Hawthorne Fish House mural

The next mural up is outside the Hawthorne Fish House restaurant on SE Hawthorne near 44th. This was painted by Portland artist Matt Schlosky, sometime before November 2013 (since some of his photos of it are dated then.)

My usual policy here that posting about someone's mural isn't an endorsement (or otherwise) of the business inside. Or at least I've intended to say that, whether I actually have or not. I'm going to make an exception this time, however, because tasty Wisconsin-style fried fish (oh, and deep-fried cheese curds). Happily endorsed, for whatever that's worth.

Hawthorne Literary Mural

Next mural up is the Hawthorne Literary Mural, a collection of author portraits on the side of a building at SE 33rd & Hawthorne. This was painted back in 1997 by New Orleans artist Jane Brewster. The building it's on used to be a large, rambling used book shop, but it's evolved into more of a general vintage store in recent years, so the connection with the mural isn't as clear as it once was. I've seen this called the "Sylvia Plath mural" more than once as hers is one of the more prominent (and spooky) portraits. Turns out that it and many of the other portraits are now available in t-shirt or coffee mug form via Cafe Press.

Warehouse mural, SE 23rd & Belmont

The next mural up is at SE 23rd & Belmont, on the same warehouse building as The Fall. This one's on the opposite (west) side of the building, facing the La Calaca Comelona restaurant. I didn't see a signature on this one and I don't really know anything about it.

The Fall

The next mural on our ongoing tour is an autumn-themed one on SE Belmont near 23rd, on the side of a small warehouse building. The Fall was created for the 2013 Forest for the Trees event by Australian artist Reka One. A 2013 Vandalog post has a few photos of it and a larger Reka One mural in San Francisco, along with a TV interview clip about the latter.

OR-7 mural

Next mural up on the tour is the OR-7 mural outside the Alleyway Cafe & Bar on NE Alberta at 24th. The design's based on the famous Oregon wolf OR-7 (a.k.a. "Journey"). Here's a blog post about the mural by Roger Peet, one of the artists.

Transformation, Integrity, Community

Next mural on our ongoing tour is Transformation, Integrity, Community, on a Concordia University building at NE 30th & Ainsworth. The brief RACC description:

This mural was painted by Concordia University students. It prominently displays an open book with the words transformation, integrity and community under a flowing tree. The mural is physically situated where the campus meets the community.

Ciao Vito mural

The mural tour is still on its extended visit to NE Alberta St. -- I thought that for a change I'd do a few in the same area instead of hopping randomly around the city. This time we're checking out the bright design outside Ciao Vito, an Italian restaurant at Alberta & NE 22nd. This is directly across the street from the To Oregon With Love mural we looked at a couple of posts ago. The old Murals of Portland site mentioned that this is by Tom Cramer, who also created the Machinery mural on Williams Ave. that we looked at recently. I don't know the exact date on the mural here, but a 2012 Willamette Week profile of Cramer seems to indicate it's at least as old as Machinery, and is much older than the current restaurant. So technically I probably shouldn't be calling it "Ciao Vito mural", but I haven't seen any other name for it, so I'll have to go with that.

Keep Your Chin Up

The next stop on the mural tour is on NE Alberta once again; in fact it's on the opposite side of the same building as the last installment (To Oregon With Love), and the artist behind that mural co-created the subject of this post too. So this is Keep Your Chin Up, painted for the Forest for the Trees event by Portland artists Blaine Fontana & Zach Yarrington, and Tokyo's Jun Inoue.

So there's sort of a local mural subgenre centered on upbeat, inspirational phrases: This one, obviously; the huge Everything is Everything in industrial SE Portland; the phrase "You are confined only by the walls you build yourself" on To Oregon With Love, and probably a few others I'm forgetting offhand. I have to say I have mixed feelings about this subgenre. I can't quite put my finger on what it is, but Alberta was the core of a historically black neighborhood that's now gentrifying at warp speed, displacing many longtime residents in the process. In this context, murals coaching people about unlimited personal achievement seem a bit... problematic, if you ask me.

To Oregon With Love

The ongoing mural tour returns to NE Alberta St. again (and not for the last time), and this time we're looking at To Oregon With Love, at the corner of NE 22nd & Alberta. This was created in 2014 by Blaine Fontana, who also did the cool Koi mural on SE Hawthorne (which has since been partially painted over, unfortunately). The RACC description:

This mural represents many of my favorite aspects about Portland and Oregon, but is collectively a quilt representing our independent spirit, our vibrant attitude and tremendous pride we all carry as Oregonians.

If the title sounds vaguely familiar, you might be thinking of "From Oregon With Love"/"Oregon kara ai", a 1980s-1990s Japanese TV drama set in Central Oregon. Some sort of corny heartwarming thing about an orphan from Japan who comes to live with his aunt and uncle in America. YouTube has part of a 1992 episode in which the now-teenage kid tries his hand at logging and driving a semi. I'm not actually recommending it, but here it is:

Tango Berretín mural

The next mural up is on SE Foster again, this time at the Tango Berretín dance studio at SE 63rd & Foster. The mural on the building was created in 2010 by artist Remedios Rapoport. (A short video of the mural being painted is on Vimeo here.) Its RACC description:

Tango Berretín is one of the only all-Argentine tango studios in the US and exists not only to teach the dance, but doubles as a cultural museum. Argentine filete, an art style native to Buenos Aires, and Argentine tango are culturally inseparable. The idea of this mural is to showcase this connection. Also, as both art forms are descendant from European traditions, and as the Foster-Powell neighborhood becomes more culturally diverse with many European immigrants, it seeks to embody the essence of the community. The mural with tango dancers’ feet on the dance floor and a bandoneón—an accordion-like instrument—playing tango shows what is happening inside the building. The colors and faux Buenos Aires look will create an enjoyable cultural exchange within the neighborhood by putting the vision out for all to see.

Pal-Do Market mural

The next mural up is the Pal-Do Market mural, outside of the eponymous Korean market at SE 61st & Foster. The RACC description:

This mural, located on a popular Korean market, is the first mural in Portland designed specifically on behalf of the Korean community. The artist, Una Kim, chose the image of a dragon because it is a powerful and positive symbol of good luck in Eastern art. Recognizing the role public art can have in recognizing specific communities, Kim sought out artists from differing minority groups residing in the surrounding neighborhood to complete small vignettes on the dragon using text and images to represent their cultures. She also invited a graffiti artist to contribute an element of street art to the mural.

The artist is a professor at Portland State, and she also created the Alive mural on SW 2nd, on the back side of Keller Auditorium.

Bridgetown Aikido mural

The next stop on the mural tour is at the Bridgetown Aikido building at NE 28th & Flanders, where we find a "monkey king" design created by Portland artists Jessie Weitzel & Brianna Farina. The RACC's old, defunct Murals of Portland website said there was a mural here, so I came looking for it, but I gather that one was replaced by the current mural at some point, since the listed artists are different.

Jolly Roger Skull mural

A while back I was putting together a post about the big Arch Angel mural at SE 12th & Madison, and noticed a brief aside in a writeup about it by Meggs, one of its co-creators: "Also had extra time to Jam with Gage Hamilton on a quick Skull piece on the side of the Jolly Roger Dive Bar, opposite the main mural!" (links added by me, btw.) I completely didn't notice this skull at the time. I would have noticed if only I'd turned around and looked behind me when taking Arch Angel photos. But I didn't, so I had to make another trip to go find it. And voila, here it is.

Giant Rabbit mural, NE Alberta

The mural tour is visiting NE Alberta again, and this time we're taking a look at the ginormous rabbit mural on the side of a building between 18th & 19th. This was painted by LA-based Brazilian artist Mateu Velasco for the 2014 Forest for the Trees event.

Given the subject matter, I have to put in a plug for an old blog post of mine about the movie "Night of the Lepus", a not-very-scary 70s monster movie starring DeForrest Kelley (Star Trek's Dr. McCoy). This was from the short period of time when I thought this might evolve into a blog about bad movies. Eventually I realized that writing about bad movies was a lot of work, or at least I made it into a lot of work, and this humble blog eventually morphed into today's photos-of-stuff format. The current all-mural thing is not a permanent feature of this blog, by the way; it's just the current project, which turned out to be a bit larger than anticipated. Eventually I'll move on and do something else, though I'm not sure yet what that might be. Maybe historic buildings or something like that. Dunno.

Lost Cause mural, SE 34th & Belmont

The next mural up is another Forest tor the Trees one, located on SE Belmont just east of 34th, at the far end of a parking lot facing Belmont. This was painted by The Lost Cause for last year's edition of the Forest for the Trees festival. The 2015 edition is coming up in a few weeks, with a whole new batch of murals to cover. I still have several unfinished posts about previous years' murals sitting around in Drafts. Hopefully I'll have those done & dusted before the new batch arrives, but you never know.

Dragon, SE Alder

Next mural up is this whatzit on the D&J Imports building on SE Alder, between 11th & 12th. wiredforsound32 says it's a dragon, and was painted by Klutch (who also did the large mural at Buckman Field). I think it looks more like a firebreathing Left Shark, but what do I know?

Nectar Cafe mural

The ongoing mural tour takes us back to the Hollywood district again. A few weeks ago we visited the Velo Cult mural, which faces a parking lot near NE 41st & Hancock. The same parking lot is also home to the smaller mural shown here, on the back of the Nectar Cafe, an artsy/healthy neighborhood coffee place. The mural's signed "Notes", which is basically impossible to Google (or Bing, if you prefer). Luckily the cafe's Facebook page had a couple of photos of the mural being painted, back in October 2013, and the captions explain that it was painted by artist Derek "Notes" Leitch. If I was in a grumpy mood (which I'm not), I might complain about people choosing more distinctive artist nicknames, but hey, I managed to follow the breadcrumbs this time, and I actually kind of like a little detective work now and then.

Machinery

The next Portland mural on our tour is one of the oldest ones I'm aware of. Machinery, at N. Williams & Shaver, was painted wayyy back in 1989 by Tom Cramer, and restored in 2003 just as gentrification started to take hold along Williams. Cramer later painted a similar mural at Ciao Vito on NE Alberta. (I have a draft post about that one, so it'll show up here eventually, but I couldn't begin to guess when.) Somewhere around town there's also an 80s-era vintage BMW that Cramer painted to look like Machinery.

If I hadn't known the date, I would have guessed it was from the late 1980s, or more likely inspired by the 80s. There was a common aesthetic in the 80s that involved lots of jumbled angles and primary colors (think Keith Haring for example), and it's kind of fun to run across a surviving example in the wild.

A bit about the design, from the 2003 Tribune article about the restoration project:

[Cramer's] original vision was to make something bold and colorful that could stand up to the neighborhood, he says. In the 1980s the area was harder-edged, and there was a lot of gang activity.

What Cramer continues to like about the mural today is that it's not trying to sell anything, either commercially or politically. But it still has an 'upbeat edginess.'

'It's improvised. It's like jazz, and it just kind of goes for it,' he says, adding that given its absence of a larger message, the mural probably wouldn't stand a chance of being approved by an officially sanctioned public art committee today.

NE 28th & Davis mural

Ok, our next stop on the mural tour is on NE 28th near Davis. This abstract design is signed "Seak Joker Daim" for the trio of artists who created it. The RACC's defunct Murals of Portland website [archive.org link] says it was painted back in 2003. That was during the time when City Hall was paranoid about allowing murals anywhere, for fear of having to allow billboard ads everywhere. So I'm not sure how this one came about in that climate. Joker is a Portland-based artist (interviews at Graffuturism & Futurism 2.0), while Daim and Seak are German and I gather are fairly prominent in the street art world over there. So maybe that's our answer: I could easily see 2003 Portland bending the usual strict rules a little if an artist was famous enough, for fear of getting a bad reputation in the art world.

Community Cycling Center mural

The next mural on our tour is a large RACC-sponsored one on the Community Cycling Center at 17th & Alberta. The RACC description:

The main focus of the mural is a child-powered apparatus, accompanied by a range of locomotion machines for children of all ages and varying physical abilities. The machines form a parade that includes a tandem bicycle, wheelchair, reclining bicycle, tricycle, unicycle, and other various bicycles. The imagery in this mural is inspired by the Community Cycling Center’s dedication as a non-profit service organization that teaches bicycle safety and provides bicycles to those in need.

This was created in 2006 by Robin Corbo (who also created the MIKE and BARK murals elsewhere in Portland), and restored in 2008 after the building was rammed by a truck.