The next mural we're checking out is at Portland's Buckman Field Park, or rather on the back of a warehouse facing the park. This was created in summer 2014 by mural artist Klutch. Despite its size, this mural is a bit hard to find. The warehouse it's on is at the SW corner of the park, and the mural's down a slope from the running track, located behind some trees. If I'm not mistaken, the same warehouse is home to two Weston roses on the NE 12th side of the building. So, business in the front, party in the back, I guess.
Saturday, July 04, 2015
The next mural we're visiting is at the Emerson School on Portland's North Park Blocks, where a cartoon mural version of the park blocks faces the school's parking lot. This was painted in 2012 by Mofee123. I've seen it called Elephant in the Park before but I don't know if that's an official or not. One fun thing about this mural is that the lot's "reserved parking" signs were integrated into the design. There's a closeup in the slideshow that shows this a lot better than the first photo does. (You did know my posts always have slideshows, right?)
In any case, the elephant in the maybe-title is the Da Tung sculpture, which a Chinese businessman donated to the city back in the early 2000s. My post about the elephant went up in 2008, and looking at it now I think my photos were better back then. I'd just gotten a swanky DSLR and I took it everywhere and used it all the time, whereas in 2015 the vast majority of my posts are just Samsung phone photos, mostly because the convenience of Flickr auto-upload is hard to beat. The rest of the post is pretty much just a link dump, though. I posted it in November, so I suspect I was trying to get a bunch of posts done in bulk to get to zero drafts by year's end. Zero drafts on New Years is my goal again this year, but I have so many of them right now I have no idea whether I'll be able to hit that goal. You probably don't believe me. If I could show you my Drafts folder you probably still wouldn't believe me. It's not just murals, either; they're just the low hanging fruit, so I've been doing a lot of them, and saving the others for later.
So our next stop on the mural tour is a little unusual. The block bordered by SE 6th & 7th Ave., & Yamhill & Taylor Sts. is home to several older buildings, with narrow alleys between them. Alleys like this in Portland are almost always fenced off, but these aren't (at least not yet), and the one facing 6th contains the mural you see here. It doesn't appear to be signed, and I don't know anything about it; I just happened to notice it while walking by, so I stopped for a few photos. It kind of looks like a Mayan design to me, but I'm not an expert on pre-Columbian art, and it could just as easily be an Aztec or Olmec pattern, or something invented for this mural for all I know.
The next stop on the mural tour is another neighborhood community one, the Mt. Scott - Arleta Community Mural, on the side of a building at SE 72nd & Harold. The RACC blurb:
Artist Tiago DeJerk and local teens have created this vibrant design depicting local community members, including a gardener, a person reading a book, a motorcyclist, an athlete, a musician, a person holding an umbrella and another walking a dog, a bicyclist, and a painter. The mural’s purpose is to unite and improve the community as well as promote diversity.DeJerk's blog has a few posts about the mural project as slowly it came together.
The next mural on our ongoing tour is the Woodstock Community Mural at SE 45th & Woodstock. This is a bit more ambitious than your usual community mural, and I really wish construction hadn't prevented me from getting a better look at it. At least there's a long RACC blurb describing what's on it:
Located in the heart of the Woodstock neighborhood business district, the mural is divided into three sections representing different themes of its location. The figures featured in each section are adorned with symbols of Greek Gods representing each theme. The left side of the mural represents Commerce, depicting a business owner in his store. He is surrounded by symbols of Hermes, the Greek god of Commerce—he is bearded, has a crocus flower, a winged hat, and a tattoo of the Caduceus, Hermes’ staff. The center of the mural is Education, featuring a student in a classroom and symbols of the goddess Athena, including an owl, an olive branch necklace, and a tiger lily. One of the highlights of education in Woodstock is the acclaimed Mandarin Immersion Program, so the neighborhood motto is translated into Mandarin on the chalkboard behind the student. The right side of the mural is the Outdoors and features an urban farmer. The Greek goddess of the harvest, Demeter, is referenced with a poppy headdress that mimics a radiate crown, a tattoo of a sheaf of wheat, a cornucopia, and a lotus staff. This final section also includes images of the nearby farmer’s market and Woodstock Park.
Press Release: http://www.racc.org/public-art/new-mural-woodstock-neighborhood
Artist Website: http://www.threeredheadstudios.com/
Artist Website: http://www.heidischultz.com
Note that these photos were taken several months ago. I'm not sure what was being built on the lot next door, but it's entirely possible the mural's now obscured by another cookie-cutter apartment building or something. I haven't gone back to check.
Friday, July 03, 2015
The ongoing mural tour takes us back to the Hollywood District, where this large mural graces the back of the Velo Cult bike shop, facing NE 41st, north of Hancock. This is a fairly recent mural, painted in summer 2014 by Andy Phillips. And yes, the store does serve beer, and sometimes has live music at night. This may sound like a gag from a certain Portland-based IFC show (which Shall Not Be Named), but it's a thing that exists within Portland city limits. I kind of hope the 'burbs never find out about this combo, though, because they'll turn it into Jagermeister shots at the local BMW dealer, featuring a Nickelback cover band.
Tuesday, June 30, 2015
A few days ago, I did a theme day here and posted about a bunch of murals around downtown Vancouver, WA. It turns out I had at least one more VanWa mural post in my ginormous Drafts folder, so I figured I ought to post it before the others scroll off the front page. Until fairly recently, downtown Vancouver had its own "transit mall" along 7th St., a smaller version of the one in downtown Portland. Like Portland's bus mall, it acquired a bad reputation for loitering, drug deals, homelessness, etc., and in 2007 C-Tran (the Clark County mass transit agency) closed the bus mall and sent the buses somewhere else (I'm not entirely sure where they went). So this left the city with an unused half-block parcel of land downtown, which they decided to turn into a tiny park called "Turtle Place". Apparently C-Tran still owns the land here, and the park is meant to be temporary, to be removed once a shiny new Bus Rapid Transit line comes to town Real Soon Now. In the interim, they've taken a few steps to spruce up the mini-part a bit: There are a couple of interpretive signs, some old not-quite-vintage signs left over from the bus mall, a big steampunk water feature, and the gigantic mural you see here. The mural's just called Turtle Place, and was painted in 2010 by Guy Drennan, who also created a couple of the other Vancouver murals we looked at the other day. At first sight I actually thought this was a billboard; it doesn't help that "Turtle Place" sounds like it might be an upscale subdivision, or maybe a nursing home or something. But no, it merely tells you where you are. I suppose this is still better than having an ugly blank wall to look at here.
If you've been following this humble blog's ongoing mural project, you might be wondering where I find all this stuff. Locating good sources is a fun part of any blog project, and I've found several over the course of this one: The RACC website lists many (but not all) of the ones that belong to their "public art easement" program. There's a Tumblr that covers Weston rose murals, and the Forest for the Trees website tends to list everything created for their annual festival. And then there's a guy whose Flickr handle is "wiredforsound23", who posts geotagged photos of all sorts of obscure stuff. The guy clearly knows a lot of people in the street art world, since he often includes a title and artist with his photos. Though I get the impression he sometimes invents a title on his own if a mural doesn't have one. In any case, the mural we're looking at now is one he says is called Proving Ground of the Mad Overlord, by Acid Wizard, on the second story of a building at NE 29th & Alberta. If the artist's name sounds familiar, he(?) also painted a similar wizard face next to the smoking cat mural on N. Mississippi. I have a feeling this wizard face may be on the no-permit side of the street art world, which is a fun legal distinction that only matters in Portland. These photos were taken a few months ago, and for all I know it's been painted over by now. For all I know, the entire building's been replaced with luxury apartments by now, because NE Alberta.
Next mural up is this giant robot battle at Canned Heat Glass, a glassblowing equipment shop at SE 10th & Taylor. The mural's clearly signed "OASIS", but my Google-fu isn't coming up with an artist website or Tumblr to point you at. It might be out there somewhere, swamped by spurious results for Oasis and Canned Heat, the bands. So if any artists out there are reading this, here's my occasional reminder that I'd love to link to you, but first I need to be able to find you. Adding a little URL or Twitter handle to a corner of your mural never hurt anyone, hint, hint.
The next mural on the ongoing tour is this group of soccer players outside the 442 soccer bar / Bosnian restaurant at SE 18th & Hawthorne. I don't know anything else about this one, unfortunately.
Some might argue that it doesn't really count as a mural when a business decorates an outside wall. I tend to err on the side of including things in this ongoing project, unless something's just a logo or an ad. And I might include it even then, if it's interesting enough.
Saturday, June 27, 2015
The next stop on today's VanWa mural tour is Brewery History, on a wall at Main St. & Evergreen Blvd. This was created by local artist Tamra Davisson for Vancouver's 2012 Summer of Murals event. The mural shows a few historic beer bottles from the city's erstwhile branch of the Lucky Lager empire and its various local predecessors. The mural's info page goes into this history further than I care to, and tracks all the corporate mergers and renamings over the years, up to 1985 when the Vancouver brewery closed its doors. The one interesting bit is that Star Brewing (one of the predecessor companies) briefly employed brewer Henry Weinhard before he moved on and started his own operation in Portland. During the 1990s there was a short-lived revival of the "Star Brewing" name, but that company was unrelated to the original one other than the name. I imagine I would have tried their products once or twice, but I have no specific memory of it. I've never heard anyone claim to miss them, or even remember them. At last report, circa 1996, they'd concluded they were done for in Portland, and were pulling up stakes to move to Phoenix where beer drinkers didn't know any better, I guess.
In 1941 a beautiful morning begins with employees efficiently working on various phases of ship assembly. scaffolding and cranes stand high to assist progress of the finest ships built on the Columbia river. The SS Joseph N. Teal awaits loading. Built in ten days, the 10,500 ton Liberty ship is proudly launched from the Henry J. Kaiser Shipyard. Reference materials provided by Pat Jollota.
A 2013 Columbian article interviewed several local residents who had worked at Vancouver's Kaiser shipyard during World War II. As the article points out, for much of the war the shipyard produced amphibious landing ships and even small aircraft carriers, rather than the Liberty ship depicted here.
The next VanWa mural on today's tour is After Degas’ "Practicing at the Barre”, outside the Columbia Dance school at E. 17th & Broadway. As the name indicates, this mural was inspired by a famous Degas painting (now owned by the Met museum in NYC). The mural was painted in 2009 by Guy Drennan. Its Clark County mural page describes it briefly: "Clients like the Degas piece, and this illustrates what the building offers to students of dance. Painted with Kelly Hytrek."
Our next VanWa mural is one at 6th & Main St honoring the Vancouver Farmers Market. The market itself is held at Esther Short Park, a few blocks further west, so I'm not sure why they needed a mural about it at this spot, but hey. Anyway, it was painted for Vancouver's 2013 Summer of Murals by Travis Czekalski of the Portland-area duo Rather Severe. Their work has appeared here once before, a mural on NE Sandy created for the 2014 Forest for the Trees event. You can kind of see a family resemblance, though Vancover's mural is a bit less psychedelic, aside from the walking ear of corn.
The next VanWa mural on today's tour honors an episode in Vancouver aviation history. In June 1937, Soviet pilot Valery Chkalov made the first nonstop intercontinental flight over the north pole, starting in Moscow and landing at Vancouver's Pearson Field. This flight is now often forgotten in the US (except for Vancouver), but Chkalov remains a national hero in Russia, along the lines of Charles Lindbergh here. Chkalov's flight wasn't just a publicity stunt, either; modern airline flights between Europe and North America generally follow near-polar "great circle" routes (this being the shortest distance between two points on a sphere), so this pioneering effort turned out to be of great practical importance.
Vancouver remembers the event with a few commemorations around town. There's monument to Chkalov next to the airport, and a major road nearby is named in his honor. And then there's this giant mural downtown, at Main St. & Evergreen Blvd, which was created in 2008 by Guy Drennan and Linda Stanton. Unusually, one wing of Chkalov's ANT-25 extends out over the windows of an adjacent building.
Today I'm going to post another batch of murals from downtown Vancouver, WA. VanWa has a lot of murals around its downtown core, thanks in part to a group called the Clark County Mural Society. Apparently one of the things they do is an annual Summer of Murals, in which several new ones are painted around town, and prizes are awarded. The mural we're looking at right now depicts historic Fort Vancouver (which is just east of downtown, on the other side of I-5), and was painted for the 2014 Summer of Murals by Michael Feliz. It took third place overall, as well as the "People's Choice" award. It's located on the wall of a financial planning firm at the corner of 12th & Main St.
Sunday, June 21, 2015
The next painted intersection on our ongoing tour is Share-It Square, at SE 9th & Sherrett in Sellwood. (The name's a pun, see?) This is Portland's first and oldest painted intersection, dating all the way back to the late '90s. I described a bit of its history in my first post on City Repair intersections, about the one at SE 15th & Alder. Here's the relevant passage, so I don't have to repeat myself:
The first one was Share-It Square, the intersection of SE 9th & Sherrett (hence the name), down in the Sellwood neighborhood. As this was a strange new thing back in 1997, the neighborhood first had to convince the city that painting a lightly used residential intersection wouldn't be the apocalypse. The apocalypse didn't happen, and street graphics have multiplied since then.
The next painted intersection we're visiting is Piazza di Wilbur, at N. Holman St. & Wilbur Ave. This one was created in 2012, sponsored by the Overlook neighborhood association. This was around the same time Overlook Feng Shui went in at the N. Concord/Failing/Melrose/Overlook intersection. A May 2012 Oregonian article mentions both intersections, and includes a short video clip about Piazza di Wilbur.
Elsewhere on the interwebs, I found what seems to be a project website, though it's private and members-only, for whatever reason. The piazza is also listed on "World-Wide Labyrinth Locator", thanks to the little maze in the middle. And someone's Prezi presentation about City Repair intersections describes the design as "some kind of vortex". Cryptic private website, mysterious maze/vortex in the middle of an intersection, suspiciously foreign-sounding name... Obviously there's some sort of fnord intricate conspiracy going on. Aliens and bigfoot and fluoride are almost certainly involved, if you ask me.
The next painted intersection on our (very occasional) tour is Community Blooming, at N. 85th & Milton, out near Rocky Butte. It turns out there's another painted intersection just one block north at 85th & Beech, but I didn't realize that at the time, and I don't have photos of it yet. In any case, the two intersections were first painted in May 2014 (which was the subject of a short film), and received their first annual repainting just a couple of weeks ago.
The large mural shown here is on the back of a building on NE MLK, between Mason & Shaver. I've seen it called "Urban Garden", but that's really all I know about it. These photos were taken from Garfield Ave, behind the building.
The ongoing mural tour heads back to central Vancouver, WA, near W. 20th & Main St., where a gap between a couple of buildings has been transformed into a twee little garden spot. There are a few benches, some flowers, and a large mural on the side of the Main St. Day Spa building. The Clark County Mural Society's mural map doesn't list anything north of 19th, so I don't know the story behind this one.
I suppose the map ends where it does because this area isn't considered part of downtown Vancouver. My VanWa geography is kind of hazy, but I gather the business district along this stretch of Main St. is called "Uptown Village", and the city's neighborhood office says Main is the line between the Arnada and Hough neighborhoods. So now you know as much as I do.
I have a sorta-theory that Portland's next hip (and hyped) area is going to be around the historic mini-downtown of one of the 'burbs. People are increasingly being priced out of Portland itself, and demand is such that whenever a new part of the city becomes "trendy" it instantly fills up with cookie cutter luxury apartments. So maybe it's time to ask which suburb gets to be the Brooklyn to Portland's Manhattan. Vancouver has to be a leading candidate, although it loses points for the commute into downtown Portland.
The next mural on the tour is on rapidly gentrifying N. Williams Ave., near Shaver. This large bird mural is on an outside wall of the TreeHouse Childrens Boutique. I like the style of this one; it's too bad I can't find any info on who created it.
Sunday, June 07, 2015
Next mural up is outside the Mini-Mozarts preschool on Main St. in downtown Vancouver, WA. Unusually, the mural was crowdfunded back in 2011 with an Indiegogo campaign. The Indiegogo page says the painting was done by The Space Art Collective, an arts organization based nearby. Sadly, going by the group's social media accounts, they lost their space and went defunct just a few months after painting this mural.
The next mural on our ongoing tour is Expanse, on the Allport Editions building on NE Lawrence Ave., just south of Sandy. This mural was created by Seattle artist Mary Iverson for the 2014 Forest for the Trees event. The Allport Editions Facebook page includes a making-of video, if you're curious how something like this comes together.
(Regarding the weird address, Lawrence is a short diagonal street at the NW corner of the weird Laurelhurst street grid. It's more or less equivalent to 26th Ave, if you're trying to visualize where this is at.)
The next mural on our tour is The Future Will be Hairy, on the upper story of a building in the 2100 block of NE Sandy. It's another Forest for the Trees mural, from the inaugural 2013 festival. That Oregonian article has much better photos than mine; I wish I knew where they were taken from, since I couldn't find a better angle than what you see here. Anyway, the mural's a collaboration by three artists whose work has appeared here before: Zach Yarrington, who created the huge Everything is Everything in SE Portland; Gage Hamilton, who did the DeSoto Building mural for the 2014 Forest for the Trees; and Madsteez, who collaborated on the Clyde Drexler mural at SE 9th & Clay. A page at MadeByBand has the inevitable bunch of photos of the mural being painted. A thing I didn't realize until now is that the 2013 festival also featured a limited edition line of clothing & shoes. Apparently you could buy a "The Future Will Be Hairy" bow tie, or even custom Chuck Taylors. That sounds odd, but we're already putting our old airport carpet pattern on every imaginable consumer product, so it's a bit late to complain about some mural-themed high tops.
Next mural up is on the Pulse PDX building in the 3600 block of NE Sandy. This was painted by Portland duo Rather Severe for the 2014 Forest for the Trees event. It actually took me a while to find this one, despite the fact that it takes up a whole wall. I was walking from the west, and it's on an east-facing wall, so I didn't notice it at first. A couple of blocks further along, I decided it must've been painted over already & turned around, and there it was. This mural project's been going on for months now, and this still happens to me all the time.
Sunday, May 31, 2015
The next mural up is this crowd of space pigs in front of the Adorn tattoo place in the 2500 block of SE Belmont. I ran across this one in an early 2013 post at Kay-Kay's Bird Club, although the design's been changed out since then.
The next stop on the mural tour is at SE 9th & Belmont, where this faded picture of Mt. Hood graces a vacant auto shop building. It's painted on panels instead of directly on the wall, and at least one of the panels has gone missing in the last year or so. I kind of suspect this whole block will be torn out in the near future, and replaced by another cookie-cutter apartment block, with an artisanal goat yoga studio on the ground floor. I suspect that because it's what always happens.