Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Saturday, September 10, 2011

rusting chunks, 8mm

rusting chunks @ 8mm

A few test shots of our old friends the Rusting Chunks, taken with a shiny new Sigma 8-16mm ultrawide-angle lens. The lens was a splurge for an upcoming vacation, and I figure I ought to learn to use it a little before getting on the plane.

The main use for the lens is actually not for wacky perspective games, but for really really wide, but normal-looking landscapes, interiors, and so forth. But tradition holds that I always go take photos of the Rusting Chunks first thing when a new gadget arrives, so here they are.

rusting chunks @ 8mm

rusting chunks @ 8mm

rusting chunks @ 8mm

rusting chunks @ 8mm

rusting chunks @ 8mm

rusting chunks @ 8mm

Saturday, March 13, 2010

Lovely day for a Guinness...

mmm, guinness

...and not much else really. Looking at cute cats on YouTube. Some TV, if we're feeling retro. Light & fluffy travel books. Maybe a nap later.

Oh, and taking a few test shots with a new lens. This time it's a vintage Petri Orikkor 50mm f/2, which arrived on a non-working Petri Penta, made around 1959. It's probably been many decades since this lens has taken any photos. Which is a shame, since it seems to be a rather decent lens based on what I've seen so far.

balcony, march

the to-read stack

balcony, march

Monday, January 11, 2010

multimorphic chunks

multimorphic chunks

Ok, so here's a silly experiment I've wanted to try for a while. Over the years I've picked up a variety of thrift store photo doodads of widely varying usefulness, including a few now deeply unfashionable doodads from the groovy 70's. Among the uber-grooviest are a couple of multiple image filters I sorta-overpaid for about a year ago. I posted some photos of "Rusting Chunks #5" with one of them around that time, and warned that I might be posting "more multiple image pics here than strictly necessary". Turns out I haven't actually posted any more since then. Although as of this post I've done it twice, and that may still count as more than strictly necessary.

That time I used the Mirage 5F, this time it's the Mirage 3FP, so it's three images in a row instead of five arrayed in a circle. The effect isn't quite as dramatic as with the 5F, so for most of these pics I broke out a second widget, the Optivision anamorphic lens previously seen in this batch of cat photos.

And what better (or more convenient) subject for 70's-style photos than our old friend the Rusting Chunks? I couldn't think of a better subject, and as it turns out there aren't very many things that easily lend themselves to the multiple-image and/or the anamorphic gimmicks. And it's not for lack of looking. It's worth noting that the multiple image fad died out around the photo world started moving to zoom lenses, in place of the ~50mm prime lenses that had been the standard up until then (in the 35mm film world, I mean). A multiple image filter doesn't zoom with the lens, and pretty much only works as designed at focal lengths around 50mm, or the crop-sensor equivalent (and then not quite as well). Go longer, and you quickly lose the side images, so the filter becomes sort of pointless. Go wider, and the filter vignettes badly due to the thick rim of the filter.

multimorphic chunks

It's easy to imagine someone taking photos just like these circa 1978. I can see it now. He was probably some sweaty chauvinist-pig type named Stan or Marv or something, who always wore a shiny brown leisure suit, a gold medallion, and cologne by the gallon. He'd heard that chicks really dug photographers, and besides photo gear was the latest trendy form of conspicuous consumption. He picked up a couple of multiple image filters thinking they'd help him take hip, with-it, happening pictures. When a woman fell for his cheesy pickup lines down at the singles bar, he'd invite her back to his place to check out his slides and perhaps have a glass of Riunite on ice and possibly fire up some romantic disco tunes on the ol' 8 Track. Having served their purpose, the multiple image filters went back in a drawer and sat unused for 30 years. And now they're mine, mwhahahah....

multimorphic chunks

Speaking of Riunite on ice, we were messing around on YouTube a while back and ran into a bunch of vintage Riunite commercials, with that damn jingle you can't get out of your head. I think I like the skiing one the best of the bunch, although it's a tough call. Anyway, that naturally led to "whatever happened to", and the surprising discovery that it still exists. In fact, you can even be Riunite's friend on Twitter. Which led to, I wonder if it's available here in Portland. Not long after that, I found it and bought some. The Zupan's on Macadam has it, on the bottom shelf in the sparkling wine section, in case you're so inclined. A great thing about Riunite commercials is that, along with the music and happy 70's people, you also get food pairings. Ok, pairings with 70's food. The skiing commercial suggests fondue, so we thought we'd try that. And... it was actually nice. We liked it. Ok, it's kind of sweet, and lightly fizzy, and that's something that Modern Wine Experts regard with the very deepest disdain. But it would be nice on a hot day, as an alternative to beer or soda, assuming the weather ever improves. And if the weather doesn't improve, it also pairs nicely with chicken fried steak (which we verified with bottle #2).

Lest you take me for a complete barbarian, the quest for Riunite led me to take a good look at the sparkling wine aisle, something I don't typically do. So I thought, this year I'll do something different and get some proper from-Champagne champagne for New Years. So the Taittinger was kind of fabulous, and right now I have a bottle of something else in the fridge, and I'm looking for a flimsy excuse to pop the cork.

And all of this started with messing around aimlessly on YouTube. O, how I love thee, interwebs...

multimorphic chunks

multimorphic chunks

multimorphic chunks

multimorphic chunks

multimorphic chunks

multimorphic chunks

multimorphic chunks

Tuesday, May 06, 2008

as seen on wikipedia


A great thing about the Creative Commons license is that you never know where your stuff will turn up next, or who will use it, or what they'll use it for. Case in point: I recently noticed that a couple of my photos on Flickr were getting hits from Wikipedia. After a bit of poking around, I was surprised to see photos I'd taken gracing a couple of Wikipedia pages. Which is perfectly fine with me -- Creative Commons and all that -- it's just kind of surprising. Does that mean I've finally hit the big time, after years of toiling in the dusty backwaters of blogospace (to coin a mixed metaphor)? Or is it a sign Wikipedia's in even more trouble than I thought? I really don't know what to make of it all.

So check out the articles on Mill Ends Park and O'Bryant Square. The O'Bryant Square article is poorly written and uninformative, and uses one of my Holga photos of the place, if you can believe that. I'm half-tempted to sign up and edit the article myself, but so far I've managed to avoid getting sucked into that particular vortex of the Interwebs. Once you start messing around on Wikipedia, I imagine there's no end to it. There's always another poorly-written article to clean up, or tag with the omnipresent "does not cite references" warning, and there's always a pointless interpersonal flamewar to join. In many ways, Wikipedia seems to be the Usenet of the 21st century. I don't mean that in a derogatory sense, or at least not entirely in a derogatory sense.

A search on Wikimedia Commons shows that over time, over a dozen photos of mine have been uploaded by various people, although most don't appear in actual WP articles, at least that I'm aware of. (I've also added the tag 'wikipedia' to the original photos on Flickr, FWIW)

Thursday, May 01, 2008

notes to self, photo edition

One of my many bad habits is that I spend an inordinate amount of time surfing the net on the ol' Crackberry. If I have a spare moment, or I'm bored, or nobody's looking, or nobody I know is looking, or nobody I particularly like is looking, or I generally just feel the inclination, I tend to whip out the BB and start Googling about. It's convenient, but it's really not the best web browsing experience you could ask for, so often once you've found a page you want to bookmark it for future reference with a 'real' computer. Adding it to the BB's bookmarks isn't too useful; if there's any way to sync its bookmarks with those on a host machine, I've never seen it, and I'm not sure that would be useful anyway. I've figured out how to post to del.icio.us from the BB, but the process is rather inconvenient. What I've found works best is to just mail page addresses to another (non-BB) email account.

So the other day I thought I'd go through and organize my pile of emailed links. I soon realized most of them were photo-related, and those alone made for a rather substantial list. Once I had that list formatted up half-decently, I thought, hey, I've put some work into this, I might as well share the result. I'm not sure it'll be useful for anyone except me, but hey, it might be...

Wednesday, January 23, 2008

an eentsy metablog moment

This humblest of humble blogs recently got its 50,000th visitor. Seriously. I'm as surprised as you are, or possibly more so. I didn't even notice the blessed event until a few hundred hits later, unfortunately, so I don't know exactly how said visitor got here. I'll bet it was a Google Image search, as that's how most people stumble across this blog.... only to depart soon thereafter, never to return. Oh, well. There was a time when I cared deeply about visitor numbers and stats. Now, not really so much.

Speaking of images (in case anyone cares), I've been reorganizing my Flickr photos over the last few days. Flickr cajoles you to organize your photos into sets, and then put those sets in collections, which in turn can be part of bigger collections, ad infinitum. Well, not quite infinitum actually; you can only build a tree five layers deep, but I don't know how to say that in Latin.

In any case, I did as I was cajoled to do, so now instead of one big steaming pile of photos I have a bunch of small steaming piles of photos. My shiny new page chock full o' sets is here, and my collections (such as they are) live here.

I even geotagged some of them, so the resulting map is here. So far I've only done ones where I can geotag the whole set at once. I'm not sure I feel ambitious enough to go through and tag individual photos. Maybe someday, or not, or whatever.

Friday, January 11, 2008

testing... 1... 2... 3...

tanner springs

So this is another batch of test photos, taken at Tanner Springs with yet another old film camera and a variety of lenses. This time the camera is a Mamiya/Sekor 500 DTL, which I picked up at Goodwill for $10.

tanner springs

The top two photos were taken with an Auto Sears (= Ricoh / Tomioka?) 28mm f2.8. This is my first lens that wide, and I think I rather like it, so far. You might've noticed the overexposed stripe down the second photo -- it turns out that's the fault of the camera, not the lens, as the same thing showed up with other lenses.

Here's the culprit, which I only noticed after getting this roll developed:

hole in shutter curtain

Yep, there's a little hole in the shutter curtain. You can see a square area where a previous repair was attempted, probably with a square of gaffer's tape or something similar. It probably just got old and fell off, so I may try it again, or I may try some black fabric paint, which seems to be the preferred approach out on the interwebs. Yes, I realize the camera only cost $10, but the light meter works, which is really quite unusual for a camera of that age.

So here are the other test shots, and let's all agree to ignore the weird shutter artifacts, ok?

The next 3 are with something called a Kitstar 135mm f2.8. I gather "Kitstar" was/is the store-brand private label for the Kit's Cameras chain. So who actually made it is anyone's guess. I'm kind of curious, though. Part of the fun of this antique camera stuff is trying to figure out where stuff came from, and when.

I don't know that Kitstar-branded lenses are overly well-thought-of by those in the know, but these pics turned out decent enough. Maybe I'm just not good enough at this, and it would be clearer whether this is a good lens or not if someone else had been behind the camera. It wouldn't exactly surprise me.


tanner springs

tanner springs

tanner springs


Ok, so the next two are with an Oreston 50mm f1.8, from Meyer Optik of Görlitz, East Germany. This wasn't the top of the line 50mm lens out of East Germany, although it was the top of the Meyer product lineup, and I gather some people out there consider it a "sleeper". Again, its' hard to say one way or the other based on the current evidence.

One thing I can say about it, though, is that it certainly looks cool. I've got the early chrome & black "zebra" version. It's a fairly big chunk of metal for what it is, but it still comes off looking rather sleek and sophisticated. As far as lenses go, I mean. I'm not entirely sure how important it is to look fashionable, if the only other people who'll notice are fellow camera nerds.

Incidentally, the lens's "home town" of Görlitz sounds like an interesting place. Unlike most German cities, it wasn't bombed during WWII. After the war the eastern half of the city, on the east bank of the Neisse river, ended up in Poland, and is now known as Zgorzelec. These days the two halves get along fine, at least if Wikipedia is to be believed.

tanner springs

tanner springs


And a couple with the Auto Sekor 50mm f2 that came on the 500 DTL. I've already got a 1000 DTL with the slightly faster 55/1.8 Auto Sekor, so I suppose it wasn't absolutely necessary to get this camera & lens. But I figured they might be subtly different somehow, or something, plus you can't go wrong for $10. Plus... well, it's a sickness. I think at one point I promised I'd only buy one lens per focal length, and that I'd stick with just one M42 body, and various other rules and regulations trying to maintain some modicum of self-control. A lot of that's fallen by the wayside over time. I'm not entirely sure that's a good thing, but hey. I kept thinking I needed a hobby, and now I've got one, for good or ill.

tanner springs

tanner springs

Thursday, January 10, 2008

b+w: bendy & beer

evil bendy

Top photo: My rubbery made-in-China alter ego, somewhat less colorful than usual. This and the next photo were taken with yet another old camera, this time a Mamiya/Sekor 500 DTL, which I picked up at Goodwill for $10. Unfortunately it seems to have some kind of shutter or mirror issue, and about 2/3 of the photos came out with a strange flare effect. I got the same effect with several different lenses, so I know it's not that, at least. It's kind of a shame really; this is the only old camera I've got where the light meter actually works.

Anyway... Bottom photo: A bottle of Red Thistle Ale from Golden Valley Brewing in McMinnville. I made a run all the way down there just to pick up a case of this, only to discover a few days later that Belmont Station has it too, right here in Portland. This was actually the same trip where I bought the camera. Also, note that the bottle is not full, and I seem to recall the bottle pictured wasn't the first of the evening. That fact may help explain why I took these two photos.

red thistle in black & white

waterfront rainstorm

waterfront rainstorm

So here are a few pics from Waterfront Park, taken right in the middle of Tuesday's horrendous, drenching rain. Unless you read this blog regularly, you might be wondering why I'd do a stupid thing like that. Actually I had several reasons. None of them are especially good reasons, but hey.

  • I happened to have my (non-)trusty Holga along that day, and it even had black & white film in it. So it seemed like ideal subject matter.
  • Hey, it's a Holga, it's not like it would rust if it got a little wet, or the precision optics would get messed up somehow.
  • I've never actually had a proper case of pneumonia, and therefore haven't yet learned not to do this.
  • I had another roll of 120 plus a roll of 35mm I wanted to get developed that day, so I figured I'd use up the rest of the current roll and do all 3 at once, to be thrifty or frugal or something.
  • I wasn't sure any part of the roll would turn out, anyway. I'd forgotten to tape up the Holga this time, and a couple of days earlier I had the back pop right off. Which I understand happens to everyone sooner or later, so it's sort of a Holga rite of passage. I wasn't sure if any part of the roll was still good, so I figured this wasn't a roll to keep around for special occasions and precious moments and whatnot. Might as well use it up and see what's salvageable. In the end I think I only lost about whole two photos, plus half of the next one. If you look closely, you can see part of the word "KODAK" that somehow ended up on the film.
  • I've been a bit short on blog material lately, and I figured if I got some really grim, wintry photos, I'd get a post out of it, at least. That, or pneumonia.
  • I've spent a lot of time lately whining about the lack of proper photo subject matter. So I got to thinking, if it's going to be all wet and wintry and bleak for months anyway, regardless of how I feel about it, I might as well give in and just wallow in it for a while. Not literally, of course. That just leads to hypothermia, not creative fulfillment. Unlike pneumonia, I have had hypothermia before, and I'm not wild about a repeat.
  • I was also feeling kind of surly and unmotivated and undervalued that day, and only partly because of the hangover. That's one thing I've had before and haven't yet learned to avoid 100% of the time. That, and trying peculiar food after a few drinks. This time it was sushi filled with sea urchin innards. The previous time there were deep-fried pickles, if I recall correctly.
  • I honestly didn't have a better idea. I seriously couldn't think of anything else to do just then. Photo-wise, I mean.
waterfront rainstorm

The aforementioned half-a-photo.

waterfront rainstorm

waterfront rainstorm

waterfront rainstorm

waterfront rainstorm

waterfront rainstorm

waterfront rainstorm

Thursday, December 20, 2007

riding the tram with an old camera

Portland Aerial Tram

So I rode the tram again the other day. The thing's about a year old now, and the novelty's worn off. Normally I wouldn't have bothered to ride it, much less post photos of it, but I was taking another old vintage camera for a spin, and the real point of this is to show off the results. So let's just agree we've all done the obligatory collective eye roll about the tram, and another eye roll about the whole South Waterfront thing.

Portland Aerial Tram

The camera I used is an old Argus C3 Matchmatic, which was made between 1958 and 1966. If you've never seen one, you'll want to go look at the photo. There really isn't anything else quite like it. Two-tone leatherette and a bunch of shiny gears, and shaped almost exactly like a brick. Some people call it ugly, but I can't agree. As soon as I saw one on the antique store shelf, I went "ooh, cool" and decided I had to have it. I basically got it because it looked cool, and because it's a bit of vintage Americana. I'm no chest-thumping flag-waving patriot type, of course, but in the camera world, buying American is a form of rooting for the underdog. As is buying anything that isn't Japanese, German, or Russian, come to think of it. In addition, Arguses are cheap and plentiful, and (supposedly) relatively easy to fix if they break, and they don't break all that often. That's a desirable trait in a 40-50 year old camera.

Portland Aerial Tram

I didn't get it thinking it would actually take decent photos. It doesn't exactly look like it would, does it? I figured I'd run a roll through it out of curiosity, and I suppose also on the principle that I'm a camera user, not a collector, and I don't buy things just to put in a display case or whatever. But surprisingly, I actually like the results. A while back I saw an interesting comment about this, to the effect that it's a rather inconvenient camera to use, so there must be some other reason Argus sold millions of them, and kept making them from 1939 all the way to 1966.

Portland Aerial Tram

The standard lens on a C3 is the Coated Cintar, 50mm, f/3.5, which is what I've got. Not everyone realizes the C3 is an interchangeable lens camera. Despite its popularity, only a handful of lenses were ever marketed for it. Possibly this is because changing lenses is a bit of a chore. First you have to unscrew and remove the gear that couples the rangefinder to the lens. Then you unscrew the lens itself, and put the new lens on in its place. When putting the coupling gear back on, you have to take care that the rangefinder and lens are in sync, so that infinity on one means infinity on the other. Otherwise your focus will be all wrong, and you won't know it until you get your photos back. There's a short but apparently complete list of Argus lenses here, and photos of a couple of the more common ones here.

South Waterfront from upper tram station.

There's surprisingly little info on the net about the C3 lens mount, and I've never seen anyone selling an adapter to use Argus lenses on other cameras, despite the vast availability of cheap Arguses with perfectly decent lenses. So here's what I've been able to figure out. The screw thread is quite narrow -- I measured it at 34-35mm, although as a pre-WWII American design it might not be metric at all. 1 3/8" is just shy of 35mm, so that might be it. I didn't get a good read on the thread pitch, but it looked like it was greater than the usual 1mm. I've seen the lens registration distance (i.e. from the back of the lens mount to the film plane) given at 40mm, which is big for a rangefinder, but on the small side for an SLR. If 40mm is right, the only digital cameras you could use lens on and get infinity focus (assuming an adaptor existed) would be Four Thirds SLRs from Olympus, Panasonic, & friends. Oh, and a Leica M8 would probably work too, if you're made of money and actually plan to use the M8 instead of squirreling it away in a vacuum-sealed display case or something. So that might be a problem, but I noticed that the Cintar, at least, is so narrow that you can actually slide the whole back end of the lens into an M42 screw mount. So with a bit of mechanical skill (which I lack), one might be able to cook up a recessed lens adapter, hopefully without requiring mirror lock-up.

I also haven't seen adapters to put other lenses on Arguses. You'd lose rangefinder coupling, naturally, but it'd still be fun to stick a long telephoto or zoom or fisheye (for example) on the front of an Argus and see what you can do with it.

South Waterfront from upper tram station.

It's worth noting that next year marks the 70th birthday of the Argus C and C2, the C3's predecessors, and 2009 is the 70th birthday of the C3 itself. That'd be a great opportunity for the nice folks at Cosina Voigtlander to do one of those historical reproductions like they do. In recent years they've issued Bessa cameras in Leica screw mount, Contax & Nikon rangefinder mounts, M42 SLR mount, and most recently Leica M bayonet mount. Doing an Argus C3-mount Bessa could be a logical extension of that idea. Well, if you could convince enough people to pay a couple of hundred dollars for a new and rather more convenient camera (with a warranty) instead of an old $15 Argus. I'm not holding my breath, I just think it'd be kind of cool, that's all I'm saying.

Downtown from upper tram station

Wednesday, December 19, 2007

winter trees

winter trees, northwest portland

More winter trees, for your grim, gothic, wintry 'enjoyment'. Ok, technically they're the same trees as last time around, but I used different cameras, so it's not precisely the same thing. Or not.

winter trees, northwest portland

The trees are next to one of the streetcar stops on Lovejoy up in NW Portland. I don't remember which one, but it's whichever one is closest to the Lucky Lab brewpub. After a couple of beers, taking lots of photos of bare trees seems like a fantastic idea.

winter trees, northwest portland

The even-numbered pix were taken with a Pentax Spotmatic SP, circa 1964-66, with a Super Takumar 50/1.4. The odd ones were taken with a Mamiya 1000 DTL, circa 1967, with an Auto Sekor 55/1.8. They're both nice cameras, picked up at local antique stores for a pittance. Any failings you see in the photos are my fault. Or the fault of the el-cheapo drug store ASA 200 film. Or the one-hour-photo hut....


winter trees, northwest portland

Or the weather itself, for that matter. I'd like to take this opportunity to register a formal complaint about the weather. I'd much rather post photos of flowers, or waterfalls, or colorful ethnic festivals, or basically anything besides grim winter weather. But that's what we've got at the moment, so here we are. I suppose I could still do, I dunno, food, or something, but the weather's giving me a creative block. All I see right now is bare trees and rain, everywhere, as far as the eye can see. It's not depressing, exactly, merely frustrating. I mean, these pics were taken with color film, believe it or not. The curving limbs and branches are cool and all, but the lack of color is seriously cramping my style.


winter trees, northwest portland

winter trees, northwest portland