Three Creeks One Will

Next thing we're looking at today is Three Creeks One Will, the giant blue cylinder in front of Beaverton's new City Hall building, next to the Beaverton Central MAX station. The city's Public Art Tour Map describes it:

The art of Devin Laurence Field brings together universal and archetypal symbolism, the vernacular of a given site or culture, and natural forms to communicate ideas about the evolution of the complex relationship between the built environment and the natural world.

The name sort of weirds me out, for some reason, even if the One Will isn't doing any triumphing. Anyway, the current City Hall building was once home to Open Source Development Labs, which was meant to become the center of the Linux operating system universe, putting Beaverton on the map next to Microsoft's Redmond and Apple's Cupertino. It turned out the Linux universe didn't really need or want a center, so that effort eventually fell by the wayside. And many years before that, the Beaverton Central area was home to a municipal sewer plant. The city eventually concluded that a centrally located sewer plant wasn't popular among people with noses (a key voting demographic), so they moved it and the land sat empty for a few decades until the long-troubled Beaverton Central project came along.

Intersection

Next up is Intersection, a sculpture by Michael Passmore located at the SE Clinton/12th Ave. MAX station. TriMet's Orange Line art guide describes it: "Landmark sculpture constructed of repurposed freight rail references the historic impact of transportation infrastructure on the neighborhood."

Aril

A few photos of Aril, the tall red sculpture at the new PSU/OHSU lab building next to the South Waterfront MAX stop. Aril was created by German artist Christian Moeller, whose website describes it thusly:

The idea that served as inspiration for this sculpture on the grounds of the new Life Science Building of Portland’s State University was the highly geometrical and abstract visual representations of molecular structures. Like a tree, the sculpture will consist of a trunk and branches made of cylindrical tubes holding one hundred colored spheres.

A quick note for pedants: I've tagged this post "orangeline" since it's next to the new MAX line, but the sculpture was actually funded as part of the university building, not the MAX line. So it's not MAX art in the strictest sense, but I figured people should be able to find this post even if they don't know who paid for the art. I just thought I should point this out before anyone complains & tries to out-pedant me. Which does occasionally happen, never successfully.

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PSU Art Annex mural

Next up is a mural on the back of Portland State's Art Annex building, facing 4th Avenue near Lincoln. There doesn't seem to be anything about this one on the interwebs, unfortunately; the temporary art for the MAX Orange Line opening included a mural, but it was a different one located in the vacant lot behind the main art building.

Questions for Humans: Curiosity Wall

Next mural up is titled Questions for Humans: Curiosity Wall, one of a series of four "Questions for Humans" murals by Gary Hirsch located around SE Portland (I have yet to locate the other three). This is an RACC-sponsored project, and their info page for the mural includes a set of user instructions:

Hello humans! We are Bots from a distant galaxy that have arrived with wonder and curiosity about your species. To help us understand humans, we have posed a series of questions throughout your city. Operating Instructions:
- Stand in front of a Bot and ask someone to take your picture (or take a “selfie”).
- Think about your answer to the question being asked by the Bot that you are posing with. when you have your answer, post it along with the photo of you in front of the Bot to your human social media platform of your choice (Instagram, Facebook, Twitter) include #qs4humans and #botjoy. Check in online to see how the resulting community portrait is forming.

I'm afraid I kind of disobeyed the instructions, and just took photos of the mural instead of taking selfies, because that's just how I roll. The intergalactic bots are just going to have to deal.

Naked Bike Ride mural, 2500 se 8th

Next up is a gigantic mural on a warehouse at SE 7th & Division Place (though the street address says 8th). This was created last year by New Zealand artists BMD, in honor of the annual World Naked Bike Ride, which has become a huge event in Portland in recent years. I realize you didn't ask, but I've never participated in said ride. It's not that I'm squeamish or embarrassed or anything; it's just that I'd be too afraid of crashing -- road rash, stuff getting caught in gears, that sort of thing.

mural, 312 se stark

Mural at SE MLK & Stark, by Dutch artist Joram Roukes

mural, se 10th & oak

Mural by Klutch at SE 10th & Oak

mural, 1005 sw park ave.

Mural at SW Park & Salmon, by Rustam QBic. Incidentally, the other side of this building is home to the sole US location of a Japanese izakaya (pub) chain. It's pretty good.

mural, 221 sw 6th ave.

Mural at SW 6th & Pine, by Spencer Keeton Cunningham & Jaque Fragua.

mural, 412 sw 12th

Mural at SW 12th & Stark, by by Troy Lovegates & Paige Wright. Wright also created one of the murals at SE 23rd & Morrison for the 2014 edition of the festival. I had this one confused with the nearby mural at 12th & Washington and had the artists backwards, but I think I've got the credits right now, & I've corrected the other post.

mural, 412 nw couch

Mural on the upper floors of a building at NW 4th & Couch, by Tokyo artist Nigamushi.

mural, 524 se ash

Mural at SE Ash & MLK, by Peruvian artist Jade Rivera, near the "Nothing Good Comes Easy" mural we looked at a couple of posts ago.

mural, 1302 se ankeny

Mural on a church building at SE 13th & Ankeny, by Andrew Hem.

mural, 417 se 11th

Mural at SE 11th & Oak by Blaine Fontana & David Rice, on the same building as a couple of other murals we've looked at before. Similar to how some people can't stop with just the one tattoo, I guess. Though I imagine these buildings will be torn out and replaced with luxury condos in a few years, and the analogy sort of breaks down at that point.

mural, 200 se mlk

2015 Forest for the Trees mural at SE MLK & Ash, by Michael Salter.

Nothing Good Comes Easy

Next up is a giant mural of the words "Nothing Good Comes Easy", on the upper stories of a building at SE Grand & Pine. This was created for the 2015 Forest for the Trees event by Ola Volo & Zach Yarrington. I'm not a huge fan of the "ginormous motivational affirmation" style of mural, but they've been proliferating across the city in recent years, so obviously someone likes them.

mural, 706 se mlk

A 2015 Forest for the Trees mural by Aaron Glasson & Celeste Byers, located at SE MLK & Alder, outside the River City Bicycles store.

mural, 1129 sw washington

A large mural at SW 12th & Washington, created for the 2015 Forest for the Trees event by Michael Reeder.

The Journey Itself is Home

Next up is a 2015 Forest for the Trees mural by Josh Doll, located way out at SE 50th & Franklin, a couple of blocks north of the Foster & Powell intersection. I'm not usually a big fan of murals that feature big sorta-inspirational sayings, but this one gets partial credit for including a dog. This area isn't exactly suburbia, but the intersection does feature a Taco Bell, a Taco Time, and a Burger King -- and I have to admit I ran across the mural by accident while making a drive-thru taco run. I realize Real Portlanders are supposed to eat nothing but artisanal kale-quinoa nuggets, washed down with artisanal kombuchatinis. Corporate tacos are just so downscale and inauthentic, after all. But hey, this is a pseudonymous blog, I can admit it here and nobody can pin it on me.