untitled (6th & washington)

Today's adventure in Portland Transit Mall art takes us to 6th & Washington, home to a piece I repeatedly failed to see and walked right past while taking photos of other sculptures on 5th & 6th. This is Untitled, a chunk of stainless steel wall created by Bruce West (the same guy who created Sculpture Stage, & Land Form), and apparently it's graced the Transit Mall since the 1970s without me ever noticing it. I'm not saying there's anything wrong with it; it's a perfectly pleasant decorative object, and failing to notice something this big has to be at least partly my fault. But you have to admit it doesn't draw the eye the way, say, Kvinneakt does, or for that matter the also-untitled (but colorful) 1970s bus mall sculptures at 5th & Oak and 5th & Ankeny. A snarky Portland Public Art post about Mr. West's works around town has this to say about Untitled:

Transit Mall thing politely titled, untitled. Part of the 1976 or 77 splurge on low-maintenance art for the Mall startup.

Can we get exchange this untitled thing for a picnic table?

Knowing this city as I do, the answer to that rhetorical question is that if you put a picnic table on the transit mall, sooner or later a homeless person would sleep under it, on some cold rainy winter's night. Local businessmen would be outraged, and the city would remove the table posthaste. And even if they could keep people from sheltering under the table, we only have three, maybe four months of picnic table weather each year anyway.

In any case, in addition to the West pieces in the Portland Public Art post, Cafe Unknown tracked down yet another piece of his, half-forgotten and cleverly hidden in a subterranean parking garage downtown. As you might imagine, it's been added to my todo list.

Ventana al Pacifico

Photos of Ventana al Pacifico, a sculpture by Manuel Neri at the front entrance to Portland's Gus Solomon Courthouse at SW 6th & Main. A 2005 Portland Public Art post about it is mostly about its strange, awkward location, on a perch high above the main entrance and off to one side. It's a shame because it's a mysterious and attractive piece; apparently it's also far too valuable to let the unwashed masses near it. If you really need a better look, the Smithsonian does own a roughly-similar maquette for the piece, which may or may not be on display at any given time.

Begin Again Corner

The ongoing tour of Portland transit mall art takes us to Begin Again Corner, better known as the corner of SW 5th & Columbia. The piece consists of fern designs by Anne Storrs and a Kim Stafford poem inscribed onto one corner of the Fifth Avenue Building, a former state office building built in 1951. RACC describes the piece thusly:

The artist’s images of a sword fern’s from fiddlehead to skeletal form, are combined with Kim Stafford’s site specific poem about turning a corner. Eleven individual or groups of sword ferns are sandblasted into the building’s granite surface.

Beyond the design itself, which I rather like, the piece adds a bit of a street-level presence to what used to be another windowless, blind corner. I'll probably never understand why they thought that was a great design feature back in 1951.

Apollo 14

Couple of photos of the Apollo 14 command module Kitty Hawk, on display in a side gallery at the Apollo Saturn V Center at Kennedy Space Center, Florida.

Orange Lining: Art Starts Now

If you've seen any of the construction sites for Portland's upcoming Portland-Milwaukie Light Rail project, you may have noticed that the usual orange silt fencing has words stenciled all over it. Turns out this is a conceptual art project called Art Starts Now, the first phase of a larger project titled simply Orange Lining. Before construction began, local residents were invited to submit short blurbs of text for use in the project, and of the roughly 1100 submissions, 102 were selected for use in the project. You might think that, as a semi-obsessive Twitter user, I would have been a natural for this sort of contest, but I couldn't think of anything to enter. Based on the eventual selections, they seem to have been looking for something more poetic and upbeat than anything I likely would have submitted anyway. So, no biggie.

In any case, most of the selected lines will also end up in a more permanent form in phase two of Orange Lining, which they're calling simply Impressed Concrete. Which involves the lines being impressed into concrete sidewalks here and there along the new light rail line. I've seen a few of those around already, but I think I'll collect a few more before creating a post about them.

Grand Canyon (IV)

Grand Canyon (I)

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I assume the Grand Canyon needs no introduction. I think I'm going to spread the photos across several posts like I did with Yosemite, since a single post with 20+ photos gets to be a bit much. Enjoy!

Grand Canyon (III)