberta

Ok, our first stop today is the set of murals outside the Don Pancho Market & Taqueria, at NE 20th & Alberta. I don't know anything else about the murals, and I also haven't tried the tacos here, so I don't have a lot of material for a proper blog post. That's sort of the problem with a lot of stuff I have in drafts right now. I feel like I ought to say something and not just post photos, and I sort of hit a wall at that point. I could probably fill a few paragraphs snarking about Alberta St. gentrification, but I feel like I've covered that topic a lot already. So anyway, enjoy the photos, I guess.

ok, let's try this again...

It's been ages since I've done a real post here. I got tied up with Real Work, and sort of got out of the habit of posting. I'd occasionally look at my Drafts folder and get sort of discouraged; at one point I had a goal of zero drafts by New Years, and that's not looking very likely at this point. Anyway, I thought about doing another lame "keepalive" post just so I'd post something this month, but I don't have anything better to do this weekend, and there's a huge storm outside, so I'll see if I can put a few actual posts together for once.

keepalive (again)

So it's been another ultra-busy month at $REAL_JOB, and I haven't posted anything here since late August. I've never gone an entire month without posting anything at all; back in March I posted a short "keepalive" thing just to have a nonzero post count for the month. I think I'm going to have to do that again this month. I mean, I reserve the right to go on a huge writing binge between now and midnight tomorrow, but I have to say the odds don't favor it. Maybe next month...

SE 9th & Yamhill

Every June-or-so, a few more City Repair painted intersections pop up here and there around Portland. To be honest I haven't put a lot of effort into locating this year's crop of new ones; given the size of my Drafts folder right now, I wouldn't say I'm in desperate need of new material, and Real Job stuff keeps absorbing what would otherwise be free time to pursue this. In short, I've found precisely one of them so far, and only because I stumbled across it. So with that intro out of the way, we're at freshly painted SE 9th & Yamhill, where a big hops-and-barley design graces the intersection. This intersection's kind of an unusual case in that we're in a light industrial area, not a residential neighborhood. One corner of the intersection is home to Rogue's Green Dragon Pub, while diagonally across is a large Rogue warehouse. So the relevance of the design to its surroundings is kind of obvious here. (And yes, I noticed the thing when I came by for lunch and a beer or two or so.) So this is the bit where I tell you I told you so: A year ago, in a ranty bit in a post about the NE 12th & Beech intersection, I predicted that companies would eventually get in on the act, and the painted intersection thing would evolve away from being a community volunteer effort. I figured tech companies would do it eventually. I didn't figure it would happen the very next year or be arranged by a local brewery, although that kind of makes sense in retrospect. Still, when it comes to predicting the future, when you have a chance to take partial credit, take it.

Speaking of hops, this summer I tried my hand at growing a hop vine for the first time. You can assume by the lack of gardening photos here that it's not going that well. I don't believe I've ever seen that many bugs on a single plant before. Tiny little pinhead-sized bugs, clinging to stems and the bottoms of leaves, sucking the life out of the poor vine. After investing in this plant, I came across a Michigan State extension document about "Hop Insects and Diseases", which begins with an old Kentish proverb about hop growing: "First the flea, then the fly, then the mould, then they die". The remainder of the document is equally encouraging. Still, hops are a perennial (assuming they survive), so maybe I'll have better luck next year.