Its Smithsonian Art Inventory page says the fish were created in 1992 by the sculptor Gary Hirsch. They're done in aluminum, acrylic, and enamel, and they measure roughly 4 by 12 feet. Which is much larger than they appear from the ground. The page then describes the work thusly:
The exterior side wall of a parking garage features eighteen panels each featuring a different multi-colored fish. In the center of the wall there is a hook and worm.
I hadn't noticed the hook and worm before reading that, but yeah, there it is. It makes a bit more sense now. I mean, I don't think it's supposed to be deep or anything, it's a bunch of whimsical (and very 1992-looking) cartoon salmon. But at least now I know what they're doing.
As for why they're here -- I can see the city wanting to de-uglify its parking garages (or at least their most tourist-facing sides). I'm afraid it's still a big hulking ugly parking garage, salmon or no salmon. So I have to say the fish aren't working miracles here, although I'm not sure anything could.
And why salmon, you ask? You must still be unfamiliar with Portland's "Law of Salmon": The surest way to win a public art commission in Portland is to include some salmon in your project somewhere, regardless of whether the result makes any sense. And if your proposal is 100% salmon, you're basically golden.
I know I've said this before, but the Law of Salmon makes me wish we had more interesting wildlife in these parts. I mean, salmon are tasty and all, but they aren't exactly the cleverest, or most attractive, or most fascinating fish in the sea. I find myself wishing for a Law of Electric Eels, or a Statute of Toucans, or the Echidnas Act of 1987, or the Panda Manifesto, or a unanimous Supreme Court decision favoring Snow Monkeys. You know, something along those lines. But, alas, it is not to be.
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