Showing posts with label civil war. Show all posts
Showing posts with label civil war. Show all posts

Sunday, May 18, 2014

Soldiers & Sailors Monument, Boston Common

A few photos of Boston's Soldiers and Sailors Monument, atop a low hill in the middle of Boston Common. It's a big allegorical Civil War memorial, like the later and more ornate Soldiers and Sailors Monument in Cleveland's Public Square. A page at Celebrate Boston describes the monument's allegorical odds and ends and what they all represent. CT Monuments laments graffiti and vandalism at the monument, and points out a nearby World War I monument made from a converted sea mine, which I'm quite sorry I didn't notice when I was there. Historical Digression talks about the monument a bit and moves on to Martin Milmore, its sculptor. Milmore died young at age 38, and was memorialized by Daniel Chester French's famous Death and the Sculptor, which may actually be better known than Milmore himself these days. French is best known for his Abraham Lincoln statue at the Lincoln Memorial, and he also created the Minute Man statue at the Old North Bridge in Concord, MA.

Public Art Boston's info page for the monument notes that "In honoring ordinary soldiers and sailors, rather than military leaders, this work set an important precedent adopted by the designers of subsequent memorials." and points out that it's available for "adoption" in the city's Adopt-a-Statue program.

On the point about this memorial defining a style for future ones, I came across a paper in the Spring 1988 Journal of American Culture, "Martin Millmore's Soldiers' and Sailors' Monument on the Boston Common: Formulating Conventionalism in Design and Symbolism". It looks interesting but unfortunately it's paywalled, and I'm not a Real Historian who can get it through a university library, and JSTOR does't have it, so -- peon that I am -- I can only see the first page. So this is the part where I put in a plug for Open Access publishing. Here's the first paragraph, in the spirit of fair use, since that hasn't been abolished yet:

The Soldiers' and Sailors' Monument on the Boston Common, designed by Martin Millmore and erected 1870-1877, is one of several types of memorials elevated after the Civil War. The characteristics of this monument, its configuration and iconography, were influenced by popular ideas and eclectic stylistic trends in post-Civil War America. The shaping of this type of monument was especially influenced by the popular tastes of the period. An analysis of the style, sources, and imagery of the design offers insight into the ideologies, the formulating conventions of the age, and the role of the artist in satisfying the prevalent demand for military monuments as art within the public domain.

Without really intending to, I've ended up with a handful of posts here about Civil War memorials. Beyond this one and the one in Cleveland, I've also got Southern contributions to the genre in Edgefield, SC and Tupelo, MS, as well as Portland's own very humble contribution, a couple of puny surplus cannons in Lownsdale Square. So I figured I'd go ahead and add a "civil war" post tag, so it's one stop shopping for visitors who just can't get enough of the Civil War for whatever reason. I don't get that, personally, but I like to feel I'm providing a valuable service here, even when I find it inexplicable.

Thursday, May 15, 2014

Courthouse Square, Edgefield SC


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Here are some old photos from the Courthouse Square in Edgefield, South Carolina. These photos are from the late 90s and show the town as a sleepy little rural county seat. It was a short day trip from Augusta, and the town was undeniably cute, but there just wasn't a lot to do once you were there. Google Street View indicates it's become a lot more twee since then. When your town square looks like a movie set, this sort of thing is bound to happen sooner or later, especially when you're a reasonable day trip distance from Atlanta. Moreover, given the rate of urban growth in Atlanta, Edgefield will probably be absorbed as a distant eastern suburb within a decade or so. I'm only half joking when I say that.

Anyway, yes, that obelisk in the center of the square is a Confederate war memorial. And yes, that's a statue of local son Senator J. Strom Thurmond next to it. Apparently -- and I was unaware of this until now -- there's a tiny etching of a cockroach, er, "Palmetto bug" hidden under Thurmond's right coattail. There is probably no polite way of looking for it, however.

Thurmond and his staff excelled at bringing home the pork to South Carolina, and Edgefield County in particular. The locals showed their gratitude by naming things after him, and since he was in office an uncommonly long time, they started to pile up after a while: Parks, roads, dams, schools, everything. You can't throw a rock without hitting something named for him, but then an outraged local will shoot you, so doing this is not advised. Thurmond even has half a lake named after him. There's a large reservoir on the Savannah upriver of Augusta that Georgia knows as Clarks Hill Lake. That's the name it was built under, but South Carolina later renamed their portion of it to be Lake Thurmond, and the dam as J. Strom Thurmond Dam. Georgia, not sharing South Carolina's enthusiasm for the man, declined to follow suit. You can always tell which side of the river someone's from by what name they call the lake.

Monday, October 22, 2012

Tupelo National Battlefield, Tupelo MS

Brices Cross Roads
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More old photos from the archives, this time from Tupelo National Battlefield in Tupelo, Mississippi. I was driving through the Deep South in a Ryder truck, headed a few states east of here, and I figured I probably ought to stop and see at least one Civil War site on the way. Understand that I've never been a Civil War buff, or a war buff of any kind. I wasn't really interested in spending days up to my eyes in gory and distasteful 1860s history.

With that in mind, I think I picked the right place. It's small, for one thing, just a single acre of land conveniently located in central Tupelo, Mississippi. It's just a grassy area with a cannon and a couple of memorials: A large commemorating the soldiers from both sides, but with an eagle on top and what looks like a Union shield design. Then there's a smaller, somewhat newer one commemorating "Our Confederate Dead That Gave Their Lives In Battle", supposedly "For Their Rights". As far as I'm concerned, the cannon & memorials pretty much sum up the entire conflict in a nutshell for non-enthusiasts, visitable in maybe 5 or 10 minutes.

Brices Cross Roads

Another nice thing is that, since it just comes across as a normal city park, it's pretty hard to visualize it being the site of 20,000 soldiers trying to kill or maim each other. Nice, I mean, for those of us who aren't keen on visualizing that sort of thing. In a related note, I don't know whether this little acre ever attracts Civil War reenactors, but the size of the place puts an upper bound on how many can show up, so that counts as a plus also.

Brices Cross Roads

My original plan had been to stop here and then go drive on the scenic Natchez Trace Parkway for a bit, but at the parkway visitor center a local cop insisted my Ryder truck was a commercial vehicle and thus wasn't allowed onto the road. I figured arguing my case with a Mississippi policeman might be unwise, especially if there was a chance he might be right. so I hopped back on US 78 and continued on east, and so far I haven't been back.

Sunday, July 22, 2012

Soldiers & Sailors Monument, Cleveland

A few photos of Cleveland's Soldiers & Sailors Monument, the Civil War memorial in Public Square. Wikipedia's extensive "Ohio in the American Civil War" article should give some idea why the city built such a large and ornate monument.

These were taken on a cold, windy day back in March, but I wanted to post some Cleveland photos today for the city's 216th birthday (216 also being the local area code, you see).


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Tuesday, March 02, 2010

Ft. Sumter Cannons, Lownsdale Square

Downtown Portland's Lownsdale Square is often overlooked, and the war memorial at its center is even more obscure. The main feature of the memorial is a pillar topped with a statue of a soldier, commemorating the Spanish-American War (which itself is a bit obscure). At its base sit two very small cannons, one facing north and the other south. They don't look like much, and practically nobody notices them, but it turns out they're one of Portland's two obscure Civil War memorials, the other being a monument in the middle of Lone Fir Cemetery.

A plaque on one states "HOWITZERS USED IN DEFENSE OF FORT SUMPTER 1861". In case you played hooky that day in history class, Fort Sumter (no 'P' ) is a fortified island in the harbor of Charleston, South Carolina. The Civil War started there, with Confederate forces laying siege to the Union-held fort. Later in the war the roles were reversed for a second siege.

The Parks Bureau page for the square (link up above) explains:

At the base of this monument are two small cannons from Fort Sumter (misspelled on the plaque) brought here by Colonel Henry E. Dosch. Because the cannons were used by both Union and Confederate troops, it was Dosch's idea to face one north and one south.

If I cared to look for it, I'm sure there's all manner of trivia available about these cannons: Who made them and when, what sort of ammunition they used, maximum range, that sort of thing. But I'm really not very interested at all in the military history angle. I'm not a huge war fan, much less one of those historical reenactor guys who like to put on costumes and pretend to shoot each other. That stuff kind of creeps me out, to be honest. It's more that a.) the cannons are uncommonly old by Portland standards regardless of what they are, and b.) it's a rare opportunity for me to plug Charleston, which is an amazingly beautiful and historic city.

But don't take my word for it about Charleston; go see for yourself, or at least fire up Google Street View and have a virtual wander around the city. You can even go visit Fort Sumter in person if you want to. We did, years ago, but you really have to use your imagination to picture what happened there. Really there are far more interesting things to see and do in Charleston, although the boat trip cross the harbor is pretty scenic. So there's that.

Ft. Sumter Howitzers, Lownsdale Square

I'm more interested in why and how the cannons came to Portland. I'd really like to be able to point at a news story or book excerpt explaining this, but I haven't found anything like that on the net. We can, however, look at the gentleman who brought the cannons here, and make some educated guesses from there.

RootsWeb has a couple of period bios of Col. Dosch: Charles Henry Carey's History of Oregon (1922) and a 1903 book titled "Portrait and Biographical Record of Portland and Vicinity, Oregon". It's your basic "German bookkeeper immigrates to US just in time for the Civil War, joins up, has adventures, gets wounded, leaves the Army, heads west, has adventures, does a stint as a Pony Express rider, ends up in Portland, goes into business, eventually retires, spends later years as an amateur horticulturalist, when not managing exhibits at World's Fairs around the globe." type story. Although you have to admit that's kind of an unusual story.

The University of Washington library has two photos of Dosch in 1909, and he looks exactly the way you (or at least I) would imagine a World's Fair bigwig would look.

Among other things, Dosch organized the Oregon exhibit at the 1901-1902 South Carolina Inter-State and West Indian Exposition in Charleston, which just might be when and where he obtained these cannons. One goal of the fair was to publicize our newly conquered colonies the US picked up in the Spanish-American War (The Philippines, Cuba, Puerto Rico, Guam, etc.) So it may have seemed less peculiar at the time to situate Civil War cannons around a Spanish-American War monument.

A few other tidbits about Col. Dosch, from across the interwebs:

Ft. Sumter Howitzers, Lownsdale Square

One other loose end to sort out is the plaque's misspelling of "Sumter" as "Sumpter". As it turns out, there's an old mining ghost town in Eastern Oregon also named (and spelled) Sumpter. That's the only other case I've seen of "Sumter" being spelled with a 'p', so I suspect there's a connection. I'd guess people in Portland were so used to spelling it with a 'p' that they just did it without thinking. The classic "Oregon: End of the Trail" (from the Depression-era Federal Writers Program) describes the town in poetic and alarming terms:

Right on this road along the north bank of Powder River to SUMPTER, 19.6 m. (4,424 alt.), an almost deserted town of the "hard-rock" mining era. In 1902 an editorial in the local paper asked- "Sumpter, golden Sumpter, what glorious future awaits thee?" The answer today is a U. S.Forest station, one store with a pool hall, and the crumbled remnants of a business section that once stretched seven blocks up the steep hill. The town was so named because three North Carolinians, who chose a farmsite at this point in 1862, called their log cabin Fort Sumpter a misspelling of "Sumter." For many years the camp existed by grace of the few white miners who explored the district and hundreds of Chinese who followed them. With the coming of the railroad in 1896 and the opening of ore veins on the Blue Mountains, Sumpter became a city of 3,000 inhabitants. The total yield of the Sumpter quadrangle from both placer and deep mines has been nearly sixteen million dollars Names of the most productive mines were Mammoth, Goldbug-Gnzzly, Bald Mountain, Golden Eagle, May Queen, Ibex, Baby McKee, Belle of Baker, Quebec, White Star, Gold Ridge, and Bonanza. Twelve miles of mine tunnels were in operation at one time The town even had an opera house where fancy dress balls were held, but the sheepmen of the region were not welcome at them. The vigilante committee warned sheepmen away from the gold country on the threat of fixing them up "until the Angels could pan lead out of their souls." The story of Sumpter after 1916 is almost a blank. The few people who remained became accustomed to the sound of crumbling walls and to using doors and window frames for firewood. The smelter erected during the last days of the boom still stands. Pack rats live in the vaults of two former banks.