yet more crocuses

walk with mug here

85

media crisis

wrong way

hop shoots, march 2011

A few photos of hop vines just starting to come up outside the Lucky Labrador on Hawthorne. I'm told that young hop shoots are in fact edible and quite tasty, although I haven't tried them myself. And, you know, it raises sort of a dilemma. Have vegetables now, or have beer later. Ok, that's actually not much of a dilemma for those of us who like beer. A tradeoff, then. Mmmm... beeer....

telephone pole, se 9th & madison

A small photoset about decaying concert posters on telephone poles. New posters are often stapled directly on top of shabby old ones, which echoes the growth rings in the tree trunk they're stapled to.

Glen Otto Park expedition

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Today's adventure takes us out to Troutdale's Glenn Otto Park, on the Sandy River. The park is mostly famous for the sort of safety issues that result when you combine warm weather, cheap beer, testosterone, and a very cold, fast river. Which is something that's come up in a few earlier posts (the High Rocks one for example), and I'm not really interested in revisiting the topic. The problem is that I'm not sure what else there is to say about the place. I stopped by just to take photos of the bridge next door, and I ended up with some photos that weren't of the bridge, and here they are.

I did manage to find a few non-picnic, non-drowning-related items to pass along, so here they are as well:

• The city's 2002 Master Plan for the park.
• 1995 memorial resolution by the state legislature honoring Mr. Otto.
  
• A 2009 Portland Tribune profile of Helen Otto (Glenn Otto's wife), on her 90th birthday.
  

bronze daisies, holladay park

A small sculpture of flowers located in Holladay Park, near the fountain and the Neighborhood Gardener statue.

Taz vs. Kitchen Sink

partial single rainbow!

What does it mean?

valentines balloons, 2nd & main

I thought this was a strange place to tie a bunch of balloons to a light pole. Then I realized that the Justice Center is diagonally across the street, and someone held on the upper floors just might be able to glimpse the balloons. So that's my theory.

tiny spring flowers

daffodil detail

you are here (central library)

details, sw park & oak

These photos are of the ornate, shabby early 20th century telco building at SW Park & Oak, behind the Benson Hotel. The little face above appears to be glued onto the building, possibly an unofficial contribution by some anonymous (and skilled) artist out there. Sidewalk ponies, eat your hearts out.

everyone needs help

moss & bricks, 5th avenue

untitled (5th & oak)

Our occasional tour of Transit Mall art stops in on 5th Avenue near Oak St., the new home of this small and brightly colored gizmo named Untitled, not to be confused with a similar work a block to the north also titled Untitled. TriMet's Green Line Public Art Guide [pdf] has a small photo and a very brief description that reads simply:

Ivan Morrison, Untitled, 1977, Painted aluminum
SW 5th and Oak.

There's very little contemporary info on the net about this one. The artist's website includes a mention of it in his resume, but doesn't include any photos. The October 2008 RACC newsletter mentions its reinstallation on the transit mall, and includes a small photo of its earlier removal via forklift. Untitled also gets a mention in a ginormous XML file from the University of Oregon listing a lot of things that "One Percent For Art" money has been spent on over the years.



To find out more, we have to dive into the Multnomah County Library's Oregonian historical archives again. A January 5, 1977 article lists the winning entries in TriMet's Transit Mall art competition. The top selection was the Kelly Fountain, for which $75,000 was awarded. The second largest award was $35,500, for an erstwhile fountain on 6th between Yamhill and Taylor. The metal centerpiece of the fountain survives, fountainless, in front of the Standard Insurance building on SW 5th. Third largest (and I'm not sure why the paper listed them by grant size) was $25,000 for Interlocking Forms, which the artist stated he expected people to climb on. If you were to try actually doing that in 2011 you'd very likely get pepper sprayed, then tasered, then given a large fine for "disorderly conduct", whatever that is. Anyway, the article goes on to briefly mention 8 other works, including the other Untitled I mentioned earlier, along with Kvinneakt, Cat in Repose, and a few others I haven't covered here yet. And then there's the piece shown here, which is described simply as "an assemblage of painted steel shapes". So it wasn't the main attraction back then either.



A followup article, on March 19, 1978, interviewed a number of the Transit Mall artists, asking them to explain what their works were about. The relevant blurb from that article:

Ivan Morrison said he used primary colors -- bright yellows, blues, and reds -- in his 7-foot-high, painted and assembled aluminum arch (Southwest Sixth between Alder and Washington streets) to accent the space around it.

"More subtle colors would get lost in its environment," said Morrison. "I like the idea of colors Alexander Calder has used in public spaces. I have been influenced by that."

There's also a photo, which isn't reproduced well in the scanned version of the article. The creator of the other Untitled also mentions the city's need for a little color in the winter. Whether you like 70's abstract art or not, you have to admit they had a legitimate point there.



For what it's worth, Mr. Morrison also gets a passing compliment in a January 26, 1974 profile of Lee Kelly, who was about to exhibit a portion of the partially completed Leland I, aka "Rusting Chunks #5". Which is described as:

Trucked in from the farm (young Jason helps operate the truck crane) will be two parts of the three part gate-tower complex in three-quarter scale which Kelly and his wife are doing in weathered steel and red enamel for a small park in the South Auditorium Renewal Project.

At the south terminus of the mall system, with steps leading up to it, the sculpture will be a serene place, 20 feet high, to walk around and through. It was commissioned by the Portland Development Commission