Friday, September 30, 2016
Sunday, August 28, 2016
The next public art we're looking at is Alpha Helix, a red sorta-corkscrew in front of an old house at SE 40th & Hawthorne. It looks like yet another random abstract sculpture, but there's a bit more going on this time.
Alpha Helix is a tribute to Nobel-winning chemist Linus Pauling, who grew up in the house here, and an alpha helix is a fundamental protein structure that Pauling co-discovered in 1951. He received the Nobel Prize for Chemistry in 1954, primarily for this discovery. I have never been accused of being a biochemist, but my understanding is that this was a key building block leading up to figuring out the structure of DNA in 1953. (Pauling narrowly missed out on that acrimonious discovery.) Pauling went on to win the 1962 Nobel Peace Prize for his nuclear disarmament work, and he spent his later years promoting eccentric ideas about Vitamin C as a universal cure-all.
In any case, the house is now home to Portland's Institute for Science, Engineering and Public Policy, which runs an annual Linus Pauling Memorial lecture series. The sculpture was created for them by Portland-based sculptor Julian Voss-Andreae.
So here's an old photoset I'd lost track of at the bottom of my drafts folder. For any non-local readers, this is the Columbia Gorge's somewhat low-fidelity Stonehenge replica, built in 1918 as Klickitat County's World War I memorial. It was widely believed at the time that the original Stonehenge was built for human sacrifices, and I gather the memorial was meant as a sort of bitter comment that humanity hasn't progressed in the last few thousand years. Though the fact that they had the archeology all wrong kind of muddles the intended message. In any case, it's quite a scenic location and not at all depressing in person, and I thought some of my photos turned out ok, so here they are.
Saturday, August 27, 2016
Here are a few photos of Portland's new-ish city park at N. Polk & Crawford in St. Johns, just north of the railroad bridge. The city bough the land in June 2015, but the parks bureau says they aren't planning on developing it or even naming it any time soon. Which generally means they don't have any money to spare on a new park. Still, that's essentially what they've done with the Skidmore Bluffs for the past couple of decades, and that seems to have worked out pretty well so far.
Next up is Silver River, an 87' rendition of the route of the Colorado River in cast silver, created by Maya Lin in 2009 for the Aria hotel/casino in Las Vegas. I was going to chalk this up as another only-in-Vegas thing, but it's actually part of a wider series of cast-silver rivers, including the Mississippi, Missouri, Hudson, and Housatonic.
Saturday, August 20, 2016
One of the newer public artworks in Portland (at the time of writing) is This All Happened More Or Less, a collection of tiny figures scattered along inner SE Division St. These were created in 2014 by artists Crystal Schenk and Shelby Davis for a city streetscape project that also added bioswales and other gentrifying goodies. The RACC press release described the project thusly:
Appropriately titled “This All Happened More or Less,” the bronze characters created by the artists were inspired by their observations of activity along Division. The scale of these bronze figures (much different than the scale usually seen in public art) can draw a viewer in close enough to imagine a story behind each of the figures that vary from active, such as a kid on a skateboard, to inactive, such as waiting for a bus or sitting quietly with a pet dog. The artists have said, “We are merely suggesting stories and we want people to draw their own conclusions, to fill in all of the details, and to follow their imaginations.”
Ok, next up on the ongoing public art tour is another stop at OHSU. This time we're looking at Vitae Mensae, Living Mind, Life of Thought, the giant spooky half-head in front of the university's Medical Research Building. This was created circa 1993 by sculptor Larry Kirkland, who also did Capitalism, the stacked-coins fountain outside the Lloyd Center mall. There's a longer post about Vita Mensae at an OHSU history blog; the author wonders whether the Latin name is quite correct, and whether it would have been more appropriate to depict the other half of the head. Which are concerns that I guess a doctor would have about it that I never would have thought of. The post includes a photo of a sign explaining the sculpture, located inside one of the adjacent buildings. Oh, and the old Portland Public Art blog hated it (as usual), calling it "astonishingly ugly" and "a booby prize, probably selected by a committee of department heads as a perk for putting up with construction delays". The rest of the post continues in a similar vein. I used to aspire to that level of invective now and then, not so many years ago; now I'm just happy when I remember I still have a blog and ought to hit publish at least once a month.
Next up is the Captain George Vancouver statue in VanWa at W. 6th & Esther, across the street from Esther Short Park. This was created back in 2000 by local sculptor Jim Demetro. As I suspected, this is far from the only statue of George Vancouver out there; there's one in front of City Hall in that other city of Vancouver, and one in King's Lynn, Norfolk, UK, and a gold one atop the British Columbia provincial parliament. The one we're looking at here is by far the most goofy-looking of the four.
Sunday, July 31, 2016
Next up are a few photos of the Johns Community Garden in St. Johns at N. Edison St. & John Ave. A lot of community garden photos that show up here are taken in the off season and are kind of unattractive for that. So the good news is that these were taken in August, the bad is that they were last August and this has been sitting in drafts all this time, unposted. But that's sort of part for the course these days. Anyway, on a related note that only I really care about, this is also the latest installment of one of this humble blog's more dubious projects: At one point I ran across a cryptic list of really obscure places in the city's online archives, and set to tracking them down. This was listed incorrectly as "John Garden", so it took quite a long time to figure out what that referred to. So, mission accomplished on yet another one of these places, unless maybe I ID'd it wrong.
Some decorations on a chain link fence around a vacant lot next to the OMSI MAX stop. I don't know anything about who created it, and I'm sure it's only meant to be temporary until the lot gets developed. PortlandMaps says the museum owns it. Come to think of it, I vaguely recall that they either bought the lot or had it donated back when I worked there, about 20 years ago. So I wouldn't exactly hold my breath waiting for a futuristic new museum expansion anytime soon.
Large, recent mural outside an acupuncture studio on SE 92nd north of Foster, near the Lents MAX station. Also near the Zoiglhaus brewpub, which was the primary reason I made the trip out to Lents. I'm not really in the restaurant review business, but I thought it was worth the trip.
Thursday, June 30, 2016
Sunday, May 29, 2016
Photos of VanWa's Vancouver Arches, of which the city says: "These three brick arches were installed in 1984 to create a landmark for downtown Vancouver.". They're maybe not the most ambitious civic landmark ever, but hey. They're actually quite visible from Interstate 5 northbound into the city, so the designers at least got the location right. It's just that I always sort of assumed the arches belonged to a bank branch or an office complex or something.
In this installment of the public art tour, we're looking at VanWa's Pioneer Mother, an Avard Fairbanks sculpture on the north side of Esther Short Park. Unusually, Pioneer Mother has an extensive Wikipedia page, which is great since I can just point readers there instead of doing a bunch of research myself. Fairbanks's work has appeared here a couple of other times, for monuments in Portland Firefighters Park and Milo McIver State Park, and I know of a couple of other public examples of his work around Portland that haven't made it into posts, such as the doors on the old US Bank building on SW Broadway.
The next stop on our ongoing public art tour is Contemplative Place by Michihiro Kosuge, located in Ed Benedict Park next to the skate park. The city's blurb about it says "A granite and basalt sculpture entitled Contemplative Place by Michihiro Kosuge was installed in 1996 at the west end of the park. Each of the four stones is placed to represent the four directions.". The RACC description has a bit more to say:
Kosuge describes “Contemplative Place” as establishing “a relationship between the stones and natural phenomena: the movement of the sun, the seasons, and an awareness of the cardinal directions, ”fostering “contemplation, spirituality, and quietude.” Each of the four stones is placed to represent the four directions.
Unfortunately the skaters next door were arguing loudly over something or other when I visited, so contemplation and quietude were not really being fostered at the time. And spirituality has never been my thing, so I have no idea whether that was being fostered or not. Your mileage may vary, obviously.
Next up is another bit of OHSU art, an untitled Bruce West sculpture in the Kohler Pavilion's sculpture garden. The university's wildly incomplete art page lists a different West sculpture titled Oregon Fabric. The page doesn't give a location, but it looks like it's indoors somewhere. (Also, the photo links on that page point at huge .TIF image files for some reason, so you might want to not click on them.)
The next bit of MAX art we're looking at is Gathering In/Gathering Rail by Christine Bourdette, at Hillsboro's Hatfield Government Center station, the far end of the Blue Line. The link above used to go to an RACC project page with a brief description of the art, but this part of the RACC website's been broken with a PHP script error for several months now, apparently without anyone noticing -- or figuring out how to fix it. So instead here's a hilarious page explaining why PHP is "a fractal of bad design".
Next up, we're back at the OHSU campus again, looking at a small fountain called The Three Graces, in the Kohler Pavilion's outdoor sculpture garden. The fountain was created by Oregon artist Bill Kucha, and is dedicated to the late Leonard Schnitzer.
Spencer T. Houser and Chris Rizzo present two approaches to the nearly 4,000-foot light rail bridge. Ninety flaming comets inspired by the car culture of the '50s blaze northward from Kenton. Blue metal panels on the north end of the bridge allude to the Columbia River.
I imagine the blue panels on the north end of the bridge are officially a separate piece with a different title, but I don't know what it's called, and I don't think I have any good photos of the panels right now anyway.
A mural I ran across inside an underground parking garage on SE 3rd between Yamhill & Taylor. I don't know anything else about this one, and as far as I can tell the rest of the internet doesn't either.
Mural outside La Calaca Comelona on SE Belmont. This is another one that's been in drafts for quite a while; I posted photos of another mural next door back in August of last year, which seemed late already because the photos were taken in January. Still, I'm fairly sure a year and a half in drafts isn't even a record here, but then I've never claimed to be a breaking news outlet. I take photos when I feel like it, and I post them when I feel like it, if I get around to it.
Mural outside the La Sirenita taqueria on NE Alberta, by Portland artist Pablo Garcia. He was actually busy painting it when I wandered by (which kind of tells you how long this has been floating around in my drafts folder). I suppose I could have stopped and said hi and asked a few questions or something, but I admit I'm not really in the interviewing business here at this humble blog. I've gone over a decade without ever doing one, and I don't think I'd be very good at it if I tried to start now. Even if I wanted to, which I don't, because antisocial.
Next up, a large mural outside the Albertina Kerr Center's Port City Gallery at N. Williams & Thompson. I managed to locate someone's Instagram photo of it that lists the artists who created the mural. It turns out several of them also worked on the Keep Our Rivers Clean mural on SE Powell.